A French king paid a fortune for her. An emperor coveted her. Every year more than 9 million visitors trek to view her portrait in the Louvre.Yet while everyone recognizes her smile, hardly anyone knows her story. Mona Lisa: A Life Discovered, a blend of biography, history, and memoir, truly is a book of discovery—about the world’s most recognized face, most revered artist, and most praised and parodied painting. Who was she, this ordinary woman who rose to such extraordinary fame? Why did the most renowned painter of her time choose her as his model? What became of her? And why does her smile enchant us still?Lisa Gherardini (1479-1542) was a quintessential woman of her times, caught in a whirl of political upheavals, family dramas, and public scandals. Her life spanned the most tumultuous chapters in the history of Florence—and of the greatest artistic outpouring the world has ever seen. Her story creates an extraordinary tapestry of Renaissance Florence, with larger-than-legend figures such as Leonardo da Vinci, Michelangelo, and Machiavelli.Dianne Hales, author of La Bella Lingua, became obsessed with finding the real Mona Lisa on repeated trips to Florence. In Mona Lisa: A Life Discovered, she takes readers with her to meet Lisa’s descendants; uncover her family’s long and colorful history; and explore the neighborhoods where she lived as a girl, a wife, and a mother. In the process, we can participate in Lisa’s daily rituals; understand her personal relationships; and see, hear, smell, and taste “her” Florence. Hales brings to life a time poised between the medieval and the modern, a vibrant city bursting into fullest bloom, and a culture that redefined the possibilities of man—and of woman.

     Milan, 1497: Leonardo is completing The Last Supper. Pope Alexander VI is determined to execute him after realizing that the painting contains clues to a baffling -- and blasphemous -- message that he is driven to decode. The Holy Grail and the Eucharistic Bread are missing, there is no meat on the table, and the apostles, shockingly, are portraits of well-known heretics -- and none of them are depicted with halos. And why has the artist painted himself into the scene with his back turned toward Jesus? The clues to Leonardo's greatest puzzle are right before your eyes....

    The Cornish Confetti Agency is heading to Tuscany!Why not join Lexie as she co-ordinates Isla and Nico’s wedding in gorgeous Florence?

    He discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and he analyzes the ways of thinking and seeing that characterized this period of extraordinary artistic creativity. Developing a distinctive approach, the author is concerned not only with the finished works of Michelangelo, Raphael, Leonardo da Vinci, and others, but also with the social background, patterns of recruitment, and means of subsistence of this cultural elite. He thus makes a major contribution both to our understanding of the Italian Renaissance and to our comprehension of the complex relations between culture and society.

    While she works to discover his whereabouts, refugees begin flooding into Paris, and German artillery fire rattles the city. Once they reach the city, the Nazis will stop at nothing to get their hands on the Louvre’s art collection. Anne is quickly sent to the Castle of Chambord, where the Louvre’s most precious artworks—including the Mona Lisa—are being transferred to ensure their safety. With the Germans hard on their heels, Anne frantically moves the Mona Lisa and other treasures again and again in an elaborate game of hide and seek. As the threat to the masterpieces and her life grows closer, Anne also begins to learn the truth about her brother, and the role he plays in this dangerous game.Florence, 1479House servant Bellina Sardi’s future seems fixed when she accompanies her newly married mistress, Lisa Gherardini, to her home across the Arno. Lisa’s husband, a prosperous silk merchant, is aligned with the powerful Medici, his home filled with luxuries and treasures. But soon, Bellina finds herself bewitched by a charismatic monk who has urged Florentines to rise up against the Medici, and to empty their homes of the riches and jewels her new employer prizes. When Master Leonardo da Vinci is commissioned to paint a portrait of Lisa, Bellina finds herself tasked with hiding an impossible secret.When art and war collide, Leonardo da Vinci, his beautiful subject Lisa, and the portrait find themselves in the crosshairs of history.

    It consists of 143 paintings of small size, rarely larger than 20 x 30 inches, many of them now considered icons of 20th century art, most of them seIf-portraits. The reasons for this ostensible narcissism were closely bound up with Kahlo's biography, with the country and epoch in which she grew up, and with her decidedly eccentric character. It was no coincidence that the major enigmatic minds of the 16th century, namely Hieronymous Bosch and Pieter Bruegel the Elder, were among her favorite painters. For Frida Kahlo never displayed her wounds directly--be it the physical wounds caused by accidents and illness, or the psychological inner wounds. Hers is a subtly enciphered symbolic language, rich in metaphors drawn from almost all the world's cultures. Aztec myths of creation. Far Eastern and Classical Greek mythology, and popular Catholic beliefs all mingle in Kahlo's pictures with Mexican folklore and the stuff of quotidian life, with Marx and Freud. Andre Breton, one of her many admirers among the European avant-garde, once described Kahlo's art as a "colored ribbon round a bomb." Exotic and explosive, sensuous and fascinatingly vital in terms of artistic statement. Kahlo's paintings shed a complex and often frightening light on her soul, her "inner reality." as she called it. If the incessant commercial marketing of Kahlo's paintings over the past decade had obscured a clear view of her extraordinary oeuvre, this present monograph attempts to make amends "Frida Kahlo: The Painter and Her Work returns to the heart, to 42 select masterpieces, reproduced in full and in detail. The painterly quality, the beauty, and theimmense wealth of details in Kahlo's paintings is laid out before the reader's eyes, as is the abyss in which the artist found herself.

    He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius

    Two powerful families, the tyrannical Medici and their biggest rivals, the Pazzi, are tangled in a bloody struggle for ultimate power. Caught in the whirlwind is Flora, the last daughter of the Pazzi. As her beautiful older sister is being painted by the famed artist Botticelli, Flora is dreading her fate. Destined for life in a convent, Flora is determined to take matters into her own hands, even as her world crumbles around her. When Flora decides runs away, she has no idea that the decision will save her life. As her family falls to their murderous enemy, Flora must find a new life and a new identity.Inspired by actual events, Primavera is a dazzling coming of age story set during a time of beauty and wealth, ambition, rivalry and brutality. Historical art references to Boticelli and his famous painting, Primavera, give this book an appeal similar to Girl with a Pearl Earring.

    Spurned by his tutor, he is sent by his despairing father to Florence as an apprentice. Under the guiding hand of Verrocchio, the master sculptor, he begins to make his name. But success requires sacrifice; Florence demands a level of conformity impossible for him. Forced to leave, Leonardo places himself at the service of the charismatic, power-thirsty Duke of Milan. His journey leads him back to Lisa and the portrait he has waited so long to paint, the culmination of his life's work.From the glittering court of the Medici to the mortuaries of Milan and the battlefields of the Po valley, Lucille Turner's powerful novel vividly imagines Leonardo's lonely struggle to convince others of his vision of the world.

    Deployed today to celebrate subjects as various as the grandeur of art, the beauty of the human form, and the universality of the human spirit, the drawing turns up just about everywhere: in books, on coffee cups, on corporate logos, even on spacecraft. It has, in short, become the world’s most famous cultural icon—and yet almost nobody knows about the epic intellectual journeys that led to its creation. In this modest drawing that would one day paper the world, da Vinci attempted nothing less than to calibrate the harmonies of the universe and understand the central role man played in the cosmos.Journalist and storyteller Toby Lester brings Vitruvian Man to life, resurrecting the ghost of an unknown Leonardo. Populated by a colorful cast of characters, including Brunelleschi of the famous Dome, Da Vinci’s Ghost opens up a surprising window onto the artist and philosopher himself and the tumultuous intellectual and cultural transformations he bridged. With sparkling prose and a rich variety of original illustrations, Lester captures the brief but momentous time in the history of western thought when the Middle Ages gave way to the Renaissance, art and science and philosophy converged as one, and all seemed to hold out the promise that a single human mind, if properly harnessed, could grasp the nature of everything.

    But on one rainy Connecticut afternoon, struggling painter William Lomazzo appears at her door. He brings with him a sixteenth-century treatise on art, left remarkably intact; Rose is quickly able to identify the pages as a palimpsest, a document written over a hidden text that had purposely been scraped away. Yet the restoration poses a confounding issue: Rose and William--a married man--are captivated by one another, an unspoken attraction linking them almost instantly.Five centuries earlier, Renaissance-era Venetians find themselves at the mercy of an encroaching Ottoman fleet, preparing for a bloody war. Giovanni Lomazzo, a respected portrait artist still grappling with the death of his wife and young son, is terrified to discover his vision declining with each passing day, forcing him to document his every encounter as he faces the possibility of a completely dark, colorless world. Commissioned to paint the enchanting courtesan of one of Venice's most respected military commanders--what may very well be his final artistic feat--Gio soon finds himself enraptured by a dangerous, magnificent forbidden love. All the while, the threat of the Ottoman Empire looms as the rival army hopes to lay siege to the port city.Spellbound by Gio's revelations, Rose and William find themselves forced to confront the reality of their own mystifying connection. A richly detailed page-turner shadowed by one of history's darkest times, The Lost Diary of Venice weaves a heartbreakingly vivid portrait of two vastly different worlds and two tales of entrancing, unrelenting love.

    Instead of pausing to look up every word, you’ll absorb new vocabulary from the context of the story, and have the satisfaction of that moment when you say: “I totally understood that sentence!” Carefully written Italian, using straightforward grammar that is comprehensible for beginner and intermediate level learners, so that you can enjoy reading and learn new grammatical structures without the feeling of overwhelm and frustration that you get from other books. Plenty of natural dialogues in each story, so that you can learn conversational Italian whilst you read, and improve your speaking ability at the same time! Regular plot summaries, comprehension questions and word reference lists, so that help is always on hand when you need it. You’ll be able to focus on enjoying reading and having fun, rather than fumbling around with dictionaries and struggling through dense text with no support. A five-step plan for reading the stories in this book the smart way. This detailed introductory chapter gives you specific, step-by-step instructions for effective reading in Italian, so that you know exactly how to make the most out of the book and maximise your learning! Italian Short Stories for Beginners Volume 2 is written especially for students from beginner to intermediate level (A1-B1 on the Common European Framework of Reference). The eight captivating stories are designed to give you a sense of achievement and a feeling of progress when reading. You’ll finally be able to enjoy reading in Italian, grow your vocabulary in a natural way, and improve your comprehension at the same time. Based on extensive research into how people most enjoy and benefit from reading in a new language, this book eliminates all the frustrations you have experienced when trying to read in Italian: Dull topics that are no fun to read Books so long you never reach the end Endless chapters that make you want to give up Impenetrable grammar that frustrates you at every turn Complex vocabulary that leaves you with your head buried in the dictionary Instead, you can just concentrate on what you came for in the first place - enjoying reading and having fun! If you’re learning Italian and enjoy reading, this is the book you need to rekindle your passion for the language and take your Italian to the next level!

    . .Fifteenth-century Rome: The Borgia family is on the rise. Lucrezia’s father, Pope Alexander VI, places his illegitimate daughter and her only brothers, Cesare, Giovanni, and Goffredo, in the jeweled splendor—and scandal—of his court. From the Pope’s affairs with adolescent girls to Cesare’s dangerous jealousy of anyone who inspires Lucrezia’s affections to the ominous birth of a child conceived in secret, no Borgia can elude infamy.Young Lucrezia gradually accepts her fate as she comes to terms with the delicate nature of her relationships with her father and brothers. The unbreakable bond she shares with them both exhilarates and terrifies her as her innocence begins to fade. Soon she will understand that her family’s love pales next to their quest for power and that she herself is the greatest tool in their political arsenal. From the inimitable pen of Jean Plaidy, this family’s epic legend is replete with passion, intrigue, and murder—and it’s only the beginning.

    The novel opens on a train en route to Verona. A young American woman is on an Italian tour with her famous musician husband. In a moment of fury and despair at their lifeless marriage, she drags down a piece of her luggage and gets off the train in the countryside. Marooned and on her own for the first time in eight years, she returns to Venice, gets a room at the Hotel Gritti Palace, sets out to explore the city, and chances on a group of boys tormenting a small dog, which she rescues and smuggles into the hotel.The following day she is accosted by a man who claims that the dog belongs to his employer. Reluctantly she follows him to a Gothic palazzo and to the dog’s owner, an elderly contessa. The young woman becomes faint. The contessa insists that she stay the night . . .What started off as an impulsive act of defiance opens out into an adventure—and a mystery—that summons up centuries of the Venetian past, the discovery of a lost masterpiece, and the heroine’s reclamation of herself.

    Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day. Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was--more like Calcutta or the Costa del Sol?--and what it can tell us about ordinary life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath and see the intestinal tapeworms of the inhabitants of the lost city. She resurrects the Temple of Isis as a testament to ancient multiculturalism. At the Suburban Baths we go from communal bathing to hygiene to erotica. Recently, Pompeii has been a focus of pleasure and loss: from Pink Floyd's memorable rock concert to Primo Levi's elegy on the victims. But Pompeii still does not give up its secrets quite as easily as it may seem. This book shows us how much more and less there is to Pompeii than a city frozen in time as it went about its business on 24 August 79.