Alfred and Guinevere are two children who have been sent by their parents to spend the summer at their grandmother's house in the country. There they puzzle over their parents' absence and their relatives' habits, play games and pranks, make friends and fall out with them, spat and make up. Schuyler has a pitch-perfect ear for the children's voices, and the story, told entirely through snatches of dialogue and passages from Guinevere's diary, is a tour de force of comic and poetic invention. The reader discovers that beneath the book's apparently guileless surface lies a very sophisticated awareness of the complicated ways in which words work to define the often perilous boundaries between fantasy and reality, innocence and knowledge.

    Deftly interweaving humor and pathos, Saul Bellow evokes in the climactic events of one day the full drama of one man's search to affirm his own worth and humanity.

    Stein's strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.

    During the years when her husband F. Scott Fitzgerald was working on Tender is the Night—which many critics consider his masterpiece—Zelda Fitzgerald was preparing her own story. The novel strangely parallels events from her husband’s life, throwing a fascinating light on Scott Fitzgerald and his work. In its own right, it is a vivid and moving story—centered upon the confessional of a famous glamour girl of the affluent 1920s and an aspiring ballerina—that captures the spirit of an era.

    A Polar wind blows through it, and birds of prey hover over it." So Melville wrote of his masterpiece, one of the greatest works of imagination in literary history. In part, Moby-Dick is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopaedia of whaling lore and legend, the book can be seen as part of its author's lifelong meditation on America. Written with wonderfully redemptive humour, Moby-Dick is also a profound inquiry into character, faith, and the nature of perception.This edition of Moby-Dick, which reproduces the definitive text of the novel, includes invaluable explanatory notes, along with maps, illustrations, and a glossary of nautical terms.

    Here is the story of the inimitable twelve-year-old Frankie, who is utterly, hopelessly bored with life until she hears about her older brother's wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old male cousin—not to mention her own unbridled imagination—Frankie takes on an overly active role in the wedding, hoping even to go, uninvited, on the honeymoon, so deep is her desire to be the member of something larger, more accepting than herself. "A marvelous study of the agony of adolescence" (Detroit Free Press), The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    Her memoir, a rare account of an ordinary woman, enlightens not just her children, for whom she wrote it, but all posterity about her life and community. Gluckel speaks to us with determination and humor from the seventeenth century. She tells of war, plague, pirates, soldiers, the hysteria of the false messiah Sabbtai Zevi, murder, bankruptcy, wedding feasts, births, deaths, in fact, of all the human events that befell her during her lifetime. She writes in a matter of fact way of the frightening and precarious situation under which the Jews of northern Germany lived. Accepting this situation as given, she boldly and fearlessly promotes her business, her family and her faith. This memoir is a document in the history of women and of life in the seventeenth century.

    She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.

    The Scholars is the first Chinese novel of its scope not to borrow any characters from history or legend and it is the first work of satiric realism to achieve an almost complete disassociation from the religious beliefs of the people. Departing from the impersonal tradition of Chinese fiction, Wu abandons such established narrative formulas as folk songs and poetic verse in favor of autobiographical experiences, descriptive realism, and characters modeled after his friends and relatives — elements that combine to give this critique of the Confucian civil service system an unprecedented immediacy and humor.

    Outrageous, charming, and unforgettable, she’s been portrayed on stage and screen by Carol Channing and Marilyn Monroe and has become the archetype of the footloose, good-hearted gold digger, with an insatiable appetite for orchids, champagne, and precious stones. Here are her “diaries,” created by Anita Loos in the Roaring Twenties, as Lorelei and her friend Dorothy barrel across Europe meeting everyone from the Prince of Wales to “Doctor Froyd” – and then back home again to marry a Main Line millionaire and become a movie star. In this delightfully droll and witty book, Lorelei Lee’s wild antics, unique outlook, and imaginative way with language shine.

    As a young woman, Helga teaches at an all-black school in the South, but even here she feels different. Moving to Harlem and eventually to Denmark, she attempts to carve out a comfortable life and place for herself, but ends up back where she started, choosing emotional freedom that quickly translates into a narrow existence. Quicksand , Nella Larsen's powerful first novel, has intriguing autobiographical parallels and at the same time invokes the international dimension of African American culture of the 1920s. It also evocatively portrays the racial and gender restrictions that can mark a life.

    This is maternity and childbirth twenty years before Sylvia Plath. The eponymous "squire", whose husband is abroad on business, happily awaits the arrival of the Unborn in a country house; sensuous descriptions of her own body, her garden, her greed for food and port wine, and her sharply differentiated children, merge with her thoughts about the new baby, about middle age and pain, about her quarrelling staff, and about the waning of the sexual imperative. The arrival of the midwife, an old and tested friend and a dedicated professional, initiates some extraordinary conversations about babies, gender, vocation and the maternal impulse. The relationship of these two women, as they go through one of the most ordinary yet astonishing rituals of life, is portrayed with a tender affectionate care and a deep respect. This is a very surprising book for its time, for any time."- Margaret Drabble"If a man had a child and he was also a writer we should have heard a lot about it. I wanted The Squire to be exactly as objective as if a man had had a baby."- Enid Bagnold

    Originally published in 1872, Work is both an exploration of Alcott's personal conflicts and a social critique, examining women's independence, the moral significance of labor, and the goals to which a woman can aspire. Influenced by Transcendentalism and by the women's rights movement, it affirms the possibility of a feminized utopian society.

    William Dean Howells' richly humorous characterization of a self-made millionaire in Boston society provides a paradigm of American culture in the Gilded Age.After establishing a fortune in the paint business, Silas Lapham moves his family from their Vermont farm to the city of Boston, where they awkwardly attempt to break into Brahmin society.