Favorite Classic Fairy Tales Retold in Simple Language! Having raised three children and spent countless evenings and weekends with her 5 grandchildren and their neighboring little friends, Beatrice Wood knows exactly what it means to be a busy parent. She advises parents that no matter how busy they are at work or at home, they ought to spend a little quality time with their children every day. Reading a story to them for 5 or 10 minutes is a wonderful way to do this. In this Book Series you will find her personal collection of 32 famous fairy tales and stories from around the world, voted by her children and grandchildren to be the family’s most favorite. Fairy tales from the greatest storytellers that have ever been as well as folk tales and lesser-known stories from unknown authors. These family favorites were shortened and re-written in a simple language that kids will understand. Moreover, all 4 books of the collection have illustrations to keep children's attention. 4 Good Reasons to Buy this Book! This book contains some of the most favorite classic fairy tales which are: Shortened to 5-7 minutes in length, for the busy mom or dad’s convenience. Formatted for ease of use on your Kindle. Appropriate for ages from 6 to 12 and also very pleasantly readable for grownups! Rewritten in a simple and attractive style, but still containing words that will encourage your children’s vocabulary development. Contents: THE FISH AND THE RING RIQUET WITH THE TUFT (THE UGLY PRINCE) RUMPELSTILZCHEN THE BREMEN TOWN MUSICIANS THE FROG PRINCE THE ROSE TREE THE PRINCESS AND THE PEA THE GYPSY QUEEN Ƹ̵̡Ӝ̵̨̄Ʒ with illustrations! Buy Now with 1-Click! More Books in the Fairy Tales Collections 5 MINUTE BEDTIME STORIES FOR CHILDREN VOL.1 --> http://www.amazon.com/dp/B00W22Q7WO Contents: HOW THE OLD WOMAN GOT HER WISH THREE SILLIES THE MILLER, HIS SON AND THEIR DONKEY ARMADILLO’S SONG JACK HANNAFORD TIKKI TIKKI TEMBO LAZY JACK THE STORY WITHOUT AN END THE EMPEROR’S NEW CLOTHES WHAT WE PLANT, WE WILL EAT Ƹ̵̡Ӝ̵̨̄Ʒ <

    Her eagerness to help a mysterious bunny gets her transported to a strange world full of goblin inventors, dog armies, cosmic giants, and even stranger things! Armed with the ancestral weapon of rabbitkind (an old shovel) she must help her animal friends, and get home in time for supper. Along the way she will experience the bravery of folk heroes, the power of ancient gods and the danger of lurking monsters; all while making sure her animal friends are safe. A word book for young readers, The Tale of Tallest Rabbit is a family friendly collection of stories tied together by an overarching narrative of bravery and friendship.

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."

    To a young kitten, even the most mundane things appear fresh and exciting (and sometimes unpleasant or scary). Join FukuFuku on her journey and rediscover the world from a tiny cat's point of view.

    Whether a coyote or rabbit, raccoon or raven, Tricksters use cunning to get food, steal precious possessions, or simply cause mischief. In Trickster, the first graphic anthology of Native American trickster tales, more than twenty Native American tales are cleverly adapted into comic form. An inspired collaboration between Native writers and accomplished artists, these tales bring the Trickster back into popular culture in vivid form. From an ego-driven social misstep in "Coyote and the Pebbles" to the hijinks of "How Wildcat Caught a Turkey" and the hilarity of "Rabbit's Choctaw Tail Tale," Trickster bring together Native American folklore and the world of graphic novels for the first time.

    Two young children pay a visit to Halmoni (grandmother in Korean), only to discover she's not home. As they search for her, noticing animal tracks covering the floor, they discover a pair of traditional Korean doors, slightly ajar, new to their grandmother's home. Their curiosity gets the best of them, and the adventure begins when they crawl through and discover an unfamiliar, fantastical world. As they continue to search for their grandmother and solve the mystery of the tracks, they go deeper into the world of Korean folklore and experience their cultural heritage in unexpected ways, meeting a number of Korean-speaking characters along the way. Translations to Korean text in the story and more about the folktale-inspired characters are included at the end.

    These thirteen folktales have one thing in common: brainy, brawny, brave heroines--and not one damsel in distress! From Bradamante, the fierce female medieval knight, to Li Chi, the Chinese girl who slays a dreaded serpent and saves her town, these heroines use their cunning, wisdom, and strength to succeed. Drawing from diverse cultures around the world, renowned author Jane Yolen celebrates the smart, strong, and sassy heroines of legend and lore in a collection that will encourage bravery in every girl.

    Today it is thought of mainly as a children's story, and Kaguya-hime, the heroine, looks in the illustrations as lovable as Snow-White or Cinderella; there is no suggestions of the heartlessness that is perhaps her most memorable feature. Elements in the narrative recall similar tales from other parts of the world. The tests to which the suitors are subjected resemble the riddles asked by the icy Princess Turandot, or we may recall the three caskets among which the suitors had to choose in The Merchant of Venice. Perhaps the most interesting aspect of the tests Kaguya-hime imposes is the humor with which they are related. The second suitor's lyrical description of the magical island of Horai, where he allegedly found the jeweled branch, is interrupted by the mundane demands of the artisans who actually made it. Again, the fourth suitor, at the end of his unsuccessful quest, urges his men to stay away from the vicinity of the house of "that thief of a Kaguya-hime." Such a characterization of the heroine takes us from the realm of the children's story.About thirty-five years ago I first published a translation of The Tales of the Bamboo Cutter in the journal Monumenta Nipponica. A few years later-in the summer of 1965-a Japanese publisher conceived the plan of a book that would incorporate my translation, the translation into modern Japanese by the great novelist Yasunari Kawabata, and illustrations by one of the outstanding contemporary Japanese painters. I decided to take advantage of the opportunity to revise my translation.About this time, I visited an exhibition of kirie (paper-cut pictures) by Masayuki Miyata, and discovered that he had actually completed series of works illustrating The Tale if the Bamboo Cutter. I was delighted that at last it would be possible to realize the project first conceived so many years before. There were still further delays, but at last the book has materialized. [This work] combines the work of unknown Japanese writer of over a thousand years ago, the translation by a master of modern Japanese, illustrations by an outstanding artist, and a translation by an American who has devoted his life to the study of Japanese literature.

    . . . It's all done with a commendable amount of taste, imagination, and style."--School Library Journal (starred review)"A beautifully convincing tale."--The New York Times Book Review"Using elements of traditional Japanese art, the illustrator has made marvelously imaginative pictures."--The Horn Book"Lent's pictures are a lively blend of finely detailed, delicate drawings and rip-roaring good humor."--The Boston Globe"A good read-aloud with lots of suspense."--LearningAwards: ALA Notable Children's Book Child Study Association Book of the Year The Horn Book Fanfare

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    Cinnamon had pearls for eyes. Cinnamon did not talk.Her father and mother offered many riches to anyone who could get Cinnamon to speak. One day a tiger came to the palace, armed with knowledge of the world, and everything changed.

    He drew them everywhere, even where they should not be: on the temple walls and in the priest's books. Although the cats sometimes got the boy in trouble, one day they found a way to reward their skillful creator.

    From cautionary tales to ghostly visions, the fairy stories of Japan are characterized not only by the customary amount of fantasy but also by a welcome dose of mischievous fun. For any lover of other-worlds, dreamscapes, and magical beings, this collection of Japanese folk and fairy tales provides quick transportation to a land of miniature warriors, willow-women, and ogre-isles, beautifully accented by the unmistakable exoticism of the Land of the Rising Sun. Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidan (1904).

    In this book, our little bird friend will demonstrate what he did to overcome his fear of thunderstorms. Some of his ideas are practical while others are just plain silly! Read along as you and your child will once again enjoy the silly antics of this quirky bird! This is a read aloud kids book and is easy to read. The target age range audience is for toddlers, preschool and young children. Thunderstorms are NOT Scary is a book that any child will love, especially at bedtime. This book is suitable for parents to read to their children. Grandparents will definitely enjoy reading this book to their grandchildren. Read this children's book FREE as part of your PRIME or Kindle Unlimited membership

    It is beautiful and it is comic. It is philosophical and it is cheery. What we suppose we are trying fumblingly to say is, in a word, that it is Thurber.There are only a few reasons why everybody has always wanted to read this kind of story: if you have always wanted to love a Princess; if you always wanted to be a Prince; if you always wanted the wicked Duke to be punished; or if you always wanted to live happily ever after. Too little of this kind of thing is going on in the world today. But all of it is going on valorously in The 13 Clocks.