The lifestyle doesn’t come cheap, though, nor does maintaining the body that allows it (just ask Dr Heinz at the beauty clinic). Luckily, Bontle has a degree in MENcology, and there is no shortage of blessers at her penthouse door, eager to give her all the love and (financial) support she needs. Papa Jeff might be overweight and getting on a bit, and receiving some unwanted attention from the Hawks; and Teddy might not have fully come through for her on that messed-up tender business; but Mr Emmanuel, the Nigerian businessman with deep pockets and the possibility of conferring second wife status … could that be love? Keeping all her boyfriends happy and living a fabulous life is not without its challenges. With so many people clamouring for Bontle’s attention – from her shebeen queen mother Gladys in Mamelodi, who is taking strain bringing up her teenaged brother, Golokile, on her own; to her girlfriends, Iris and Tsholo; not to mention her soon-to-be ex-husband, the ever-patient, ever-loving Ntokozo, Bontle barely has time to post on Instagram these days. Sooner or later something’s got to give …

    Butler’s shattering meditation on symbiosis, love, power and tough choices. It won the Hugo, Locus, Nebula and Science Fiction Chronicle awards and is widely regarded as one of her greatest works.Years ago, a group known as the Terrans left Earth in search of a life free of persecution. Now they live alongside the Tlic, an alien race who face extinction; their only chance of survival is to plant their larvae inside the bodies of the humans.When Gan, a young boy, is chosen as a carrier of Tlic eggs, he faces an impossible dilemma: can he really help the species he has grown up with, even if it means sacrificing his own life?Perfect for fans of the thrilling Arrival and the works of Ursula Le Guin.

    Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. Bring Back Mom: An Invocation; explores what life was really like for the "perfect" homemakers of days gone by, and in The Animals Reject Their Names she runs history backward, with surprising results.Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood, enhanced by the author's delightful drawings.

    Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.

    In this collection of nine short stories, Carter pinpoints the symbolism of city streets and weaves allegories around forests and jungles of strange and erotic landscapes of the imagination.

    From the National Book Award finalist who Zadie Smith says, "rescues a million souls from the collective noun genocide."Scholastique Mukasonga's autobiographical stories rend a glorious Rwanda from the obliterating force of recent history, conjuring the noble cows of her home or the dew-swollen grass they graze on. In the title story, five-year-old Colomba tells of a merciless overlord, hunger or igifu, gnawing away at her belly. She searches for sap at the bud of a flower, scraps of sweet potato at the foot of her parent's bed, or a few grains of sorghum in the floor sweepings. Igifu becomes a dizzying hole in her stomach, a plunging abyss into which she falls. In a desperate act of preservation, Colomba's mother gathers enough sorghum to whip up a nourishing porridge, bringing Colomba back to life. This elixir courses through each story, a balm to soothe the pains of those so ferociously fighting for survival.Her writing eclipses the great gaps of time and memory; in one scene she is a child sitting squat with a jug of sweet, frothy milk and in another she is an exiled teacher, writing down lists of her dead. As in all her work, Scholastique sits up with them, her witty and beaming beloved.

    At either end of the twentieth century, two women fall in love with men outside their familiar worlds. In 1901, Anna Winterbourne, recently widowed, leaves England for Egypt, an outpost of the Empire roiling with nationalist sentiment. Far from the comfort of the British colony, she finds herself enraptured by the real Egypt and in love with Sharif Pasha al-Baroudi. Nearly a hundred years later, Isabel Parkman, a divorced American journalist and descendant of Anna and Sharif has fallen in love with Omar al-Ghamrawi, a gifted and difficult Egyptian-American conductor with his own passionate politics. In an attempt to understand her conflicting emotions and to discover the truth behind her heritage, Isabel, too, travels to Egypt, and enlists Omar's sister's help in unravelling the story of Anna and Sharif's love.Joining the romance and intricate storytelling of A.S. Byatt's Possession and Michael Ondaatje's The English Patient, Ahdaf Soueif has once again created a mesmerizing tale of genuine eloquence and lasting importance.

    She lives in a small town in Ghana with her widowed mother, spending much of her time in her uncle Pious’s house with his many wives and children. Then one day she is offered a life-changing opportunity—a proposal of marriage from the wealthy family of Elikem Ganyo, a man she doesn’t truly know. She acquiesces, but soon realizes that Elikem is not quite the catch he seemed. He sends a stand-in to his own wedding, and only weeks after Afi is married and installed in a plush apartment in the capital city of Accra does she meet her new husband. It turns out that he is in love with another woman, whom his family disapproves of; Afi is supposed to win him back on their behalf. But it is Accra that eventually wins Afi’s heart and gives her a life of independence that she never could have imagined for herself.A brilliant scholar and a fierce advocate for women’s rights, author Peace Adzo Medie infuses her debut novel with intelligence and humor. For readers of Chimamanda Ngozi Adichie and Candice Carty-Williams, His Only Wife is the story of an indomitable and relatable heroine that illuminates what it means to be a woman in a rapidly changing world.

    If the Director of Public Health and Hygiene can get rid of them he will have done a great service to the health and economy of the nation - not to mention his own promotion prospects. A plan of military precision is put into action to rid the streets of these verminous scroungers.But the beggars are organized, too.They know that giving alms is a divine obligation and that Allah's good will is vital to worldly promotion. So when the beggars withdraw their charitable service, the pious city civil servants and businessmen start to panic.

    "These stories are not merely flashes in the pan; there's pay dirt here!" —DeWitt Henry, editor of Ploughshares

    Contains several early Hemingway classics, including the famous Nick Adams stories. This volume introduces readers to the hallmarks of the famous Hemingway style: a lean, tough prose enlivened by an ear for the colloquial and an eye for the realistic."In Our Time" provides key insights into Hemingway's later works.

    One is black, one white. Both are successful women with impressive careers. Both have recently been widowed. And both are sworn enemies, sharing hedge and hostility which they prune with a zeal that belies the fact that they are both over eighty.But one day an unforeseen event forces the women together. And gradually the bickering and sniping softens into lively debate, and from there into memories shared. But could these sparks of connection ever transform into friendship? Or is it too late to expect these two to change?

    Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.

    But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom.

    All belong to one world, united in their diversity and ethnicity. And together they have one aim: to involve and move the reader.The range of authors takes in such literary greats as Chimamanda Ngozi Adichie and Jhumpa Lahiri, and emerging authors such as Elaine Chiew, Petina Gappah, and Henrietta Rose-Innes.The members of the collective are:Elaine Chiew (Malaysia)Molara Wood (Nigeria)Jhumpa Lahiri (United States)Martin A Ramos (Puerto Rico)Lauri Kubutsile (Botswana)Chika Unigwe (Nigeria)Ravi Mangla (United States)Chimamanda Ngozi Adichie (Nigeria)Skye Brannon (United States)Jude Dibia (Nigeria)Shabnam Nadiya (Bangladesh)Petina Gappah (Zimbabwe)Ivan Gabirel Reborek (Australia)Vanessa Gebbie (Britain)Emmanual Dipita Kwa (Cameroon)Henrietta Rose-Innes (South Africa)Lucinda Nelson Dhavan (India)Adetokunbo Abiola (Nigeria)Wadzanai Mhute (Zimbabwe)Konstantinos Tzikas (Greece)Ken Kamoche (Kenya)Sequoia Nagamatsu (United States)Ovo Adagha (Nigeria)From the Introduction:The concept of One World is often a multi-colored tapestry into whichsundry, if not contending patterns can be woven. for those of us who workedon  this  project, ‘One World’ goes beyond the everyday notion of the globeas a physical geographic entity. Rather, we understand it as a universal idea,one that transcends national boundaries to comment on the most prevailingaspects of the human condition.This attempt to redefine the borders of the world we live in through theshort story recognizes the many conflicting issues of race, language, economy,gender and ethnicity, which separate and limit us. We readily acknowledge,however, that regardless of our differences or the disparities in our stories, weare united by our humanity.We invite the reader on a personal journey across continents, countries,cultures and landscapes, to reflect on these beautiful, at times chaotic, renditionson the human experience. We hope the reach of this path will transcend theborders of each story, and perhaps function as an agent of change.Welcome to our world.