But joy often gave way to sorrow as she invested her heart fully in walking alongside people in the grip of poverty, addiction, desperation, and disease.After unexpected tragedy shook her family, for the first time Katie began to wonder, Is God really good? Does He really love us? When she turned to Him with her questions, God spoke truth to her heart and drew her even deeper into relationship with Him.Daring to Hope is an invitation to cling to the God of the impossible--the God who whispers His love to us in the quiet, in the mundane, when our prayers are not answered the way we want or the miracle doesn't come. It's about a mother discovering the extraordinary strength it takes to be ordinary. It's about choosing faith no matter the circumstance and about encountering God's goodness in the least expected places.Though your heartaches and dreams may take a different shape, you will find your own questions echoed in these pages. You'll be reminded of the gifts of joy in the midst of sorrow. And you'll hear God's whisper: Hold on to hope. I will meet you here.

    But before long, Jo found herself riddled with questions. How do you make a marriage work in a world where you no longer need to be married? How does an independent, strong-willed feminist become someone’s partner—all the time?In the tradition of writers such as Nora Ephron and Elizabeth Gilbert, award-winning journalist and nationally bestselling author Jo Piazza writes a provocative memoir of a real first year of marriage that will forever change the way we look at matrimony. A travel editor constantly on the move, Jo journeys to twenty countries on five continents to figure out what modern marriage means. Throughout this stunning, funny, warm, and wise personal narrative, she gleans wisdom from matrilineal tribeswomen, French ladies who lunch, Orthodox Jewish moms, Swedish stay-at-home dads, polygamous warriors, and Dutch prostitutes.Written with refreshing candor, elegant prose, astute reporting, and hilarious insight into the human psyche, How to Be Married offers an honest portrait of an utterly charming couple. When life throws more at them than they ever expected—a terrifying health diagnosis, sick parents to care for, unemployment—they ultimately create a fresh understanding of what it means to be equal partners during the good and bad times. Through their journey, they reveal a framework that will help the rest of us keep our marriages strong, from engagement into the newlywed years and beyond.

    The whole world followed with bated breath the searing custody trial over young Gloria that pitted mother against daughter and shook the Vanderbilts and society. While much has been written from the outside about all of this, the two principals have never before disclosed the real truth behind the rumors and the headlines. And exciting as are their personal adventures and escapades, their story is also a portrait of an era.In every age there have been certain women who through a combination of beauty and personality have attracted the love and admiration of rich or famous men, and who seem to be the embodiments of the feminine charm of the period. The Edwardian era had its Lily Langtry, the Napoleonic its Josephine, the eighteenth century its Du Barry and its Lady Hamilton—and so on back to antiquity. In our time, among those women who have come close to fitting this role are Lady Furness and Gloria Vanderbilt.From childhood each had the elusive qualities that characterize the femme fatale. Both knew the love of many men, both suffered deeply, and now both have happily risen above the vicissitudes of their checkered careers and face the future with gallantry, humor, and without rancor or bitterness over the past. In this spirit, and with all sincerity, they have set down the story of their lives.In Double Exposure, we are given a matchless picture of life among the great—and the near-great—in the now-vanished world between the two wars. Above all, we come to know the minds and hearts and philosophy of life and love of two fascinating women, and something of the nature of fascination itself.

    Andrews takes the reader with her as she goes on inward journeys with the help of the Sisterhood of the Shields, and relates the stories of others.Join her as she is initiated into the Sisterhood and creates her own shield, which will show her the nature of her spiritual path (Spirit Woman). Follow her to the Yucatan, where the medicine wheel leads her, and she is faced with the terrifying reality of the butterfly tree (Jaguar Woman). Enter the Dreamtime with her, where she emerges in medieval England as Catherine, and encounters the Grandmother, who offers to show Andrews how to make her life one of goodness, power, adventure, and love (The Woman of Wyrrd).Not all these stories describe the author's own spiritual experiences. Meet Sin Coraz�n, an initiate into the Sisterhood, whose husband abandons her. She nearly succumbs to her inner dark power and unleashes her rage on men and the Sisterhood (Dark Sister). Andrews also writes about the elder women of the Sisterhood: their loves, their lives, their losses (Tree of Dreams).Andrews shows us how to channel our own spiritual and intellectual energy and balance the need for love with the desire for power (Love and Power). She takes the reader on numerous spiritual journeys that inevitably uplift.

    Then came the 1979 Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized both by her peers at school and adults in the community. Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.Determined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.Breaking the Ocean introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, addressing the universal questions of what it means to belong and ultimately what is required to create change in ourselves and in society.

    Eventually Tania, a successfully integrated American, journeys back to her fractured homeland with her mother to unravel the secrets of their shared past.

    . .All she needed were stamps and signatures. Marie and her translator stood in the government offices in Kabul, Afghanistan, to complete the paperwork for her new literacy project. The women in her home town, the northern village of Shehktan, would learn to read.But a spattering of gun shots exploded and an aid worker crumpled. Executed. On the streets of Kabul. Just blocks from the guesthouse. Sending shockwaves through the community.The foreign personnel assessed their options and some, including Marie’s closest friend, Carolyn, chose to leave the country. Marie and others faced the cost and elected to press forward. But the execution of the lone aid worker was just the beginning.When she returned home to her Afghan friends in Shehktan to begin classes, she felt eyes watching her, piercing through her scarf as she walked the streets lined in mud brick walls.And in the end . . . It took only 14 days for her project, her Afghan home, her community—all of it—to evaporate in an eruption of dust, grief, and loss. Betrayed by someone she trusted. Caught in a feud she knew nothing about, and having loved people on both sides, Marie struggled for the answer: How could God be present here, working here, in the soul of Afghanistan?A novel based on true events.

    In O Rugged Land of Gold share the triumph of a woman -- alone, injured, pregnant -- on a remote Alaskan island in winter. "I was furious.  If I had a gun, I'd have shot them dead.  Those lazy, stupid men kept right on going and left me alone.  Not once had they looked in my direction, and me needing help so bad.  I was so mad at them that I cussed.  I screamed cusses at them until I was hoarse.  I said all the bad words I had ever heard in all my life, and I invented some new ones, too.  I wished the tow-line would break and they would lose every last log; wished their old logs would go to China.  I stood up and shook my fist at the disappearing boat.   When it had gone from sight, I dropped down and cried.  I shed tears of helpless rage and of utter defeat."... "An old bear came and sniffed me.  He really did.  It was in the first gray of dawn.  I had dozed, and the sound of him coming roused me.  I kept perfectly still, hardly breathing, and straining my ears and eyes to learn what and where the sound was.  Then I smelled him and knew for certain it was a bear.  All the primitive instincts of fear within me were aroused.  My heart pounded in my throat, and I could feel my flesh creep.  I drew myself up and made myself little and tight.  I kept still as death."

    Marrying a conservative Texan soldier and being an Army wife was never in her plan. Nor was the devastating helicopter crash that took his life soon after their marriage. On November 6, 2006, the Apache helicopter carrying Artis’s husband Miles crashed in Iraq, leaving her—in official military terms—an “unremarried widow.” She was twenty-six years old.In Unremarried Widow, Artis gracefully and fearlessly traces the arduous process of rebuilding her life after this loss, from the dark hours following the military notification to the first fumbling attempts at new love. She recounts the bond that led her and Miles to start a life together, even in the face of unexpected challenges, and offers a compassionate critique of the difficulties of military life. In one of the book's most unexpected elements, Artis reveals how Miles’s death mirrored her own father’s—in a plane crash that she survived when she was five. In her journey through devastation and heartbreak, Artis is able to reach a new understanding with her widowed mother and together they find solace in their shared loss.But for all its raw emotion and devastatingly honest reflections, this is more than a grief memoir. Delivered in breathtaking prose, Unremarried Widow is a celebration of the unlikely love between two very different people and the universality of both grief and hope.

    

    The eight-hour work day, the Ponzi scheme and the rhythm and blues have risen from its streets. But Chicago is not just a city of the past. In this dynamic issue, GRANTA brings the one-time industrial hub to life through the eyes of exciting new writers, from home grown stars like George Saunders and Dave Eggers, to immigrants who have come to the city from Bosnia, China and Ethiopia.In this issue, Aleksandar Hemon plays football with Italians and Tibetans along Lake Shore Drive. Chicago born MacArthur 'genius' grant-winning photographer Camilo José Vegara captures the demolition of the city's massive public housing estates. Richard Powers recollects the flood of 1992. Don DeLillo remembers Nelson Algren. Alex Kotlowitz explores the cost of urban violence and Dinaw Mengestu describes moving back home to run his dying father’s messenger business. Plus a sneak preview of Peter Carey's new novel.Finally, Nobel Laureate Wole Soyinka meditates on the meaning of the city's most visible son, Barack Obama. Out of these stories, which will be wrapped in a beautiful cover by Chris Ware, will arise a vivid portrait of a city remaking itself: a city shredded by violence but poised for a new future; a city that once again has a legitimate claim to being the home of the world's best writers.

    Over sixty years later, this novel, which was an immediate bestseller when published in 1942, is still selling. The child of German American parents, Betty Smith was born and raised in the immigrant slums of Williamsburg, Brooklyn. Forced to go to work at the age of fourteen, she never graduated from high school, but she achieved success as a playwright and novelist, writing four bestsellers over the course of her career. She married three times, was divorced twice, lived for many years with her lover, attended and taught graduate-level courses, raised two daughters, and supported her family during the Depression. While her writing focused on Brooklyn, she lived and worked for most of her adult life in Chapel Hill, North Carolina. This is the first published biography of Betty Smith. Valerie Raleigh Yow has a PhD in history from the University of Wisconsin. She has published two previous academic books and a biography of North Carolina novelist Bernice Kelly Harris (Louisiana State University Press, 1999) and is a psychotherapist in Chapel Hill, North Carolina.

    

    His journals reveal an artist who loved music, who knew the history of rock, and who was determined to define his place in that history. Here is a mesmerizing, incomparable portrait of the most influential musician of his time.

    Like too many of her generation, she had become addicted to heroin. Sarah was 24 years old.To imagine her way into Sarah's life and her choices, Rose revisits their volatile childhood, marked by their stepfather's omnipresent rage. As the dysfunction comes into focus, so does a broader picture of the opioid crisis and the drug rehabilitation industry in small towns across America. And when Rose learns from the coroner that Sarah's cause of death was a methamphetamine overdose, the story takes a wildly unexpected turn.As Andersen sifts through her sister's last days, we come to recognize the contours of grief and its aftermath: the psychic shattering which can turn to anger, the pursuit of ever an ever-elusive verdict, and the intensely personal rites of imagination and art needed to actually move on.Reminiscent of Alexandria Marzano-Lesnevich's The Fact of a Body, Maggie Nelson's Jane: A Murder, and Lacy M. Johnson's The Other Side, Andersen's debut is a potent, profoundly original journey into and out of loss.