His wide, hypnotic eyes peer at us from the cover of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, and his influence can be found everywhere in popular culture.Crowley, also known as the Great Beast, has been the subject of several biographies, some painting him as a misunderstood genius, others as a manipulative charlatan. None of them have looked seriously at his career as an agent of British Intelligence.Using documents gleaned from British, American, French, and Italian archives, Secret Agent 666 sensationally reveals that Crowley played a major role in the sinking of the Lusitania, a plot to overthrow the government of Spain, the thwarting of Irish and Indian nationalist conspiracies, and the 1941 flight of Rudolf Hess.Author Richard B. Spence argues that Crowley—in his own unconventional way—was a patriotic Englishman who endured years of public vilification in part to mask his role as a secret agent.The verification of the Great Beast’s participation in the twentieth century’s most astounding government plots will likely blow the minds of history buff s and occult aficionados alike.Author Richard B. Spence can be seen on various documentaries on the History Channel and is a consultant for Washington, DC’s International Spy Museum. He is also the author of Trust No One: The Secret World of Sidney Reilly (Feral House).

    The Bahir is quoted in every major book on Kabbalah, the earliest being the Raavad's commentary on Sefer Yetzirah, and it is cited numerous times by Rabbi Moshe ben Nachman (Ramban) in his commentary on the Torah. It is also quoted many times in the Zohar. It was first published around 1176 by the Provence school of Kabbalists; the first printed edition appeared in Amsterdam in 1651. The name Bahir is derived from the first verse quoted in the text (Job 37:21), "And now they do not see light, it is brilliant (Bahir) in the skies." It is also called the "Midrash of Rabbi Nehuniah ben HaKana," particularly by the Ramban. The reason might be that Rabbi Nehuniah's name is at the very beginning of the book, but most Kabbalists actually attribute the Bahir to him and his school. Some consider it the oldest kabbalistic text ever written.Although the Bahir is a fairly small book, some 12,000 words in all, it was very highly esteemed among those who probed its mysteries. Rabbi Judah Chayit, a prominent fifteenth-century Kabbalist, writes, "Make this book a crown for your head." Much of the text is very difficult to understand, and Rabbi Moshe Cordevero (1522-1570), head of the Safed school of Kabbalah, says, "The words of this text are bright (Bahir) and sparkling, but their brilliance can blind the eye." One of the most important concepts revealed in the Bahir is that of the Ten Sefirot, and careful analysis of these discussions yields much of what will be found in later kabbalistic works, as well as their relation to anthropomorphism and the reason for the commandments. Also included is a discussion of reincarnation, or Gilgul, an interpretation of the letters of the Hebrew alphabet, the Thirty-two Paths of Wisdom, and the concept of Tzimtzum.

    Placing Bruno—both advanced philosopher and magician burned at the stake—in the Hermetic tradition, Yates’s acclaimed study gives an overview not only of Renaissance humanism but of its interplay—and conflict—with magic and occult practices.

    In Grimoires: A History of Magic Books, Owen Davies illuminates the many fascinating forms these recondite books have taken and exactly what these books held. At their most benign, these repositories of forbidden knowledge revealed how to make powerful talismans and protective amulets, and provided charms and conjurations for healing illness, finding love, and warding off evil. But other books promised the power to control innocent victims, even to call up the devil. Davies traces the history of this remarkably resilient and adaptable genre, from the ancient Middle East to modern America, offering a new perspective on the fundamental developments of western civilization over the past two thousand years. Grimoires shows the influence magic and magical writing has had on the cultures of the world, richly demonstrating the role they have played in the spread of Christianity, the growth of literacy, and the influence of western traditions from colonial times to the present.

    People all over the world embrace the ideas discussed in this work: the animistic worldview, spiritual communion with the dead and the Unseen World, sorcery and magic. Author and Mystic Robin Artisson explores these mystical themes from the perspective of The Old Faiths and pre-Christian metaphysical impulses of Europe and the British Isles. Bringing a new perspective to these ancient practices and making them more accessible, this book is a key to the door that leads into the mythical dimension of each person, and every feature of the sacred landscape. It helps to unlock the hidden wisdom in folklore, shed light on the enigma of the human being, and manifest an experience of the wisdom of the Old Ways- insofar as a book can. This book is about getting out of books and back into the spiritual dimension of the Land itself, and requires considerable dedication and work.

    The renowned psychic offers a meditation for each week of the year based on the tenets of her church, the Society of Novus Spiritus.

    to the fifth century A.D. Containing a fresh translation of the Greek papyri, as well as Coptic and Demotic texts, this new translation has been brought up to date and is now the most comprehensive collection of this literature, and the first ever in English.The Greek Magical Papyri in Transition is an invaluable resource for scholars in a wide variety of fields, from the history of religions to the classical languages and literatures, and it will fascinate those with a general interest in the occult and the history of magic."One of the major achievements of classical and related scholarship over the last decade."—Ioan P. Culianu, Journal for the Study of Judaism"The enormous value of this new volume lies in the fact that these texts will now be available to a much wider audience of readers, including historians or religion, anthropologists, and psychologists."—John G. Gager, Journal of Religion"[This book] shows care, skill and zest. . . . Any worker in the field will welcome this sterling performance."—Peter Parsons, Times Literary Supplement

    But we are not referring to just any knowledge. Gnosis is knowledge which produces a great transformation in those who receive it. Knowledge capable of nothing less than waking up man and helping him to escape from the prison in which he finds himself. That is why Gnosis has been so persecuted throughout the course of history, because it is knowledge considered dangerous for the religious and political authorities who govern mankind from the shadows.Every time this religion, absolutely different from the rest, appears before man, the other religions unite to try to destroy or hide it again.Primordial Gnosis is the original Gnosis, true Gnosis, eternal Gnosis, Gnostic knowledge in its pure form. Due to multiple persecutions, Primordial Gnosis has been fragmented, distorted and hidden.By recovering and uniting the scattered fragments, Primordial Gnosis can be reconstructed and brought to the world once again. This book is a complete synthesis of the forbidden theology of Primordial Gnosis.

    Undiluted Gypsy lore regarding the forbidden knowledge of seduction and manipulation.

    This text describes the practice, theory, and underlying rationale of black magic in all its branches - the summoning and control of evil spirits, necromancy, psychic attack, devil worship, witchcraft, evil charms and spells - as well as other branches of occult theory.

    From Abramelin he took his concepts of protections, purifications, evocations, vestments, and dromena down to specific details. This system of Abramelin the Mage is known from a unique 15th century manuscript persevered in the Bibliotheque de l`Arsenal in Paris. In it, Abraham of Wurzburg, a cabalist and connoisseur of magics, describes a tour that he made of the then civilized world, visiting sorcerers, magicians, and cabalists, estimating their powers and virtues. This quest is in itself as fascinating as the similar tours of Gurdjieff. The high point of Abraham`s travels was found in a small town on the banks of the Nile, where he encountered the great magician Abramelin, whose complete system Abraham thereupon sets out in detail. This amounts to a complete course in ceremonial magic (both white and black), which the student can pursue by himself. Abramelin, whose system is based mostly on Hellenistic theurgy of the Iamblichan sort, but with Jewish increments from the Cabala, explains the qualifications needed to become a magician, purifications and asceticisms to be practiced month by month, studies and activities permitted during this period, selections of place and time for working magic, equipment needed, prayers and formulas, evocation of good and evil spirits, commanding spirits, to do one`s will, overcoming rebellious spirits, an similar material. Specific instructions are offered to develop such powers as clairvoyance, divining metals and treasurers, warding off evil magic, healing illness, levitation, transportation, rendering oneself invisible, creating illusions and glamour, reading minds, placing compulsions, working black magic, and a host of other abilities. We do not guarantee that Abramelin's techniques work, not that the results are desirable...

    The lion represents the fierce intensity that recognizes no authority except the highest truth. At the same time, Rumi's lion is full of heart and devotion. Through these poems the reader will explore the qualities that are vital to the spiritual aspirant who seeks to overcome the imprisonment of ego.

    68). The charge that he was a magician didn't originate with Smith. It was previously voiced by the philosopher & critic Celsus (The True Word c. 200 CE) as we know from the rebuttal authored by the Christian apologist/scholar Origen: “It was by magic that he was able to do the miracles” (Contra Celsum 1.6). Clearly, for Celsus to have repeated the story, it must have had long currency before he came to write his book. Hans Dieter Betz (1994) observes that "from early on even Jesus of Nazareth was implicated in that he was said to be mad or a magician possessed by Satan" & R. Joseph Hoffmann writes (1987) that "that the early Christian mission was advanced by the use of magic is well attested." Discovery News reported in 2008 the discovery by French marine archeologist Franck Goddio of a bowl dating "to between the late 2nd century BC & the early 1st century AD" which refers to Jesus as a magician: "DIA CHRSTOU O GOISTAIS," which, the article tells us, "has been interpreted to mean either, 'by Christ the magician' or, 'the magician by Christ.'" Assuming this references Jesus, this is the earliest known reference to Jesus as a magician.

    Angels are universal guides, helpers, and friends just waiting for you to call on them for assistance, regardless of which spiritual or magickal path you follow.Angels: Companions in Magick is a treasury of practical wisdom, magickal techniques, and fascinating angel lore, all presented with Silver's trademark down-to-earth warmth and straightforwardness. You'll find out how to work with angels to create happiness, improved health and healing, and abundance; discover your true purpose for this lifetime; and make the world a better place using blessings for peace, prosperity, and protection. From making angelic rosaries and angel egg charms to combating chaos with celestial magick and rituals, this unique guidebook offers a rich variety of ways to work with these wondrous beings.

    But twenty years later, Crowley’s name and image were everywhere. The Beatles put him on the cover of  Sgt. Pepper’s Lonely Hearts Club Band. The Rolling Stones were briefly serious devotees. Today, his visage hangs in goth clubs, occult temples, and college dorm rooms, and his methods of ceremonial magick animate the passions of myriad occultists and spiritual seekers. Aleister Crowley is more than just a biography of this compelling, controversial, and divisive figure—it’s also a portrait of his unparalleled influence on modern pop culture.