During its third "apparition" in a remote corner of the galaxy, a trio of Russian cosmonauts approach this enigma and attempt to penetrate its mysteries.

    On this occasion, however, they’re right up against it. A loaded gun has been left behind in Ancient Egypt and it’s up to them to retrieve it before anyone accidentally blows their own head off, thus affecting the timeline for centuries to come. And as if that’s not enough, someone (Max) has inadvertently poisoned Mr Markham. It’s hot, they’re running out of supplies, they can’t find the gun, and it’s all going horribly wrong. Again.

    With only one good candidate available, Mayor Jahns and Deputy Mames set off for the Down Deep to recruit her in person. Along the way, they discover much about each other, troubling news about this candidate, and stumble upon fractured alliances that could spell the doom of a silo they've worked long years to protect.

    [Publisher's Note: The Mountains of Mourning was originally published as a stand-alone novella in the May 1989 issue of Analog. It was then included as the first of three novellas that make up the novel Borders of Infinity (October 1989). For the novel, Ms. Bujold added a short "framing story" that tied the three novellas together by setting up each one as a flashback that Miles experiences while recovering from bone-replacement surgery. Fictionwise is publishing these novellas separately, but we decided to leave in Ms. Bujold's short framing story for those who may also wish to read the other two novellas (Labyrinth and The Borders of Infinity).] Locus Poll Award Nominee, Nebula Award Winner, Hugo Award Winner, SF Chronicle Poll Nominee

    For the bookish academics of the Sixth, every secret is a mystery, and every mystery is a puzzle to be solved or a paper to be published. Deep in the bowels of their house, one such secret is about to reveal itself. The study of the famed academic Donald Sex, sealed since the moment of his death, is about to open, and archivists are ready to dissect what he left behind. They are not ready for the macabre surprise that awaits them.Enter Palamedes Sextus and Camilla Hect, age thirteen.

    Though most of Earth has already been evacuated, it’s Samantha’s job to catalog plant samples for the survivors’ unknowable journey beyond.Preparing to stay behind and watch the world end, she makes a final human connection.As certain doom hurtles nearer, the unexpected and beautiful potential for the future begins to flower.Veronica Roth’s Ark is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    But I cannot stop remembering my son.Emma Nightingale prefers to remain grounded in reality as much as possible. Yet she's willing to indulge her nine year-old son Rupert's fascination with trains, as it brings him closer to his father, Gunnar, from whom she is separated. Once a month, Gunnar and Rupert venture out to follow the rails and watch the trains pass. Their trips have been pleasant, if uneventful, until one afternoon Rupert returns in tears. "The train tried to kill us," he tells her.Rupert's terror strikes Emma as merely the product of an overactive imagination. After all, his fears could not be based in reality, could they?Published here for the first time in English, "Where the Trains Turn" won first prize in the Finnish science-fiction magazine Portti's annual short story competition and then went on to win the Atorox Award for best Finnish science fiction or fantasy short story.

    "Come See the Living Dryad" by Theodora Goss is a fantasy about a contemporary woman investigating the murder of an ancestor suffering from a rare disease who was a famous sideshow attraction in the nineteenth century.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Among the Thorns, by Veronica Schanoes, is a dark fantasy taking place in seventeenth century Germany, about a young woman who is intent on avenging the brutal murder of her peddler father many years earlier, by a vagabond with a magic fiddle.

    The Mars of the movies and the imagination, an endless bastion of opportunities for a colonist with some guts. But she’s trapped in Mexico City, enduring the drudgery of an unkind metropolis, working as a rent-a-friend, selling her blood to old folks with money who hope to rejuvenate themselves with it, enacting a fractured love story. And yet there’s Mars, at the edge of the silver screen, of life. It awaits her.Note: official publication date is December 2017 but only for IndieGoGo backers. Wide release for everyone else on July 2018.

    This collection of stories is where robots stand in for us, where both we and they are disadvantaged, and where hope and optimism shines through.

    CLARKE'S FAVORITE STORIESTHE NINE BILLION NAMES OF GOD -- A short-term course for computer the way to God.TROUBLE WITH TIME -- Martian time proves that crimes doesn't pay!NO MORNING AFTER -- Drink, drink and be merry, for tomorrow there will be no morning after...THE POSSESSED -- Or, why the lemmings drowned.ENCOUNTER AT DAWN -- The day the gods came to Earth.THE SENTINEL -- The story which inspired 2001: A SPACE ODYSSEY; when man sets off the galactic burglar alarm, who will answer the call?

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    The Incrementalists are an ancient conspiracy to make the world better -- just a little bit at a time. "Fireworks in the Rain" tells a story not found in the novel, and serves as an equally beguiling introduction to the Incrementalists and how they work...At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    Qiouyi Lu, reprinted fiction by Kameron Hurley, essays by Sam J. Miller, Elsa Sjunneson-Henry, Shveta Thakrar, Dawn Xiana Moon, and Paul Booth, poetry by Cassandra Khaw, Brandon O’Brien, Bogi Takács, and Lisa M. Bradley, interviews with Stephen Graham Jones and Sarah Pinsker by Julia Rios, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.