Madden muses on the origins of human language, the curative properties of laughter, and the joys and woes of fatherhood. Sparked by considerations of selling garlic, washing grapes, changing a diaper, or chipping a tooth, his essays are an antidote to the harried hullabaloo of talk-show and tabloid culture—and a reminder that we are surrounded by wonders that whisper to the curious and attentive.Ingenuous and erudite, and with a beguiling wit, Madden examines the intricate tapestry of ordinary life in its extraordinary patterns. His book is a poetic and engaging exploration of the unexpectedly wide scope of our everyday existence.

    At a time when the arbiters of American culture were obsessing over organic kale, cold-pressed juice, and SoulCycle, the man who stood second in line to the presidency was unapologetically smoking Camels, quaffing a glass of red, and hitting the golf course whenever he could.There could hardly have been a more diametrically opposed figure to represent the opposition party in President Barack Obama's Washington. But when Boehner announced his resignation, President Obama called to tell the outgoing Speaker that he'd miss him. Mr. President, Boehner replied, yes you will. He thought of himself as a regular guy with a big job, and he enjoyed it.In addition to his own stories of life in the swamp city and of his comeback after getting knocked off the leadership ladder, Boehner offers his impressions of leaders he's met and what made them successes or failures, from Ford and Reagan to Obama, Trump, and Biden. He shares his views on how the Republican Party has become unrecognizable today; the advice--some harsh, some fatherly--he dished out to members of his own party, the opposition, the media, and others; and his often acid-tongued comments about his former colleagues. And of course he talks about golfing with five presidents.Through Speaker Boehner's honest and self-aware reflections, you'll be reminded of a time when the adults were firmly in charge.

    It is a vulnerable cross section of his writing that moves from disarmingly human to sudden bursts of beast, able to seamlessly blend back into grounded stories of humor, heartache and identity using crisp, innovative and unforgettable metaphors. If you can only buy one Buddy Wakefield book, this collection is the most comprehensive of his most compelling works to date. His craft mimics the intrigue of propellers when they make themselves invisible. Buddy’s honest story is a one-man relay race to the light; that of a boy at gentleman practice who sometimes wants to blend in so badly he forgets his purpose has already arrived and there is no need to fight a war that’s long been over. The reader must be prepared for the recurring nightmares from which Buddy wakes up only to realize that whatever supposedly awful thing was stalking him was actually just trying to help.

    The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.

    From the online hookup world of DMs, double taps, and secret texts to earth-shakingly erotic encounters under the northern stars to the ever-complicated relationship Indigenous women have with mainstream society, this poetry collection doesn't shy away from depicting the gorgeous diversity in decolonized desire. Instead, Campbell creates the most intimate of spaces, where the tea is hot and a seat is waiting, surrounded by the tantalizing laughter of aunties telling stories.These wise, jubilant poems chronicle many failed attempts at romance, with the wry humour needed to not take these heartbreaks personally, and the growth that comes from sitting in the silence of living a solo life in a world that insists everyone should be partnered up. With a knowing smile, this book side-eyes the political existence and celebrates the lived experience of an Indigenous woman falling in love and lust with those around her--but, most importantly, with herself.nedí nezų is a smart, sensual, and scandalous collection dripping in Indigenous culture yet irresistible to anyone in thrall to the magnificent disaster that is dating, sex, and relationships.

    It is intended for those who write humor or have ever wanted to.

    Fulfilling her goal of enlightened self-improvement begins with the relatively mundane (her house), moves on toward progressively larger themes (money, marriage, motherhood), and ends up with karmic insights into the burning issues of life (spirituality and meaning). As she allows an array of self-help experts-from Dr. Phil to the Fly Lady, pediatrician William Sears to holistic health guru Dr. Andrew Weil-to copilot her life, Niesslein sometimes finds herself in terra incognita. She runs through her house throwing items away. She communicates with her husband in three-minute speeches. She encourages her first-grader to dream up revenge fantasies. She searches for holy water. At one point, she is even possessed-briefly-by the spirit of a conservative talk-radio host. Although the road to self-help Nirvana is fraught with peril, she discovers that there is such a thing as the good life. It's just a question of how perfect you have to be to get it. With her irreverent sensibility and uncanny insight into the Zeitgeist, Jennifer Niesslein takes on our uniquely American preoccupation with the perfectibility of man and turns it squarely on its ear.

    A hilarious collection of poetry by dogs- perfect for lovers of literature and pups alike.

    Please be warned, some of the illustrations contain mature, medically oriented content which may not be suitable for young children.All proceeds will be donated to the Make-A-Wish Foundation!

    Turns out there’s so much more to him. He’s a philosopher, an aphorist, a humorist, an artist, a warm companion, a natural storyteller—and, in a grand tradition, a keenly observant and wise outsider who in the course of living and traveling among us has discovered quite a lot about the things that make us human. Figuratively speaking, of course. You’re Only Human is his brilliant take on people, written and illustrated with considerable charm.He makes curious and interesting observations on everything from dreams to job interviews to adversity, Twitter to the Golden Rule (it’s not what you think it is) to talking animals: I’m really not sure what all the fuss is about. Lots of animals talk, including humans. The bigger question is, what do you have to say worth listening to?You’re Only Human will reveal a remarkable character who is equally at home discussing the secrets of the universe, and pie and chips. How lucky we are to publish his first book.

    But for every group of "living-room players" there is someone who is "at one with the board." In Word Freak, Stefan Fatsis introduces readers to those few, exploring the underground world of colorful characters for which the Scrabble game is life — playing competitively in tournaments across the country. It is also the story of how the Scrabble game was invented by an unemployed architect during the Great Depression and how it has grown into the hugely successful, challenging, and beloved game it is today. Along the way, Fatsis chronicles his own obsession with the game and his development as a player from novice to expert. More than a book about hardcore Scrabble players, Word Freak is also an examination of notions of brilliance, memory, language, competition, and the mind that celebrates the uncanny creative powers in us all.

    Laura Kelley and the man she loves sneak away from their judgmental town to attend a performance of the scandalous Ziegfeld Follies. But the dark consequences of their night of daring and delight reach far into the future...That same evening, Bohemian poet Edna St. Vincent Millay and her indulgent husband hold a wild party in their remote mountain estate, hoping to inspire her muse. Millay declares her wish for a new lover who will take her to unparalleled heights of passion and poetry, but for the first time, the man who responds will not bend completely to her will...Two years later, Laura, an unwed seamstress struggling to support her daughter, and Millay, a woman fighting the passage of time, work together secretly to create costumes for Millay's next grand tour. As their complex, often uneasy friendship develops amid growing local condemnation, each woman is forced to confront what it means to be a fallen woman...and to decide for herself what price she is willing to pay to live a full life."Lovers of the Jazz Age, literary enthusiasts, and general historic fiction readers will find much to love about Call Me Zelda. Highly recommended." –Historical Novel Society, Editors' Choice

    SmithThe poems in Scriptorium are primarily concerned with questions of religious authority. The medieval scriptorium, the central image of the collection, stands for that authority but also for its subversion; it is both a place where religious ideas are codified in writing and a place where an individual scribe might, with a sly movement of the pen, express unorthodox religious thoughts and experiences. In addition to exploring the ways language is used, or abused, to claim religious authority, Scriptorium also addresses the authority of the vernacular in various time periods and places, particularly in the Appalachian slang of the author's East Tennessee upbringing. Throughout Scriptorium, the historical mingles with the personal: poems about medieval art, theology, and verse share space with poems that chronicle personal struggles with faith and doubt.

    But Colin Cowherd knows what really goes on—and he’s not afraid to share the vivid details of everything we don’t see on ESPN. From hotel parties for athletes and other industry professionals, to gossip from the road between games, to what happens at ESPN behind closed doors, Cowherd draws on personal experiences to offer you an exclusive look into the rarefied, outrageous, ego-stuffed sphere of the professional sports world.If you want honest, unvarnished opinions on current sports rivalries, scandals, and statistics, it’s all in Inside the Herd—from one of America’s most outspoken sports broadcasters on air today.

    Then there was the Little Mermaid. Today, thanks to Jim Toomey, it's Sherman's Lagoon, a satirical, sea-floor look at popular culture as showcased through the lives of a lovable shark and his waterborne cronies. Sherman's the somewhat dim-witted but happy-go-lucky shark who takes us for a wonderful ride beneath the waves. This Jaws-less jokester teams up with a veritable school of bottom-dwelling denizens to deliver one of the funniest creations on land or sea. With an imaginative storyline and creatively rendered characters, Sherman's Lagoon has captured a considerable following.  Sherman—who never allows thinking to interfere with life's simple pleasures, especially eating—is joined by Fillmore, his trusty turtle sidekick; Megan, his significant shark other; Hawthorne, the irascible hermit crab; and a host of other Neptunian neighbors occupying the lagoon of an imaginary South Pacific island called Kapupu.  In Sherman's Lagoon: Ate That, What's Next?, this cast of coral reef critters never fails to amuse. Consider Sherman opening a wrapped holiday gift box only to find a putrid dead fish—and loving it! Or the day he and Fillmore contemplate plunging to the deepest depths of the ocean, in order to recover Fillmore's fumbled Ninja Turtle Decoder Ring. The fun and laughs never end!