John Hawkes, in his search for a means to transcend outworn modes of fictional realism, has discovered a highly original technique for objectifying the perennial degradation of mankind within a context of fantasy… Nowhere has the nightmare of human terror and the deracinated sensibility been more concisely analyzed than in The Cannibal. Yet one is aware throughout that such analysis proceeds only in terms of a resolutely committed humanism.”— Hayden Carruth on John Hawkes's The Cannibal

    Plunged into the past by acrimonious telephone calls and odd postcards from her mother, she tries to make sense of the eccentric family she has left behind. Why was her Mother as bitter as a tamarind with her lot in life? Why did she seem to love Roopa best, rubbing almond oil on her skin at bath-time and never scolding her for getting her sums wrong? And where did she disappear to while Dadda was away on business, leaving her daughters in the care of a superstitious old ayah? A wise and affectionate portrait of two generations of women in an Indian family, Tamarind Woman is a beautifully evocative novel that explores the mutability of memory and unravels the deep ties of love and resentment that bind mothers and daughters everywhere.Tamarind Woman is the author's debut novel.

    Bones, the canine hero of Paul Auster's astonishing new book, is the sidekick and confidant of Willy G. Christmas, a brilliant and troubled homeless man from Brooklyn. As Willy's body slowly expires, he sets off with Mr. Bones for Baltimore in search of his high school English teacher and a new home for his companion. Mr. Bones is our witness during their journey, and out of his thoughts, Paul Auster has spun one of the richest, most compelling tales in American fiction.

    

    Based loosely on the author's own life, the book follows a young bohemian woman, Margaret Sargent, through her experiences and lost loves in a time of coming war.

    The family house is in the small Far West town of Fingerbone set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck, and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.

    But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his last bid for the presidency. Her husband's handler would like the press to forget that Inez's father is a murderer. And, in 1975, the year in which much of this bitterly funny novel is set, America is doing its best to lose track of its one-time client, the lethally hemorrhaging republic of South Vietnam.As conceived by Joan Didion, these personages and events constitute the terminal fallout of democracy, a fallout that also includes fact-finding junkets, senatorial groupies, the international arms market, and the Orwellian newspeak of the political class. Moving deftly from Honolulu to Jakarta, between romance, farce, and tragedy, Democracy is a tour de force from a writer who can dissect an entire society with a single phrase.

    It has been translated into sixteen languages, made into a prize-winning motion picture, and staged as a play at high schools all over the United States; its very title has become part of the American idiom.Never before has a novel so compellingly laid bare the inner workings of a metropolitan high school. Up the Down Staircase is the funny and touching story of a committed, idealistic teacher whose clash with school bureaucracy is a timeless lesson for students, teachers, parents--anyone concerned about public education. Bel Kaufman lets her characters speak for themselves through memos, letters, directives from the principal, comments by students, notes between teachers, and papers from desk drawers and wastebaskets, evoking a vivid picture of teachers fighting the good fight against all that stands in the way of good teaching.

    We observe the sisters over four decades, watching them grow into two very different women. Sarah is stable and stalwart, settling into an unhappy marriage. Emily is precocious and independent, struggling with one unsatisfactory love affair after another. Richard Yates's classic novel is about how both women struggle to overcome their tarnished family's past, and how both finally reach for some semblance of renewal.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950's. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct.Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity.

    An inspired fusion of fact and invention, this beautifully realized, hard-bitten, lyrical book is not only Elizabeth Hardwick's finest fiction but one of the outstanding contributions to American literature of the last fifty years.

    (1886-1961) is what can best be described as a 'find', a posthumous treasure. In writing this book, H.D. returned to a year in her life that was 'peculiarly blighted.' She was in her early twenties--'a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone... 'I am Hermione Gart, a failure'--she cried in her dementia, 'I am Her, Her, Her.' She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life.

    Alwyn Tower, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner’s The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.

    Among them is Zoyd Wheeler who is preparing for his annual act of televised insanity (for which he receives a government stipend) when an unwelcome face appears from out of his past.An old nemesis, federal prosecutor Brock Vond, storms into Vineland at the head of a heavily armed strike force. Soon Zoyd and his daughter, Prairie, go into hiding while Vond begins a relationship with Zoyd's ex-wife and uses Prairie as a pawn against the mother she never knew she had.Part daytime drama, part political thriller, Vineland is a strange evocation of a twentieth-century America headed for a less than harmonic future.