A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.

    Set against the political upheavals of Italy in the 1860s, it focuses on Don Fabrizio, a Sicilian prince of immense sensual appetites, wealth, and great personal magnetism. Around this powerful figure swirls a glittering array of characters: a Bourbon king, liberals and pseudo liberals, peasants and millionaires.

    Seen in historical perspective it was not an especially big massacre: the revolt of the long-subjugated Sicilians might seem just another resistance movement. But the events of 1282 came at a crucial moment. Steven Runciman takes the Vespers as the climax of a great narrative sweep covering the whole of the Mediterranean in the thirteenth century. His sustained narrative power is displayed here with concentrated brilliance in the rise and fall of this fascinating episode. This is also an excellent guide to the historical background to Dante's Divine Comedy, forming almost a Who's Who of the political figures in it, and providing insight into their placement in Hell, Paradise or Purgatory.

    “The quirkiness and grace of the writing, the originality of the imagination at work,...and a certain lovable nuttiness make this collection well worth reading” (Margaret Atwood). Translated by William Weaver, Peggy Wright, and Archibald Colquhoun. A Helen and Kurt Wolff Book