As Jaime and Gilbert Hernandez continue to delight readers new and oldwith the continuing adventures of their characters in the annual Love and Rockets:New Stories, Fantagraphics continues to collecttheir earlier stories in these fat, handy, and inexpensive collections.In this batch of “Locas” stories by Jaime Hernandez from the pages of Loveand Rockets Volume II (picking up where 2010’s Penny Century collection leftoff), an older and wiser Maggie faces down her old demons and the “Ghost of Hoppers” in a full-length graphic novel(which also introduces one of Jaime’s greatest recent characters, Vivian the “Frogmouth,” the near-psychotic bombshell).Meanwhile, the ever-feisty but maturing Hopey (her Spanish birth name giving this collection its title) transitionsfrom tending bar to teaching kindergarten (while still juggling a complex love life), and the final quarter of the bookshows Maggie’s lovable ex Ray Dominguez being dragged into the aftermath of a grisly murder thanks to his falling forthe “Frogmouth.”

    Along the way, Tomine tackles modern culture, sexual mores, and racial politics with brutal honesty and lacerating, irreverent humor, while deftly bringing to life a cast of painfully real antihero characters. A frequent contributor to The New Yorker, Tomine has acquired a cultlike fan following and has earned status as one of the most widely acclaimed cartoonists of our time.Shortcomings was serialized in Tomine's iconic comic book series Optic Nerve and was excerpted in McSweeney's Quarterly Concern #13.

    Sitting alone in the local coffee place. He’s been set up by his friend Tim on a blind date with someone named Natalie, and now he’s just feeling set up. She’s nine minutes late and counting. Who was he kidding anyway? Divorced, middle-aged, newly unem­ployed, with next to no prospects, Marshall isn’t ex­actly what you’d call a catch. Twenty minutes pass.A half hour. Marshall orders a scotch. (He wasn’t going to drink!) Forty minutes.Then, after nearly an hour, when he’s long since given up hope, Natalie appears — breathless, apologiz­ing profusely that she went to the wrong place. She takes a seat, to Marshall’s utter amazement. She’s too good to be true: attractive, young, intel­ligent, and she seems to be seriously engaged with what Marshall has to say. There has to be a catch. And, of course, there is.During the extremely long night that follows, Marshall and Natalie are emotionally tested in ways that two people who just met really should not be. Not, at least, if they want the prospect of a second date.A captivating, bittersweet, and hilarious look at the potential for human connection in an increasingly hopeless world, Mister Wonderful more than lives up to its name.

    An all-new edition of the first book in Sophie Campbell's critically acclaimed original graphic novel series, WET MOON! With brand new covers designed by cartoonist Annie Mok (Screen Tests) and special extras in the back, this edition is perfect for longtime fans and new readers alike!

    Saint Cole depicts four days in the life of a twenty-eight-year-old suburbanite named Joe, who works at a pizzeria to support his girlfriend Nicole and their infant child and then Nicole invites her troubled mother to move into their two-bedroom apartment until she lands on her feet again. Joe reacts by retreating into alcohol: he wants out, and he's angry. He s in a position to act rashly and he does.

    It was winnning a Harvey Award, no less. It documentates the once upon a time in our fishing village town and a short turtle lad name of Chunky, last name Rice.Mister Chunky Rice be living in the same rooming house likewise myself, only that boy be restless. Looking for something. And he puts hisself on my brother Chuck's ship and boats out to sea to find it. Only he be departin' from his bestest of all friends, his deer mouse, I mean, mouse deer chum Dandel.Now why in a whirl would someone leave beyond a buddy? Just what be that turtle lad searchings for? I said you best read the book to find out. Merle said, "Doot doot."

    After dislocating his arm, a young boy is taken to see a doctor - an aged osteopath who was once the doctor of legendary gangster Al Capone.

    People keep dying mysteriously, local band The Crotchmen rock the nights away, teenage palm readers have lines out the door, and Ben Schiller is doing her best to get through all the weirdness until... what?

    We learn from the out-set that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways—from the hideously grotesque to the subtle (and concealable)—but once you've got it, that's it. There's no turning back. As we inhabit the heads of several key characters—some kids who have it, some who don't, some who are about to get it—what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it, or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself—the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape. And then the murders start. As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it—back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird. To say nothing of sprouting horns and molting your skin…

    Connected by a series of gossipy teens, the modern lost souls of Beverly struggle with sexual anxieties that are just barely repressed and social insecurities that undermine every word they speak.A group of teenagers pick up trash on the side of the highway--flirting, preening, and ignoring a potentially violent loner in their midst. A college student brings her sort-of boyfriend to a disastrous house party with her high-school acquaintances. A young woman experiences a traumatic incident at the pizza shop where she works and the fallout reveals the racial tensions simmering below the surface. Again and again, the civilized façade of Drnaso's pitch-perfect surburban sprawl and pasty Midwestern protagonists cracks in the face of violence and quiet brutality.Drnaso's bleak social satire in Beverly reveals a brilliant command of the social milieu of twenty-first-century existence, echoing the black comic work of Todd Solondz, Sam Lipsyte, and Daniel Clowes. Precisely and hauntingly recounted, each chapter of Beverly reveals something new--and yet familiar--about the world in which we live.

    But Marv doesn't care. There's an angel in the room. She says her name is Goldie. A few hours later, Goldie's dead without a mark on her perfect body, and the cops are coming before anyone but Marv could know she's been killed. Somebody paid good money for this frame . . . With a new look generating more excitement than ever before, this third edition is the perfect way to attract a whole new generation of readers to Frank Miller's masterpiece!

    - A new quarterly anthology of the best new talent in the sequential arts- In color, part-color, and black-and-white- The regular roster of artists gives the series a concrete identity- Quarterly schedule allows readers to look forward to favorite artists on a regular basis- Created for a general audience of literature fans, with a focus on contemporary fiction and narrative

    But when Ellie lands in an upscale rehab clinic where nothing is what it appears to be... she'll find another more dangerous romance, and find out how easily drugs and murder go hand-in-hand.MY HEROES HAVE ALWAYS BEEN JUNKIES is a seductive coming-of-age story, a pop and drug culture-fueled tale of a young girl seeking darkness — and what she finds there. This gorgeous, must-have hardback is the first original graphic novel from ED BRUBAKER and SEAN PHILLIPS, the bestselling creators of CRIMINAL, KILL OR BE KILLED, THE FADE OUT, FATALE, and INCOGNITO.

    Occupied by only an insane pilot, the spacecraft shows evidence of a remarkable journey through the solar system. Now, in order to solve the mystery of the shuttle's inexplicable journey and the fate of its six lost astronauts, three NASA specialists are called upon to investigate the alien instrumentation and materials that adorn Venture. But as secrets are revealed, it soon becomes apparent that the shuttle's journey not only took it outside our solar system but to a realm of existence that is unimaginable.

    An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.