He has sold more than 50 million albums worldwide. His music has been the soundtrack to the lives of millions of people who grew up in the '70s, '80s and '90s. This celebratory, personal volume includes hundreds of photographsmany never-before-publishedas well as a selection of memorabilia from Petty's personal archives, all of which help to illustrate the songwriter's own description of his amazing life and career. Publication of this book coincides with the theatrical release of a Tom Petty and the Heartbreakers film documentary by Peter Bogdanovich and a four disc DVD/CD set. The fall of 2007 belongs to Tom Petty.

    No one is better qualified to talk about Springsteen than the man himself, and he’s often as articulate and provocative in interviews and speeches as he is emotive onstage and in recordings. While many rock artists seem to suffer through interviews, Springsteen has welcomed them as an opportunity to speak openly, thoughtfully, and in great detail about his music and life. This volume starts with his humble beginnings in 1973 as a struggling artist and follows him up to the present, as Springsteen has achieved almost unimaginable wealth and worldwide fame. Included are feature interviews with well-known media figures, including Charlie Rose, Ted Koppel, Brian Williams, Nick Hornby, and Ed Norton. Fans will also discover hidden gems from small and international outlets, in addition to radio and TV interviews that have not previously appeared in print. This collection is a must-have for any Springsteen fan.

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    Now the big time calls, and Jim accepts an offer to become head of A&R at industry giant WorldWide Records, founded and still run by the legendary maverick Wild Bill DeGaul. Little by little, though, it dawns on Jim that he has walked into a vipers' nest, and he must choose between picking up a dagger in a bloody palace coup against DeGaul or standing by him and losing everything.         Never before in fiction has the music business been so thoroughly nailed, but A&R is as much Julius Caesar as it is The Player: for all its great wit and dead-on insider texture, it's as wise about human nature as it is about one very dysfunctional industry.

    She has the look down: beat-up leather jacket, motorcycle boots, cheekbones, and wild hair. But she’s no ordinary guitar heroine. Her guitar is like none her audience has ever seen, part deadly weapon, part creature from some alien lagoon. Is that hair? Are those nipples? Is it flesh? Where does Jenny Slade come from? Where does she go? Geoff Nicholson fans know that wherever that is, the ride will be like no other.

    Thirty years later, this six-time platinum album is considered to be the high-water mark of Metallica’s incredible career, with songs like “Battery,” “Welcome Home (Sanitarium),” and the title track, “Master of Puppets,” still a staple of their sell-out live shows. Sadly, this hugely successful period for Metallica was marred by a tragedy that shook the band to its foundation: the death of bassist Cliff Burton in a tour bus accident on September 27, 1986.  For the first time, Metallica: Back to the Front tells the fully authorized story of the creation of the Master of Puppets album and the subsequent tour. Featuring new and exclusive interviews with band members James Hetfield, Lars Ulrich, and Kirk Hammett, this is the definitive account of the most venerated period of Metallica’s history, from the incredible highs of touring in support of Ozzy Osbourne to the lows of losing a key member of the band and crucial part of the Metallica sound. Metallica: Back to the Front will also feature interviews with other important figures in the band’s history, including managers Cliff Burnstein and Peter Mensch, Faith No More guitarist Jim Martin, Anthrax band members Scott Ian and Charlie Benante, and many, many more. Filled with hundreds of never-before-seen images from the band’s personal archives, this deluxe volume will combine an in-depth narrative with stunning visuals, taking fans further into this defining period of the band’s career than ever before. Released to coincide with the thirtieth anniversary of the Master of Puppets album and tour, Metallica: Back to the Front is created with the full cooperation and support of the band. The result is a treasure trove of stories, anecdotes, and never-before-seen photographs that legions of Metallica fans will cherish for generations to come.

    Recording Unhinged: Creative and Unconventional Music Recording Techniques dares you to "unlearn" safe record-making, to get out from behind the windshield, stick your head out the sunroof, and put the pedal to the metal! Sylvia Massy and her cohort of celebrity music industry producers, engineers, and recording stars discard fixed notions about how music should be recorded and explore techniques that fall outside the norm and yield emotionally powerful, incredibly personal, gut-wrenching, and even scary recordings. Joined by Hans Zimmer, Al Schmitt, Bruce Swedien, Jack Joseph Puig, Dave Pensado, Tchad Blake, Bob Clearmountain, Linda Perry, Michael Franti, Michael Beinhorn, Bob Ezrin, Geoff Emerick, and many others, this book has the stories, tips, recipes, photos, advice, diagrams, exercises, illustrations, and jokes that you won't find in any other instructional manual. And what about that cover? Recording Unhinged contains many eye-popping illustrations by Sylvia herself. As if being a celebrated producer isn't enough, Sylvia's iconic illustrations bring real and imaginary recording situations to life. Catchy Bass Lines? Engineering Marvels? How to Mic a Chicken?!! Do a swan-dive into the unknown and make studio magic with inspiration from Recording Unhinged.

    . . Set in the highest ranks of the music industry’s fame machine, Diamond Life is an intoxicating story of love, sex, ambition, money, betrayal, and the surprising realities of making it big. Alex Maxwell’s career as a journalist and celebrity ghost writer is taking off, despite the slightly embarrassing authorship of hip-hop super-groupie Cleo Wright’s memoir. And while Alex’s star is on the rise, it pales in comparison to her husband Birdie’s multiplatinum debut and world tour. Slowly but surely, everything they swore would never happen begins to come true, like leaving Brooklyn for a mansion in suburban Jersey and letting a reality TV crew into their home. Birdie is confronted time and again by the sexy groupies who pursue famous rappers like heat-seeking missiles and he’s forced to make some life-changing choices. Meanwhile, aging rapper Z, in recovery from drug addiction, is too busy trying to repair his marriage to leave much time for his son Zander, newly signed to Z’s label and struggling to maintain his appeal in the wake of a domestic violence scandal with his diva girlfriend Bunny. Record label president Jake is trying to deal with the death of his wife, multiplatinum R&B artist Kipenzi Hill, by drowning his sorrows in alcohol and women. When he meets Lily, a beautiful, quiet waitress, he can’t get her out of his head. But Lily has her own problems to handle and she wants nothing to do with the fame, drama, and baggage that Jake carries with him. This juicy follow-up to Aliya S. King’s Platinum is a scintillating roman à clef that takes readers behind the curtain once again for the real scoop on the biggest players in the hip-hop game—and the first ladies who hold them together.

    OK, maybe the shoes were new, but it struck me that he hardly ever sets foot in the street. It's all hotel, limousines, sterilized airports—the life I was about to lead. I shivered, feeling poised at the top of a rollercoaster about to sweep across the world. In 1978, Sean Mayes toured the world with David Bowie. Traveling first class and performing each night with one of the world's greatest rock stars at the height of his fame was an amazing experience—fortunately, Sean had the foresight to document it. Here, for the first time in complete book form, Sean's tour diary is presented; a blow-by-blow record of how it felt to be part of a real rock circus, from rehearsals in Dallas through shows across the US, UK, Europe, Australasia, and Japan to recording in London and Switzerland. Providing page after page of fascinating insight into life on the road with Bowie, Sean's account is a unique travelogue, a must for any Bowie fan or, indeed, anyone interested in life on a sell-out world tour. Also included is a full tour chronology and previously unpublished photos from Sean's personal archive.

    Drawing from his eleven collections and including twenty-three previously unpublished poems, Search Party is the essential compilation of this beloved poet's work. Edited by his son, Sebastian Matthews, and William Matthews's friend and fellow poet Stanley Plumly (who also introduces the book), Search Party is an excellent introduction to the poet and his glistening riffs on twentieth-century topics from basketball to food to jazz.

    After a couple of failed attempts to kill his brother Martin, his parents gave him a guitar for Christmas.From schoolyard battles between the Bowie Boys and the Prog Rockers to Mrs Kemp’s firm insistence on net curtains, and from acting for the Children’s Film Foundation to manning a fruit and veg stall on Saturdays, Gary brilliantly evokes an upbringing full of love, creativity and optimism.As the Thatcher years begin, Gary’s account of the outrageous London club scene centred around the Blitz and Billy’s is just sizzling. Out of this glamorous mayhem of kilt-wearing mascara’d peacocks would emerge Spandau Ballet – the band that would define the era, and hold high the victorious standard of the New Romantics.Gary’s thrilling journey with Spandau Ballet would see them record worldwide hits such as ‘True’, ‘Gold’ and ‘Through the Barricades’, play the biggest stadiums in the world and take to the stage in togas when their luggage gets lost in flight. Stallions, supermodels and dwarves would be hired for video shoots, and through it all, Gary records the wonderful friendships, and the slowly-building tensions, that would eventually see five old friends facing each other in court.‘I Know This Much’ tells the story of Spandau Ballet, but it’s far more than a book about being in a band. Whether it’s meeting Ronnie Kray before filming ‘The Krays’, sketching out the fashions and subcultures of the day, or hanging out with Princess Diana, this book offers a story on every page. And all the more so because it’s all written – brilliantly – by Gary himself.

    Together with the band, he achieved an incredible 14 No.1 singles (a record beaten only by the Beatles) sold 44 million records and was adored by fans the world over.Everything he touched turned to gold, or so it seemed. Like many others, he had piled his fortunes into the Irish property boom and when the bubble burst, Shane struggled with mounting debt. Just ten days after Westlife’s final farewell concert, in front of a sold-out crowd of 80,000 fans, Shane was declared bankrupt with debts of €23 million – losing everything.But this wasn’t the end for Shane Filan – a devoted singer and family man, Shane circled back to his roots and a year later he launched his solo career. In My Side of Life Shane shares his story for the first time – his early years growing up as part of a large Irish family in Co. Sligo, the phenomenal success of Westlife and the ups and downs of their time together, the breakup of the band, his financial devastation, and finally going it alone as a solo artist.This is Shane’s side of the story.

    A fascinating combination of photograph album, scrapbook, and biography, Simple Plan's exclusive material consists of hundreds of pictures from tours all over the world and the band members' own memories and personal archives. Journalist Kathleen Lavoie has followed the band's career since their beginnings a decade ago. She has written a lively account of the fi ve young Quebecers' fl ourishing career, covering multiple facets of their life from their stage performances to their recording session and tours, on the road and by air. Her look at the personal lives of the band members and their life as a group allows readers to step into their world. This abundantly illustrated book will interest and please Simple Plan fans and music lovers in general. It is the story of an inspiring journey that proves, contrary to popular belief, that even happy stories deserve to be told.

    phenomenon leading the current boy-band revival!Boy Bands are back in a very big way, and One Direction (1D) is at the top of the charts! Hand-picked by Simon Cowell from a group of hopefuls competing on Britain's X Factor, 1D amassed millions of fans via social media before releasing their first single in the U.S., which landed at the top of the Billboard 200 and makes them the first British band to hit the number one spot with their debut record. This keepsake biography tells the story of One Direction and is packed with swoon-worthy full-color photos throughout the book.  Directioners can't get enough information about their fave band and its 5 members: Harry, Liam, Louis, Zayn, and Niall.  This is the place to find the scoop, learn about the band and each member, and enjoy a little ogling.

    This book is the story of Volpe's years leading up to those at the Met, from his first job as a stagehand at the Morosco Theater to the odd jobs he picked up moonlighting: setting up a searchlight or laying down a red carpet for a movie premiere, changing titles on the marquees at the Astor, Victor, and Paramount theaters. It is his Met years--from apprentice carpenter to general manager--that give us a story about New York and the business of culture. Volpe looks at the Met today, an institution full of vast egos and complicated politics, as well as its glittering past--the old Met at Thirty-ninth and Broadway, and the political and artistic intrigues that exploded around its move to Lincoln Center. With stunning candor, he writes about the general managers he worked under, including Rudolf Bing and Anthony Bliss; his own embattled rise to the top; the maneuverings of the blue-chip board; his bad-cop, good-cop collaboration with the conductor James Levine; and his masterful approach to making a family of such highly charged artist-stars as Luciano Pavarotti, Placido Domingo, Teresa Stratas, and Renee Fleming, and such visionary directors as Franco Zeffirelli, Robert Wilson, and Julie Taymor.