Writing in the intensely lyrical prose style that is his trademark, the man, Jean Cocteau, dubbed France's "Black Prince of Letters" here reconstructs his early adult years - time he spent as a petty criminal and vagabond, traveling through Spain and Antwerp, occasionally border hopping across to the rest of Europe, always trying to stay one step ahead of the authorities.

    In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

    My Death My Life by Pier Paolo Pasolini imagines the Italian filmmaker and writer returning to the Roman homosexual hustlers he knew, in a “scathing commentary on false values in art” (The Hartford Courant).

    Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

    They knew their friendship was going to be complicated, but love—and the City of Lights—just might find a way.On the big screen, Mia plays a woman in love. But in real life, she’s an actress in need of a break from her real-life philandering husband—the megastar who plays her romantic interest in the movies. So she heads across the English Channel to hide in Paris behind a new haircut, fake eyeglasses, and a waitressing job at her best friend’s restaurant.Paul is an American author hoping to recapture the fame of his first novel. When his best friend surreptitiously sets him up with Mia through a dating website, Paul and Mia’s relationship status is “complicated.”Even though everything about Paris seems to be nudging them together, the two lonely ex-pats resist, concocting increasingly far-fetched strategies to stay “just friends.” A feat easier said than done, as fate has other plans in store. Is true love waiting for them in a postscript?

    Caustic, comic, and unflinchingly honest, Mammals is a cruel but beautiful tale of love, solitude, alcoholism, family, and unemployment. This fictional memoir of a glorious loser recounts the life of the Uncle, an unhappy Parisian bachelor whose only true loves were a Polish girl and a divorcee. He is a drunk; he is sarcastic; he works and fails desultorily in several fields until he winds up surrounded by neurotic women, a teacher in a secondary school. He tries out therapist after therapist and can't figure out who is the butt of the joke. He has nephews and this makes him nervous. In fact, almost everything about family life makes him nervous — especially now that he's living at home again. He coins proverbs for living with lowered expectations and attempts a bestiary of his pathological parents, the mammals of the title.Riding its handbasket merrily to hell, veering now and then toward overwhelming lyricism, Mammals pieces together the portrait of modern society's Everyman. It establishes Pierre Merot as an extraordinary and delightful voice of international stature.

    Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel.

    In my case, blinking my left eyelid is my only means of communication.’In December 1995, Jean-Dominique Bauby, editor-in-chief of French ‘Elle’ and the father of two young children, suffered a massive stroke and found himself paralysed and speechless, but entirely conscious, trapped by what doctors call ‘locked-in syndrome’. Using his only functioning muscle – his left eyelid – he began dictating this remarkable story, painstakingly spelling it out letter by letter.His book offers a haunting, harrowing look inside the cruel prison of locked-in syndrome, but it is also a triumph of the human spirit.

    They stay in a hotel, drink hot chocolate, and go to the funfair. She wants to protect them from an uncaring and uncomprehending world. She knows that it will be the last trip for her boys.Beside the Sea is a haunting and thought-provoking story about how a mother's love for her children can be more dangerous than the dark world she is seeking to keep at bay. It's a hypnotizing look at an unhinged mind and the cold society that produced it. With language as captivating as the story that unfolds, Véronique Olmi creates an intimate portrait of madness and despair that won't soon be forgotten.

    The character lives beyond her means in order to escape the banalities and emptiness of provincial life. When the novel was first serialized in La Revue de Paris between 1 October 1856 and 15 December 1856, public prosecutors attacked the novel for obscenity. The resulting trial in January 1857 made the story notorious. After Flaubert's acquittal on 7 February 1857, Madame Bovary became a bestseller in April 1857 when it was published in two volumes. A seminal work of literary realism, the novel is now considered Flaubert's masterpiece, and one of the most influential literary works in history.

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    But the real mystery at the heart of Albert Cossery's wry black comedy is not the cause of this death but the paradoxical richness to be found in even the most materially impoverished life. Chief among Cossery's proud beggars is Gohar, a former professor turned whorehouse accountant, hashish aficionado, and street philosopher. Such is his native charm that he has accumulated a small coterie that includes Yeghen, a rhapsodic poet and drug dealer, and El Kordi, an ineffectual clerk and would-be revolutionary who dreams of rescuing a consumptive prostitute. The police investigator Nour El Dine, harboring a dark secret of his own, suspects all three of the murder but finds himself captivated by their warm good humor. How is it that they live amid degrading poverty, yet possess a joie de vivre that even the most assiduous forces of state cannot suppress? Do they, despite their rejection of social norms and all ambition, hold the secret of contentment? And so this short novel, considered one of Cossery's masterpieces, is at once biting social commentary, police procedural, and a mischievous delight in its own right.

    Heartsnatcher is Boris Vian's most playful and most serious work. The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property.

    Entranced by a resolute Englishwoman whose capacity for debauchery knows no bounds, he capitulates to her every whim amid an ecstatic yet tormenting incursion of visions, scents, caresses, pleasures, horrors, and fantastic atrocities.