But despite its masterly control, this startlingly modern tale is also a simmering, rebel cri de coeur unleashed by a writer who was herself unappreciated in her own time. The combination of these attributes make this edgy novella a moving and suspenseful homage to the power of literature itself.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Confidence, intuition, and research are a con man’s specialties, and indeed when the Bastard shows up to Farmer Wilson’s door he is armed with all those things, plus information, whiskey, and charm. These are materials of a masterful storyteller, and though you’ll have to bring your own whiskey, DeWitt is equally armed. With his assured, ventriloquist prose, DeWitt is a kind of law-abiding con man, able to convince us, on a basic gut level, of outlandish scenarios and outsized personalities." - Halimah Marcus, Editor-in-Chief, Electric Literature's Recommended Reading About the Author: Patrick deWitt is the author of the critically acclaimed Ablutions: Notes for a Novel, as well as The Sisters Brothers, which was short-listed for the Booker Prize. Born in British Columbia, he has also lived in California and Washington, and now resides in Portland, Oregon. His newest novel is Undermajordomo Minor. About the Publisher: Electric Literature is an independent publisher amplifying the power of storytelling through digital innovation. Electric Literature’s weekly fiction magazine, Recommended Reading, invites established authors, indie presses, and literary magazines to recommended great fiction. Once a month we feature our own recommendation of original, previously unpublished fiction.

    Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump off the page at the reader with inexorable force. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.With an artistic instinct honed on the works of Flannery O' Connor and Harry Crews, Pollock offers a powerful work of fiction in the classic American vein. Knockemstiff is a genuine entry into the literature of place.

    A British paratrooper jumps into occupied territory; the 1958 New York Yankees gain an unexpected teammate in a puny, teenaged Hasidic Jew; a September 11th widow receives an astonishing gift from the contractor working on her new apartment--these and other stories exhibit the constantly changing variety of the ocean itself, the peaks and troughs of life. Lighthearted, glittering fables are met with starker tales that sound the depths of sacrifice and duty. The Pacific and Other Stories is a resplendent, powerful collection of lasting substance and emotional import.

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    Over the course of eight stories, we are introduced to a host of young people on the cusp of discovery and loss. As he evokes the various states of agony and pleasure--humiliation, rebellion, camaraderie, and desire--Benioff displays a profound understanding of the transformative power of a single moment and how sadness can be illuminated by a humorous flip side. When the Nines Roll Over confirms the promise of a gifted writer emerging as a storytelling force.

    Six months later, she appears in a photograph in a gossip magazine exiting the Tropicana Club in Los Angeles on the arm of Olivia de Havilland.In this chain of six richly detailed and atmospheric stories, each told from a different perspective, Towles unfolds the events that take Eve to the heart of Old Hollywood. Beginning in the dining car of the Golden State Limited in September 1938, we follow Eve to the elegant rooms of the Beverly Hills Hotel, the fabled tables of Antonio’s, the amusement parks on the Santa Monica piers, the afro-Cuban dance clubs of Central Avenue, and ultimately the set of Gone with The Wind.With the glamour and grit of the studio system’s golden age as a backdrop, Towles introduces in each story a memorable new character whose fate may well be altered by their encounter with Eve. In following the thread of these varied encounters, we watch as Eve forges a new and unexpected life for herself in late 1930s Los Angeles.

    That is, until Fox 8 develops a unique skill: He teaches himself to speak "Yuman" by hiding in the bushes outside a house and listening to children's bedtime stories. The power of language fuels his abundant curiosity about people—even after "danjer" arrives in the form of a new shopping mall that cuts off his food supply, sending Fox 8 on a harrowing quest to help save his pack.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    Charles John Huffam Dickens (7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented fame, and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular. Born in Portsmouth, England, Dickens was forced to leave school to work in a factory when his father was thrown into debtors' prison. Although he had little formal education, his early impoverishment drove him to succeed. Over his career he edited a weekly journal for 20 years, wrote 15 novels, five novellas and hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. Dickens sprang to fame with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly installments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. The installment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens went on to improve the character with positive features. Fagin in Oliver Twist apparently mirrors the famous fence Ikey Solomon; His caricature of Leigh Hunt in the figure of Mr Skimpole in Bleak House was likewise toned down on advice from some of his friends, as they read episodes. In the same novel, both Lawrence Boythorne and Mooney the beadle are drawn from real life-Boythorne from Walter Savage Landor and Mooney from 'Looney', a beadle at Salisbury Square. His plots were carefully constructed, and Dickens often wove in elements from topical events into his narratives. Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    "Another""What It Means When a Crowd in a Faraway Nation Takes a Soldier Representing Your Own Nation, Shoots Him, Drags Him from His Vehicle and Then Mutilates Him in the Dust""The Only Meaning of the Oil-Wet Water""On Wanting to Have Three Walls Up Before She Gets Home""Climbing to the Window, Pretending to Dance""She Waits, Seething, Blooming""Quiet""Your Mother and I""Naveed""Notes for a Story of a Man Who Will Not Die Alone""About the Man Who Began Flying After Meeting Her""Up the Mountain Coming Down Slowly""After I Was Thrown in the River and Before I Drowned"From the Trade Paperback edition.

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    Thompson on the 1970 Kentucky Derby in Louisville, Kentucky, first appearing in an issue of Scanlan's Monthly in June of that year. Though not known at the time, the article marked the first appearance of gonzo journalism, the style that Thompson came to epitomize through the 1970s.The article's focus is less on the actual race itself—indeed, Thompson and Steadman could not actually see the race from their standpoint—and more on the celebration and depravity that surrounds the event, as well as other events in Louisville (Thompson's home town) in the surrounding days.

    Ambitious, opportunistic, 'Miss Lonelyhearts,' as the conductor of the column is inevitably dubbed, begins with contempt of the correspondents and confidence in his own cleverness. As time goes on, the genuineness of the agony in the letters that come in gets under the skin of the columnist. He is distressed to find himself presiding over a monstrous swindle. For he is an idealist in collision with humanity, as his diabolical managing editor expresses it."