Elen Sentier grew up in a long family lineage of following the Deer Trods; in this book she tells of the old, forgotten ways of our ancestors. Through her own experience, stories, practical exercises and journeys with the deer, Elen takes you into the realm of the Boreal Forest, of which Britain is a part, to show how the Deer Goddess is the spirit of this land. To walk the deer trods is to realise how close and connected you are to nature and everything in this beautiful world which we share with our non-human brethren. You learn, too, that our everyday world and otherworld are intertwined. Elen of the Ways is both here and there at the same time. You will find her everywhere.

    Under her, women's roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women's status. Index, maps and illustrations.

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    The tale seems to begin with buried treasure and then turns into an unprecedented historical detective story - a modern Grail quest leading back through cryptically coded parchments, secret societies, the Knights Templar, the Cathar heretics of the twelfth and thirteenth centuries and a dynasty of obscure French kings deposed more than 1,300 years ago. The author's conclusions are persuasive: at the core is not material riches but a secret - a secret of explosive and controversial proportions, which radiates out from the little Pyrenees village all the way to contemporary politics and the entire edifice of the Christian faith. It involves nothing less than... the Holy Grail.

    Paxson --Foreword / Andre Norton --To light such a candle / Eluki Bes Shahar --The grail of heart's desire / Judith Tarr --Lady of Avalon / Diana L. Paxson --With God to guard her / Kate Elliott --Appreciation / C.J. Cherryh --Sing to me of love and shadows / Deborah Wheeler --The wellspring / Katharine Kerr --Knives / Dave Smeds. A refuge of firedrakes / Susan Shwartz --Appreciation / Charles de Lint --The hag / Lawrence Schimel --Salve, Regina / Melanie Rawn --Tress of Avalon / Elisabeth Waters --Sparrow / Esther Friesner --The spell between worlds / Karen Haber --The stone mother's curse / Dave Wolverton. Appreciation / Paul Edwin Zimmer --Iontioren's tale / Paul Edwin Zimmer --Winter tales / Adrienne Martine-Barnes --Dark lady / Jane M. Lindskold --The lily maid of Astolat / Laura Resnick --Appreciation / Jennifer Roberson --Guinevere's truth / Jennifer Roberson.

    Here is the revised and updated version of Earth Magic, the author's personal book of magical practice, made available for today's Witches. Based on an indepth study of the many facets of Witchcraft, Earth Magic presents the religion as positive and life-affirming.The book is filled with how-to's of a practical nature, as is traditional in Witchcraft. It is intended to be a springboard, to unlock the reader's psychic Wiccan abilities and guide them into the creation of their own unique and personal work. Every technique is explained in detail, in keeping with Weinstein's proviso that one should never attempt to work any magic unless one understands it fully. The goal is to encourage true Witchcraft expertise and creativity.The information from the original edition is still available, as well as a treasure trove of new material, some of which has never been seen before. In this thoroughly revised edition, you will learn: -- How to set up psychic protection.-- How to work string and cord magic.-- Working with the phases of the Moon.-- Forming and working with your own coven.-- Visualization in a Witch's mode.-- Choices of Deity alignments from a wide realm of cultures.-- Not one, but two methods of Manifestation: Creation Manifestation and Affinity Manifestation.-- Creating rituals, creating Words of Power, composing one's own spells, use of talismans, candles, pendulums, Witch's Bottles, scrying, oracles, and much more.

    Demonstrates that the usual theoretical distinction between black magic and white, evil magic and good, is not so simply drawn. Text: English (translation)Original Language: French, Hebrew, Italian, Latin

    We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry--from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, Mythology is Edith Hamilton's masterpiece--the standard by which all other books on mythology are measured.

    Anyone caught by surprise in the open fields or depths of the woods would see a bizarre procession of demons, giants, hounds, ladies of the night, soldiers, and knights, some covered in blood and others carrying their heads beneath their arms. This was the Wild or Infernal Hunt, the host of the damned, the phantom army of the night--a theme that still inspires poets, writers, and painters to this day. Millennia older than Christianity, this pagan belief was employed by the church to spread their doctrine, with the shapeshifters' and giants of the pagan nightly processions becoming sinners led by demons seeking out unwary souls to add to their retinues. Myth or legend, it represents a belief that has deep roots in Europe, particularly Celtic and Scandinavian countries. The first scholar to fully examine this myth in each of its myriad forms, Claude Lecouteux strips away the Christian gloss and shows how the Wild Hunt was an integral part of the pagan worldview and the structure of their societies. Additionally, he looks at how secret societies of medieval Europe reenacted these ghostly processions through cult rituals culminating in masquerades and carnival-like cavalcades often associated with astral doubles, visions of the afterlife, belief in multiple souls, and prophecies of impending death. He reveals how the nearly infinite variations of this myth are a still living, evolving tradition that offers us a window into the world in which our ancestors lived.

    Get help with dream divination from Sleeping Beauty. Ask Cinderella to make your wishes come true. Real magic lies at the core of fairy tales we all know and love. In exploring the origins of these age-old stories, you'll uncover their connection to fairy creatures.

    Drawing on shamanic practices from the world over, SHAMANISM AS A SPIRITUAL PRACTICE FOR DAILY LIFE addresses the needs of contemporary people who yearn to deepen their own innate mystical sensibilities. This inspirational book shows how to develop a personal spiritual practice by blending elements of shamanism with inherited traditions and current religious commitments. Contents include: The central role of power animals and spirit teachers.Visionary techniques for exploring the extraordinary in everyday life.Elements of childhood spirituality including songs, secret hiding places, power spots, and imaginary power figures.A journey to an ancestral shaman to recover lost knowledge.

    Helplessness in the face of disease and human disaster helped to perpetuate this belief in magic and the supernatural. As Keith Thomas shows, England during these years resembled in many ways today's underdeveloped areas. The English population was exceedingly liable to pain, sickness, and premature death; many were illiterate; epidemics such as the bubonic plague plowed through English towns, at times cutting the number of London's inhabitants by a sixth; fire was a constant threat; the food supply was precarious; and for most diseases there was no effective medical remedy. In this fascinating and detailed book, Keith Thomas shows how magic, like the medieval Church, offered an explanation for misfortune and a means of redress in times of adversity. The supernatural thus had its own practical utility in daily life. Some forms of magic were challenged by the Protestant Reformation, but only with the increased search for scientific explanation of the universe did the English people begin to abandon their recourse to the supernatural. Science and technology have made us less vulnerable to some of the hazards which confronted the people of the past. Yet Religion and the Decline of Magic concludes that if magic is defined as the employment of ineffective techniques to allay anxiety when effective ones are not available, then we must recognize that no society will ever be free from it.

    The Chalice and the Blade tells a new story of our cultural origins. It shows that warfare and the war of the sexes are neither divinely nor biologically ordained. It provides verification that a better future is possible—and is in fact firmly rooted in the haunting dramas of what happened in our past.

    In this pagan guidebook, Alaric Albertsson presents a complete introduction to Anglo-Saxon cosmology, deities, spirits, and rituals.Travels Through Middle Earth offers practical information about the Saxon Pagan path, including many ways to incorporate Saxon rituals into contemporary spiritual life. Discover the husel, a basic ritual for honoring personal ancestors, the Gods, and dwarves and elves. Learn how to set up a weofod, the Saxon altar, to connect with the Gods. Also covered in this handbook: the concept of wyrd and how it shapes your destiny, the holy tides and how to celebrate them, rites of passage, worship, magic, and even instructions for making mead.

    The next stage of the ecological revolution begins with the reawakening of the male counterpart of the Goddess, the Green Man, and archetype found in folklore and religious art from the earliest times, and especially linked with Christian origins of modern science. Long suppressed, the archetype emerges now to challenge us to heal our relationship with nature.