But when her husband, Brian, leaves her for someone younger, thinner, blonde, and French, she has to step back and take a good, long look at her life.First, her career. She can’t continue to write about “Happily Ever After,” so she changes the heroine of her new book from a hot young thing to a forty-something woman who manages to find happiness without a man. Her agent isn’t too happy—the heroine is how old? She doesn’t get the guy in the end? How is that even possible?But Mona is tough, and she’s got Anthony, her personal assistant, and a few good friends to cheer her on and keep the stiff martinis flowing. And Ben. Ben is her plumber, but not your average plumber. He’s smart enough to know that Brian was never good enough for her, and sexy enough to be cast as the romantic lead in quite a few of her books. The sound of his voice alone can send her imagination into full romantic overdrive.Then she meets Mitch, who might be just the guy for her. And there’s still Ben, who’s managed to come to her rescue more than once. But—there’s a book to publish, a soon-to-be-ex-husband to deal with, and what has Aunt Lily done this time? Can Mona work this all out? Can life imitate art, and can Mona write her own happy ending?

    Leaving three widows behind is just plain despicable. Oil heiress Kate Steele knew her not-so-dearly departed husband was a con man, but she’s shocked that Conrad racked up two more wives without divorcing her first. The only remnant of their miserable marriage she plans to keep is their lakeside cabin in Bootleg, Texas. Unfortunately, she’s not the only woman with that idea.Fiery, strong-willed Jamie wishes Conrad were still alive—so she could kill the scoundrel herself. But for their daughter’s sake, she needs that property. As does Amanda—twenty-eight, pregnant, and still weeping over the loss of her true love. On a broiling July day, all three arrive in Bootleg…with a dogged detective right behind who’s convinced that at least one of them conspired to commit murder. One momentous summer filled with revelations, quirky neighbors, and barefoot evenings on the porch offers three women the chance to make the journey from enemies to friends, and claim a bright, new beginning.

    Somehow she finds the courage to fulfil her childhood dream of writing a romance novel but soon discovers that her novel has been plagiarised by her idol, celebrity author Charlotte Lancaster. Vanessa finally understands that what she wanted wasn't what she needed, but has this realisation come too late?

    The wrong one. The one you couldn’t let go of. The one you’ll never forget.Lucy Albright is far from her Long Island upbringing when she arrives on the campus of her small California college, and happy to be hundreds of miles from her mother, whom she’s never forgiven for an act of betrayal in her early teen years. Quickly grasping at her fresh start, Lucy embraces college life and all it has to offer—new friends, wild parties, stimulating classes. And then she meets Stephen DeMarco. Charming. Attractive. Complicated. Devastating. Confident and cocksure, Stephen sees something in Lucy that no one else has, and she’s quickly seduced by this vision of herself, and the sense of possibility that his attention brings her. Meanwhile, Stephen is determined to forget an incident buried in his past that, if exposed, could ruin him, and his single-minded drive for success extends to winning, and keeping, Lucy’s heart. Alternating between Lucy’s and Stephen’s voices, Tell Me Lies follows their connection through college and post-college life in New York City. Deep down, Lucy knows she has to acknowledge the truth about Stephen. But before she can free herself from this addicting entanglement, she must confront and heal her relationship with her mother—or risk losing herself in a delusion about what it truly means to love. With the psychological insight and biting wit of Luckiest Girl Alive, and the yearning ambitions and desires of Sweetbitter, this keenly intelligent and staggeringly resonant novel chronicles the exhilaration and dilemmas of young adulthood, and the difficulty of letting go, even when you know you should.

    Once a charming underachiever, he's now such a loser that he can't even commit suicide properly. Waking up in hospital after falling the wrong way on a rooftop, he comes to a decision. He shouldn't waste perfectly good organs just because they're attached to his head. After a life of regrets, Sully wants to do one useful thing: he wants to donate a kidney to a stranger. As he scrambles over the hurdles to become a donor, Sully almost accidentally forges a new life for himself. Sober and employed, he makes new friends, not least radio producer Natalie and her son Louis, and begins to patch things up with old ones, like his ex-best mate Tim. Suddenly, everyone wants a piece of him. But altruism is not as easy as it seems. Just when he thinks he's got himself together, Sully discovers that he's most at risk of falling apart.

    While most of his friends were out partying and meeting girls, Travis was at home, changing diapers and worrying about keeping food on the table. But he's never regretted his decision. Bella is the light of his life. The reason behind every move he makes. And so far, she is fed. Cared for. Safe.But when Travis loses his construction job and his home, the security he's worked so hard to create for Bella begins to crumble...….Then a miracle. A job in Raleigh has the power to turn their fortunes around. It has to. But when Travis arrives in Raleigh, there is no job, only an offer to participate in a onetime criminal act that promises quick money and no repercussions.With nowhere else to turn, Travis must make another choice for his daughter's sake. Even if it means he might lose her.

    G. Wodehouse in Crosstalk, a genre-bending novel that pushes social media, smartphone technology, and twenty-four-hour availability to hilarious and chilling extremes as one young woman abruptly finds herself with way more connectivity than she ever desired.In the not-too-distant future, a simple outpatient procedure to increase empathy between romantic partners has become all the rage. And Briddey Flannigan is delighted when her boyfriend, Trent, suggests undergoing the operation prior to a marriage proposal - to enjoy better emotional connection and a perfect relationship with complete communication and understanding. But things don't quite work out as planned, and Briddey finds herself connected to someone else entirely - in a way far beyond what she signed up for.It is almost more than she can handle - especially when the stress of managing her all-too-eager-to-communicate-at-all-times family is already burdening her brain. But that's only the beginning. As things go from bad to worse, she begins to see the dark side of too much information, and to realize that love - and communication - are far more complicated than she ever imagined.

    'Wasn't that enough of a break?' 'I don't mean that kind of break.' There's nothing worse than the last day of holiday. Oh wait, there is. When what should have been a proposal turns into a break, Liv and Adam find themselves on opposite sides of the life they had mapped out. Friends and family all think they're crazy; Liv throws herself into work - animals are so much simpler than humans - and Adam tries to get himself out of the hole he's dug. But as the short break becomes a chasm, can they find a way back to each other? Most importantly, do they want to?

    Between being the President of the PTA and keeping her home spotless without a hair (or her pearls) out of place, her life was a dream come true. Her husband was once her knight in shining armor, but now he’s run off with all their money…and the babysitter.Dressed as a princess at the annual Halloween block party on Fairytale Lane, she meets two other “princesses” also facing money troubles: antique store owner Ariel and librarian Isabelle. When the women are invited to wear their costumes to a party where they’re mistaken for strippers, Cindy, Ariel, and Belle realize that a career change could be the best way to make their money problems go bippity-boppity-boo.But can structured Cindy approach a stripper pole without sanitizing wipes? And could the blue-eyed anti-prince that has been crossing her path become Cindy’s happily ever after? At the Stroke of Midnight is a hilarious, empowering story where princesses can save themselves while slaying in stilettos.

    It's the kind of place where everyone knows their neighbours, and children play in the street.Isabelle Heatherington doesn't fit into this picture of family paradise. Husbandless and childless, she soon catches the attention of three Pleasant Court mothers. But Ange, Fran and Essie have their own secrets to hide. Like the reason behind Ange's compulsion to control every aspect of her life. Or why Fran won't let her sweet, gentle husband near her new baby. Or why, three years ago, Essie took her daughter to the park - and returned home without her.As their obsession with their new neighbour grows, the secrets of these three women begin to spread - and they'll soon find out that when you look at something too closely, you see things you never wanted to see.

    Hardcover Publisher: Large Print Press (2015) ISBN-10: 1629534471 ISBN-13: 978-1629534473 Product Dimensions: 8.3 x 5.8 x 1.3 inches Shipping Weight: 1.1 pounds

    A superstitious Chinese mother. A best friend whose mood changes as dramatically as her hair colour. A reputation for being strange. The last thing she needs is to be haunted by someone only she can see.Logan is a ghost from the Eighties. He could be dangerous. He's certainly annoying.He might also be Amy's dream boy.

    Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled, and that such amenities as water and electricity are . . . infrequent. But what their new life lacks in luxury, they come to find, it’s plentiful in adventure, stunning beauty, and unexpected love.--penguinrandomhouse.com

    Lona kills her days by sneaking into the dark room at her old art school to develop photographs. She kills her nights DJ-ing the roller disco at Planet Skate. She is in inexplicably, debilitatingly love with a bespectacled Doctor Who-obsessed former classmate, and in comfortable, platonic love with her best friend Tab. Lona works hard to portray a permanent attitude of cynicism and ennui but will her carefully constructed persona be enough to protect her from the inevitable sorrows and unexpected joys of adult life? Loner re-examines notions of social isolation experienced by young people, suggesting sometimes our own company can be a choice and not a failing.

    She knows that he, Abe, and Trip consider her to be one of the guys, and she likes it that way. She likes being the friend who keeps them all together. Likes offering a girl's perspective on their love lives. Likes being the behind-the-scenes wordsmith who writes all the lyrics for the boys' band. Char has a house full of stepsisters and a past full of backstabbing (female) ex-best friends, so for her, being friends with boys is refreshingly drama-free...until it isn't any more.When a new boy enters the scene and makes Char feel like, well, a total girl...and two of her other friends have a falling out that may or may not be related to one of them deciding he possibly wants to be more than friends with Char...being friends with all these boys suddenly becomes a lot more complicated.