In the novella, "The Martini Shot," Pelecanos takes readers behind the scenes of a cable TV cop show, where a writer gets caught up in drama more real than anything in a script. Crackling with energy, these stories bring readers to a new understanding of humanity, modern life, and circumstances that stack the deck against people who are just trying to make a decent life for themselves. Gritty, sexy, fast-paced, humane, THE MARTINI SHOT is Pelecanos at his very best.Whether they're cops or conmen, savage killers or creative types, gangsters or God-fearing citizens, George Pelecanos' characters are always engaged in a fight for their lives. They fight to advance or simply to survive; they fight against odds, against enemies, even against themselves. In this, his first collection of stories, the acclaimed novelist introduces readers to a vivid and eclectic cast of combatants.A seasoned claims investigator tracks a supposedly dead man from Miami to Brazil, only to be thrown off his game by a kid from the local slum. An aging loser takes a last stab at respectability by becoming a police informant. A Greek-American couple adopts an interracial trio of sons and then struggles to keep their family together, giving us a stirring bit of background on one of Pelecanos' most beloved protagonists, Spero Lucas. In the title novella - which takes its name from Hollywood slang for the last shot of the day, the one that comes before the liquor shots begin - we go behind the scenes of a television cop show, where a writer gets caught up in a drama more real than anything he could have conjured for a script.

    The House On Gable Street is a fast-paced supernatural story about 30,000 words long, almost a novella. Stephen Leather is one of the UK's most successful thriller writers, an ebook and Sunday Times bestseller and author of the critically acclaimed Dan “Spider’ Shepherd series and the Jack Nightingale supernatural detective novels.

    In this creepy tale, the twist comes with the very last word…

    A heart - a human heart - slithering down outside the window of a train travelling between London Bridge and Blackfriars. Someone must have thrown it out from a carriage in front. Kumiko is determined to find out who - and why. But Skelton was sitting next to Kumiko on the train and he saw it too, so he also wants to get to the bottom of the mystery. Or he says he does, but really he just wants Kumiko back, because she's walked out on him, just like that, and left him heartbroken. Each for their own reasons, Kumiko and Skelton set out - separately - on a bizarre trail of discovery. Darting between dingy student pubs, the roofs of Borough Market and the corridors and car-parks of Guy's Hospital, they become embroiled in the seedy world of young medical students, until eventually the gossip and the stories lead them both to the hospital's infamous dissection lecturer - known behind his back as 'King Death'...

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    For years, Percy has had to take care of herself and Mama—a woman who’s been unraveling for as long as her daughter can remember. Fearing Carletta is strung out on meth and that she won’t survive the storm, Percy heads for Shelton Potter’s cabin, deep in the woods of Northern Michigan. A two-bit criminal, as incompetent as he is violent, Shelton has been smoking his own cook and grieving the death of his beloved Labrador, Old Bo.But when Percy arrives, there is no sign of Carletta. Searching the house, she finds Shelton and his girlfriend drugged into oblivion—and a crying baby girl left alone in a freezing room upstairs. From the moment the baby wraps a tiny hand around her finger, Percy knows she must save her—a split-second decision that is the beginning of a dangerous odyssey in which she must battle the elements and evade Shelton and a small band of desperate criminals, hell-bent on getting that baby back.Knowing she and the child cannot make it alone, Percy seeks help from Carletta’s ex, Portis Dale, who is the closest thing she’s ever had to a father. As the storm breaks and violence erupts, Percy will be forced to confront the haunting nature of her mother’s affliction and finds her own fate tied more and more inextricably to the baby she is determined to save.Filled with the sweeping sense of cultural and geographic isolation of its setting—the hills of fictional Cutler County in northern Michigan—and told in Percy’s unflinching style, Sweetgirl is an affecting exploration of courage, sacrifice, and the ties that bind—a taut and darkly humorous tour-de-force that is horrifying, tender, and hopeful.

    On a trip to the island, Joyce Parker's daughter falls in love with a beautiful but sinister doll. Soon after, she starts developing strange mannerisms that concerns Joyce. Her research into the doll's past reveals a dark history, and the curse of a lonely child spirit.

    Four physicians have failed to bring the young lad back to health, and his nurses seem unable to bring him comfort. Sir Robert decides that he and Elizabeth Lady Carey should have the keeping of the child – despite the disgrace that will come to them if he dies in their care. It’s not long before Sir Robert begins to suspect that foul play lies behind the young Duke’s condition. Is there a poisoner at Court? If so, will Sir Robert find the miscreant in time to save the Duke? Patricia Finney is the author of six novels featuring Sir Robert Carey, all of them written under the pseudonym P F Chisholm and all available on Kindle. Patricia Finney’s latest Elizabethan crime novel, Do We Not Bleed?, features the ambiguous James Enys, his elusive sister, and a young playwright, Will Shakespeare. Do We Not Bleed? is also available on Kindle.

    Enigmatic, brooding, and darkly handsome, Thomas Cresswell has always been the one mystery Audrey Rose has never been able to fully solve. As brilliant partners in crime investigation, they understand each other perfectly...but as young lovers, their passionate natures have led to both euphoria and heartbreak throughout the Stalking Jack the Ripper series.This novella features a collection of scenes that takes place during and after the pair's horrifying Atlantic voyage in Escaping From Houdini. Experience new and familiar scenes from Thomas's unique point of view, including an intensely personal look into his plea for Audrey Rose's hand in marriage.With a romance for the ages, Audrey Rose and Thomas reach the conclusion to their epic, irresistible partnership in their final adventure, Capturing the Devil.

    Ajax Penumbra seeks a book--the single surviving copy of the Techne Tycheon, a mysterious volume that has brought and lost great fortune for anyone who has owned it. Late one night, after another day of dispiriting dead ends, he stumbles across a 24-hour bookstore, and the possibilities before him expand exponentially.

    Russell and Richard Walker, twin brothers, were left as co-owners of the family legacy. Richard wasn't cut out for ranching life and wound up being a Senator for the state of Texas at the age of 40 and still holds the seat. Russell is, for all practical purposes, the patriarch of the family, the glue that holds it together. His five children, now all grown, will one day inherit Heritage and, with luck, will hold it in safe keeping for generations of Walker's to come. Of late, Russell has found himself trying to figure out which of his children will end up being the next guardian of Heritage. He'd also begun to wonder if he'll ever become a grandfather, and also if his fate is to end up alone. He's been through four marriages and none of them lasted. For years, he's swore he'll never marry again. He still sticks to that and hasn't been in a relationship in a very long time. All his female companions are casual, or women who know that friends with benefits are all they'll get from Russell. He was fine with that all this time, so why now is he becoming so dissatisfied with life? Maybe it has something to do with the woman who's in charge of the breeding program for Heritage. Naomie Taylor. She's damn good at what she does. Brilliant, in fact. And hot as a Texas sidewalk in the middle of July. But she works for him and they both have rules about being involved with peopel who work for or with. Not to mention she's much younger. Still, that doesn't keep him from wondering. Would they be a good match? Maybe one day he'll find out. For now, Heritage may be in for some troubling times, and danger could likely be in the future for all of them, so Russell and all his family need to be mindful and take care of their own. There's already been one threat against their family, and he doesn't take that lightly. If someone wants to come for his family, they'll have to go through him first. Walkers take care of their own. So, love and lust will just have to wait. At least that's what he tells himself.

    Slowed by a wooden leg and haunted by memories of the Korean War, Rory runs bootleg whiskey for a powerful mountain clan in a retro-fitted '40 Ford coupe. Between deliveries to roadhouses, brothels, and private clients, he lives with his formidable grandmother, evades federal agents, and stokes the wrath of a rival runner.In the mill town at the foot of the mountains - a hotbed of violence, moonshine, and the burgeoning sport of stock-car racing - Rory is bewitched by the mysterious daughter of a snake-handling preacher. His grandmother, Maybelline “Granny May” Docherty, opposes this match for her own reasons, believing that "some things are best left buried." A folk healer whose powers are rumored to rival those of a wood witch, she concocts potions and cures for the people of the mountains while harboring an explosive secret about Rory’s mother - the truth behind her long confinement in a mental hospital, during which time she has not spoken one word. When Rory's life is threatened, Granny must decide whether to reveal what she knows...or protect her only grandson from the past.With gritty and atmospheric prose, Taylor Brown brings to life a perilous mountain and the family who rules it.

    Menacing and at times darkly humorous there are echoes of Roald Dahl and Daphne du Maurier in these stories, many of which have been specially commissioned for Radio 4.From the commuter who bitterly regrets falling asleep on a late-night train in Last Train to Helsingør, to the mushroom hunter prepared to kill to guard her secret in The Chanterelles of Østvig.Here, the land of ‘hygge’ becomes one of twilight and shadows, as canny antique dealers and property sharks get their comeuppance at the handsof old ladies in Conning Mrs Vinterberg, and ghosts go off-script in TheWailing Girl.Scandi noir at its finest.

    The birthplace and graveyard of American myths and dreams, the city harbours a group of people trapped between the beauty of their surroundings and their own moral impoverishment. This novel is a chronicle of their voices.

    Set in the 1940s and using as a springboard the relationship of two boys - one black and the other white - who have been mysteriously ordained at birth to spark the flames of change, The Runaway examines the joys, sorrows, conflicts, and racial disharmony of their historically biased environment. Tom and Son Jesus spend their days daydreaming, fishing, and trying to escape work. But their fun abruptly comes to a halt when they discover a bone during a fanciful runaway. The bone turns out to be part of the skeletal remains of Son Jesus' long-missing father, and leads to an investigation by Sheriff Frank Rucker, a World War II hero, that unmasks the racially motivated killer known only as Pegleg. The sheriff's findings divide the people of Overton County, forcing a surprising conclusion - or beginning - of justice.