She talks with him, teases him, but reveals nothing about herself except her phone number. Later they have a perfect day at the London Zoo, and soon Joe is as addicted to Candy as she is to heroin, in spite of the threats of her menacing pimp Iggy. Almost nothing matters except his desire to free her from her terrible life-- not his band's chance for a recording contract, not the song he has written for her that has become a hit without him. But there is something that still matters to him, and when he rescues the young prostitute from her sordid rooming house and takes her into hiding to sweat out her addiction, Iggy finds and uses that one thing that is stronger than Joe's passion for Candy, in a heart-thumping, breathless conclusion.

    This is what happens after happily ever after.Everyone thinks seventeen-year-old Noah Shaw has the world on a string.They’re wrong.Mara Dyer is the only one he trusts with his secrets and his future.He shouldn’t.And both are scared that uncovering the truth about themselves will force them apart.They’re right.

    But one night, a peach falls out of a Cezanne, Degas ballerinas dance across the floor, and Julien is not hallucinating.The art is reacting to a curse that trapped a beautiful girl, Clio, in a painting forever. Julien has a chance to free Clio and he can't help but fall in love with her. But love is a curse in its own right. And soon paintings begin to bleed and disappear. Together Julien and Clio must save the world's greatest art . . . at the expense of the greatest love they've ever known.Like a master painter herself, Daisy Whitney brings inordinate talent and ingenuity to this romantic, suspenseful, and sophisticated new novel. A beautifully decorated package makes it a must-own in print.

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”

    After being kicked out of four boarding schools, she has to get on track or she risks losing her hefty inheritance. Summer is convinced that meeting the right guy will solve everything. She meets two. Moony, a classmate, is recovering against all odds from a serious car accident, and he encourages Summer to embrace life despite how hard it can be to make it through even one day. But when Summer meets Kurt, a hot, mysterious older man who she just can't shake, he leads her through the creepy underbelly of the city-and way out of her depth.When Summer's behavior manages to alienate everyone, even Moony, she's forced to decide if a life so difficult is worth living. With an ending that'll surprise even the most seasoned reader, Romancing the Dark in the City of Light is an unputdownable and utterly compelling novel.

    Brimming with excitement, Charles sets off with his daughter Naomi on a Christmas Eve shopping trip to London. But, by the end of the day, all Charles and his wife have left are cups of tea and police sympathy. For Naomi, their beautiful, angelic only child, has disappeared. Days later her murdered body is discovered.But is she dead?In a howling, bumping story of past and present day hell, Jonathan Aycliffe's haunting psychological masterpiece is guaranteed to make you sink to untold depths of teeth-shaking terror.

    It is a June unlike any other before, with temperatures soaring to asphyxiating heights. All across the world, freak weather patterns—and the life-shattering catastrophes they entail—have become the norm. The twenty-first century has entered a new phase. But Gabrielle Fox’s main concern is a personal one: to rebuild her life after a devastating car accident that has left her disconnected from the world, a prisoner of her own guilt and grief. Determined to make a fresh start, and shake off memories of her wrecked past, she leaves London for a temporary posting as an art therapist at Oxsmith Adolescent Secure Psychiatric Hospital, home to one hundred of the most dangerous children in the country. Among them: the teenage killer Bethany Krall.Despite two years of therapy, Bethany is in no way rehabilitated and remains militantly nonchalant about the bloody, brutal death she inflicted on her mother. Raised in evangelistic hellfire, the teenager is violent, caustic, unruly, and cruelly intuitive. She is also insistent that her electroshock treatments enable her to foresee natural disasters—a claim which Gabrielle interprets as a symptom of doomsday delusion.But as Gabrielle delves further into Bethany’s psyche, she begins to note alarming parallels between her patient’s paranoid disaster fantasies and actual incidents of geological and meteorological upheaval—coincidences her professionalism tells her to ignore but that her heart cannot. When a brilliant physicist enters the equation, the disruptive tension mounts—and the stakes multiply. Is the self-proclaimed Nostradamus of the psych ward the ultimate manipulator or a harbinger of global disaster on a scale never seen before? Where does science end and faith begin? And what can love mean in “interesting times”?With gothic intensity, Liz Jensen conjures the increasingly unnerving relationship between the traumatized therapist and her fascinating, deeply calculating patient. As Bethany’s warnings continue to prove accurate beyond fluke and she begins to offer scientifically precise hints of a final, world-altering cataclysm, Gabrielle is confronted with a series of devastating choices in a world in which belief has become as precious - and as murderous—as life itself.

    His blood is on my hands. His heart is in my soul. I KILLED HIM." But she remembers nothing of that night or of the previous thirty-six hours. All she knows is that her father, the reverend at the Church of the Holy Promise, is missing, as is Hannah, a young girl from the parish. Their disappearances have to be connected and Callie knows that her father was not a righteous man.Since that fateful night, she's been plagued by graphomania -- an unending and debilitating compulsion to write. The words that flow from Callie's mind and through her pen don't seem to make sense -- until now. As the anniversary of Hannah's vanishing approaches, more words and memories bubble to the surface and a new guy in school might be the key to Callie putting together the puzzle. But digging up the secrets she's buried for so long might be her biggest mistake.

    Rory survived and the serial killer who attacked her escaped. Now that the infamous Steven Nell is on the loose, Rory must enter the witness protection program. Entering the program alongside her, is her father and sister Darcy. The trio starts a new life and a new beginning leaving their friends and family behind without a goodbye. Starting over in a new town with only each other is unimaginable for Rory and Darcy. They were inseparable as children but now they can barely stand each other. As the sisters settle in to Juniper Landing, a picturesque vacation island, it seems like their new home may be just the fresh start they need. They fall in with a group of beautiful, carefree teens and spend their days surfing, partying on the beach, and hiking into endless sunsets. Just as they’re starting to feel safe again, one of their new friends goes missing. Is it a coincidence? Or is the nightmare beginning all over again?

    Only Matthew came home safely. Ten years later, Matthew tells us, he has found a way to bring his brother back... Unafraid to look at the shadows of our hearts, Nathan Filer's rare and brilliant debut shows us the strength that is rooted in resilience and love. Editor's Note Feb 10, 2014: St Martin's Press have just announced that Where The Moon Isn't will be republished under the UK title, The Shock of the Fall this week in digital format and later this fall in paperback. They said that the title change was necessary "because otherwise there's a lot of confusion" - The Shock of the Fall recently won the Costa Book of the Year award, which is UK based but has international renown.

    She wasn't the first victim, and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her.The problem is, no one searches for a girl they never noticed in the first place.

    Clare also feels compelled to take midnight walks in Ravensmere's abandoned China Garden. Then her mother reveals that their own past is tragically linked to the estate. But when Clare discovers that Ravensmere is in grave danger, will she risk her future-and Mark's-to save it?

    Now he's looking for tenderness--tenderness he finds in killing girls. Fifteen-year-old Lori has run away from home again. Emotionally naive and sexually precocious, she is also looking for tenderness--tenderness that she finds in Eric. Will Lori and Eric be each other's salvation or destruction? An ALA Best Book for Young Adults.

    During that year of physical recovery, Runyon began to question what he’d done, undertaking the complicated journey from near-death back to high school, and from suicide back to the emotional mainstream of life.In the tradition of Running with Scissors and Girl, Interrupted, The Burn Journals is a truly remarkable book about teenage despair and recovery.

    The Special Ones are not allowed to leave, but why would they want to? Here, they are safe from toxic modern life, safe from a meaningless existence, safe in their endless work. He watches them every moment of every day, ready to punish them if they forget who they are – all while broadcasting their lives to eager followers on the outside.Esther knows he will renew her if she stops being Special. And yet she also knows she's a fake. She has no ancient wisdom, no genuine advice to offer her followers. But like an actor caught up in an endless play, she must keep up the performance if she wants to survive long enough to escape.