In the 1970s, he sent two prize students, Tim Plowman and Wade Davis, to follow in his footsteps and unveil the botanical secrets of coca, the notorious source of cocaine, a sacred plant known to the Inca as the Divine Leaf of Immortality.A stunning account of adventure and discovery, betrayal and destruction, One River is a story of two generations of explorers drawn together by the transcendent knowledge of Indian peoples, the visionary realms of the shaman, and the extraordinary plants that sustain all life in a forest that once stood immense and inviolable.

    So she quit her job and set out to prove that adventure is not just a vacation style but a philosophy of living and to find like-minded, risk-taking women around the globe. With modest backing, a small television crew, her spirited producer-mother, Jeannie, and a whole lot of chutzpah, Morris tracked down artists, activists, and politicos–women of action who are changing the rules and sometimes the world around them.In these pages, Morris brings to life the remarkable people and places she’s encountered on the road while filming her PBS series Adventure Divas and other programs. We meet Assata Shakur, a former Black Panther and social activist and now a fugitive living in exile in Cuba; Kiran Bedi, New Delhi’s chief of police, who revolutionized India’s infamously brutal Tijar Jail with her humanitarian ethic; New Zealand pop star Hinewehi Mohi, a Maori who reinvigorates her native culture for a new generation; and Mokarrameh Ghanbari, a septuagenarian painter and rice farmer who lives in the tiny village of Darikandeh on the Caspian plains of Iran, where her creative talents run counter to the government’s strict stance on art. Along the way, Morris herself becomes a certified Adventure Diva, as she hunts for wild boar with Penan tribesmen in the jungles of Borneo, climbs the Matterhorn short-roped to a salty fourth-generation Swiss guide, and memorably becomes the first woman ever to enter the traditional camel race of the Saharan oasis town of Timia.Intelligent, phenomenally funny, and chock-full of rich and telling details of place, Adventure Divas is a pro-woman chronicle for the twenty-first century. In a pilgrimage fueled by curiosity, ideology, and full-on estrogen power, Holly Morris has paved the way for all of us to discover our own diva within and set out on our own adventures.From the Hardcover edition.

    Half-poet and half-geologist, he recorded his experiences and reflections in Travels in Alaska, a work he was in the process of completing at the time of his death in 1914. As Edward Hoagland writes in his Introduction, “A century and a quarter later, we are reading [Muir’s] account because there in the glorious fiords . . . he is at our elbow, nudging us along, prompting us to understand that heaven is on earth—is the Earth—and rapture is the sensible response wherever a clear line of sight remains.”This Modern Library Paperback Classic includes photographs from the original 1915 edition.

    Pamela Mountbatten entered a remarkable family when she was born at the very end of the Roaring Twenties.As the younger daughter of the glamorous heiress Edwina Ashley and Lord Louis Mountbatten, Pamela spent much of her early life with her sister, nannies, and servants—and a menagerie that included, at different times, a bear, two wallabies, a mongoose, and a lion. Her parents each had lovers who lived openly with the family. The house was always full of guests like Sir Winston Churchill, Noël Coward, Douglas Fairbanks, and the Duchess of Windsor (who brought a cold cooked chicken as a hostess gift).When World War II broke out, Lord Mountbatten was in command of HMS Kelly before being appointed chief of Combined Operations, and Pamela and her sister were sent to live on Fifth Avenue in New York City with Mrs. Cornelius Vanderbilt. In 1947, her parents were appointed to be the last viceroy and vicereine of India and oversee the transfer of power to an independent Indian government. Amid the turmoil of political change, Pamela worked with student leaders, developed warm friendships with Gandhi and Nehru, and witnessed both the joy of Independence Day and its terrible aftermath. Soon afterwards, she was a bridesmaid in Princess Elizabeth’s wedding to Prince Philip, and was a ladyin- waiting at the young princess’s side when she learned her father had died and she was queen.Vivid and engaging, well-paced and superbly detailed, this witty, intimate memoir is an enchanting lens through which to view the early part of the twentieth century.

    She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From.

    Hamida Ghafour's family fled when the Communists came, the first of their ancient Afghan line to leave. Most of her other relatives soon followed. This is an evocative, searching family memoir from a young journalist.

    From his studio in London, he starts by travelling to three "white hills" - sites in China, Germany and England that are key to porcelain's creation. But his search eventually takes him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.Part memoir, part history, part detective story, The White Road chronicles a global obsession with alchemy, art, wealth, craft and purity. In a sweeping yet intimate style that recalls The Hare with Amber Eyes, de Waal gives us a singular understanding of "the spectrum of porcelain" and the mapping of desire.

    Over the next decade he built fifty-five schools—especially for girls—that offer a balanced education in one of the most isolated and dangerous regions on earth. As it chronicles Mortenson’s quest, which has brought him into conflict with both enraged Islamists and uncomprehending Americans, Three Cups of Tea combines adventure with a celebration of the humanitarian spirit.

    The northern border was America’s primary border for centuries—much of the early history of the United States took place there—and to the tens of millions who live and work near the line, the region even has its own name: the northland.Travel writer Porter Fox spent three years exploring 4,000 miles of the border between Maine and Washington, traveling by canoe, freighter, car, and foot. In Northland, he blends a deeply reported and beautifully written story of the region’s history with a riveting account of his travels. Setting out from the easternmost point in the mainland United States, Fox follows explorer Samuel de Champlain’s adventures across the Northeast; recounts the rise and fall of the timber, iron, and rail industries; crosses the Great Lakes on a freighter; tracks America’s fur traders through the Boundary Waters; and traces the forty-ninth parallel from Minnesota to the Pacific Ocean.Fox, who grew up the son of a boat-builder in Maine’s northland, packs his narrative with colorful characters (Captain Meriwether Lewis, railroad tycoon James J. Hill, Chief Red Cloud of the Lakota Sioux) and extraordinary landscapes (Glacier National Park, the Northwest Angle, Washington’s North Cascades). He weaves in his encounters with residents, border guards, Indian activists, and militia leaders to give a dynamic portrait of the northland today, wracked by climate change, water wars, oil booms, and border security.

    All she knew about her was that the baby had been born in Wuhu, a city in southern China, and left near a police station in her first three days of life. Her birth mother had left a note with Lulu's western and lunar birth dates. In 1999 Emily and her daughter–now a happy, fearless four-year-old--returned to China to find out more. That journey and its discoveries unfold in this lovely, touching and sensitively observed book.In Wuhu Diary, we follow Emily and LuLu through a country where children are doted on yet often summarily abandoned and where immense human friendliness can coexist with outbursts of state-orchestrated hostility–particularly after the U. S. accidentally bombs the Chinese embassy in Belgrade. We see Emily unearthing precious details of her child’s past and LuLu coming to terms with who she is. The result is a book that will delight anyone interested in China, and that will move and instruct anyone who has ever adopted--or considered adopting--a child.

    A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a twenty-five-year-old national correspondent for the "Los Angeles Times," was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, including Israel, Egypt, Libya, and Yemen, witnessing the changes that swept the Muslim world and laboring to tell its stories. "Every Man in This Village Is a Liar" is Megan K. Stack's riveting account of what she saw in the combat zones and beyond. She relates her initial wild excitement and her slow disillusionment as the cost of violence outweighs the elusive promise of freedom and democracy. She reports from under bombardment in Lebanon; records the raw pain of suicide bombings in Israel and Iraq; and, one by one, marks the deaths and disappearances of those she interviews. Beautiful, savage, and unsettling, "Every Man in This Village Is a Liar" is a memoir about the wars of the twenty-first century that readers will long remember.

    Along the way he reflects on the American character, racial hostility, the particular form of American loneliness he finds almost everywhere, and the unexpected kindness of strangers.

    Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul.Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.”Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.

    With minimal equipment and disguised as an itinerant Muslim, he hitch-hiked and walked through southern Turkey, and the Iran of the Ayatollahs, entering Afghanistan illegally in the wake of a convoy of Chinese weapons and then spent months dodging Russian helicopter gunships with the rebel guerillas. He was the first foreigner to cross from Pakistan into the closed western province of China since the revolution on 1949.

    Except for one essay on Central America, all of these pieces are concerned with locations in the Hindu, Buddhist, or Islamic worlds. A superb and observant traveler, Paul Bowles was a born wanderer who found pleasure in the inaccessible and who cheerfully endures the concomitant hardships with a matter-of-fact humor.These essays provide us with Paul Bowles' characteristic insightfulness and bring us closer to a world we frequently hear about, but often find difficult to understand.