Like a fantastic film, a feverish delirium, or a dream state, these prose poems use an experimental lexicon of imagery that goes beyond anything typically poetic. Tost's point of departure is the loss of the Other that makes the I: Agnes, And in a sort of coming-of-age soliloquy song, he meditates on a range of topics: fatherhood, childhood, identity, poetry. Together his poems express the unburdening of consciousness, a consciousness that contains the likes of Blake, Italo Calvino, Allen Grossman, and Frank Stanford, among others (including Tost himself), Surreal and surprising, Invisible Bride showcases the prose artistry of a new American talent.

    Living in a run-down boardinghouse, Baton spends his days searching working-class Paris for the modest comforts of warmth, cheap meals, and friendship, but he finds little. And despite his situation, Baton remains vain and unsympathetic, a Bovian antihero to the fullest. Bove himself called My Friends, published in France in 1923, a "novel of impoverished solitude." The book drew praise from such writers as Rilke, Gide, and, later, Beckett, and is to this day perhaps the author's most celebrated work.

    In his poems, he gave voice to his private sentiments and spiritual aspirations in the plain style of New England speech. Now, The Library of America brings together these indispensable works in one authoritative volume.Spanning his entire career, the 27 essays gathered here vary in style from the ambling rhythm of "Natural History of Massachusetts" and "A Winter Walk" to the concentrated moral outrage of "Slavery in Massachusetts" and "A Plea for Captain John Brown". Included are "Civil Disobedience", Thoreau's great exploration of the conflict between individual conscience and state power that continues to influence political thinkers and activists; "Walking", a meditation on wildness and civilization; and "Life Without Principle", a passionate critique of American materialism and conformity. Also here are literary essays, including pieces on Homer, Chaucer, and Carlyle; the travel essay "A Yankee in Canada"; the three speeches in defense of John Brown; and essays such as "Autumnal Tints", "Wild Fruits", and "Huckleberries" that explore natural phenomena around Concord.Seven poems are published here for the first time, and others are presented in new, previously unpublished versions based on Thoreau's manuscripts.

    Devastated, Elisa unravels. As controlled as Elena Ferrante's The Days of Abandonment and as propulsive as Jenny Offill's Dept. of Speculation, La Femme de Gilles is a hauntingly contemporary story of desperation and lust and obsession, from an essential early-feminist writer.Just after her novel was first published in 1937, Madeleine Bourdouxhe disassociated herself from her publisher (which had been taken over by the Nazis) and spent most of World War II in Brussels, actively working for the resistance. Though she continued to write, her work was largely overlooked by history . . . until now.

    His third book in a decade, Some Values of Landscape and Weather revives poetic architectures such as elegy, song and litany, to build what he calls "a comprehensive music." Here musical and pictorial values perform against a backdrop of political, social and ethical values. These intense and exacting poems traverse a landscape of cultural memory that opens into the explosive, vibrant registers of the now. John Ashbery has written that Gizzi's poems are "simultaneously all over the page and right on target. He is the most exciting poet to come along in quite a while."

    Rich in verbal and situational humour, they offer a fascinating insight into many of the issues which preoccupied Beckett all his working life. As the first novella reveals, nobody writes with quite such cruel and unnervingly clever wit as Beckett...

    A collection of poetry by the German poet whose parents were murdered in Nazi concentration camps and who eventually committed suicide features essays on Jewish heritage and alienation.

    This bilingual edition of the 15th-century poet's work incorporates recent scholarship.

    The governesses, however, seem to spend more time running around in a state of frenzied desire than attending to the children’s education. One of their main activities is lying in wait for any passing stranger, and then throwing themselves on him like drunken Maenads. The rest of the time they drift about in a kind of sated, melancholy calm, spied upon by an old man in the house opposite, who watches their goings-on through a telescope. As they hang paper lanterns and prepare for the ball in their own honor, and in honor of the little boys rolling hoops on the lawn, much is mysterious: one reviewer wrote of the book’s “deceptively simple words and phrasing, the transparency of which works like a mirror reflecting back on the reader.”Written with the elegance of old French fables, the dark sensuality of Djuna Barnes and the subtle comedy of Robert Walser, this semi-deranged erotic fairy tale introduces American readers to the marvelous Anne Serre."Each sentence evokes a dream logic both languid and circuitous as the governesses move through a fever of domesticity and sexual abandon. A sensualist, surrealist romp."—Kirkus

    Collins’ emotional complexity and uncommon range make this debut both thrillingly imaginative and ethical in its uncompromising attention to detail. In her Foreword, contest judge Louise Glück observes, “I know no poet whose sense of fraud, the inflated emptiness that substitutes for feeling, is more acute.” Glück calls Collins’ volume “savage, desolate, brutally ironic . . . a book of astonishing originality and intensity, unprecedented, unrepeatable.”

    The German writer Georg Buchner, who died in 1837 aged 23, left only three works for the theatre. Danton's Death, his great fresco of the French Revolution, was written in five weeks when Buchner was under threat of arrest for his own revolutionary activities. His sad comedy, Leonce and Lena, was composed in haste for a publisher's competition for which it was entered too late. The extraordinary proletarian tragedy Woyzeck was left unfinished at Buchner's death. Virtually unknown until the end of the nineteenth century, the plays have found an important place in the modern international repertory.

    The poems zing back and forth as the verses alternate between man and woman. "Flaubert had more friends and Flaubert was a recluse" says he, followed by her response, "Flaubert was crazy; he lived with his mother," In one scene they argue over dead French writers; later they discuss football. Yet Glück's work is more than a series of barbs. She writes in the nuances and language of a marriage, laid out against the voices of Odysseus and Penelope.

    Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

    Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title. The Cathedral of Mist offers the sort of ethereal narratives that might have come from the pen of a sorrowful, distinctly Belgian Italo Calvino. It is accompanied by two meditative essays on reading and writing that fall in the tradition of Marcel Proust and Julien Gracq. Paul Willems (1912-97) published his first novel, Everything Here Is Real, in 1941. Three more novels and, toward the end of his life, two collections of short stories bracketed his career as a playwright.

    Poems consider women's roles in society, childhood, home, nature, language, communications, the past, and mortality.