But Elise knows Julie better than anyone, and she feels in her bones that her best friend is out there, and that one day she'll come back. She's right. Two years to the day that Julie went missing, she reappears with no memory of where she's been or what happened to her.

    With a dark and wild past, Hendricks doesn’t think the small town her parents moved her to has much to offer her in terms of excitement. She plans on laying low, but when she’s suddenly welcomed into the popular crowd at school, things don’t go as expected. Hendricks learns from her new friends that the fixer-upper her parents are so excited about is notorious in town. Local legend says it’s haunted. Hendricks doesn’t believe it. Until she’s forced to. Blood-curdling screams erupt from the basement, her little brother wakes up covered in scratches, and something, or someone pushes her dad down the stairs. With help from the mysterious boy next door, Hendricks makes it her mission to take down the ghosts . . . if they don’t take her first.

    When Professor Parkins finds an old whistle, his stay at Globe Inn takes a turn for the eerie.

    I live in the Pendleton as surely as I live everywhere. I am the Pendleton’s history and its destiny. The building is my place of conception, my monument, my killing ground. . . .The Pendleton stands on the summit of Shadow Hill at the highest point of an old heartland city, a Gilded Age palace built in the late 1800s as a tycoon’s dream home. Almost from the beginning, its grandeur has been scarred by episodes of madness, suicide, mass murder, and whispers of things far worse. But since its rechristening in the 1970s as a luxury apartment building, the Pendleton has been at peace. For its fortunate residents—among them a successful songwriter and her young son, a disgraced ex-senator, a widowed attorney, and a driven money manager—the Pendleton’s magnificent quarters are a sanctuary, its dark past all but forgotten.But now inexplicable shadows caper across walls, security cameras relay impossible images, phantom voices mutter in strange tongues, not-quite-human figures lurk in the basement, elevators plunge into unknown depths. With each passing hour, a terrifying certainty grows: Whatever drove the Pendleton’s past occupants to their unspeakable fates is at work again. Soon, all those within its boundaries will be engulfed by a dark tide from which few have escaped.Dean Koontz transcends all expectations as he takes readers on a gripping journey to a place where nightmare visions become real—and where a group of singular individuals hold the key to humanity’s destiny. Welcome to 77 Shadow Street.

    Inside your head.Or is it?Come to me... A voice that makes you want to pick up that axe over in the corner of the barn.And swing it.And kill.Feed us. Feed us now.It is the voice of Pearl.Sing for me. Sing for your precious Pearl...

    A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    . .so disturbing that locals ultimately burned the school to the ground.Years later, Pinewood Elementary is the future, and for new teacher Ryan Herb, a chance at a fresh start. But the townspeople don't believe that rebuilding the school and changing its name is enough. They believe that whatever evil inhabited the halls of Highland still dwells at Pinewood.Ryan is a realist and isn't the type to be affected by local lore. But when Ryan begins to experience horrifying visions of past tragedies, he starts to question his own beliefs. Something in the school is reaching out to Ryan for help, a potentially lethal request as something else - or someone else - in the school is keen on keeping the evil therein very much alive.Can a skeptical Ryan unearth the origins of the evil's true source and put an end to it? Or will he, like many before him, become a permanent resident of the school himself?Rife with supernatural terror and intrigue, 'Dark Halls' blurs the lines between horror and mystery - a whodunit that, when solved, proposes the even greater question of: How do you stop it?

    She’s used to being discussed like a problem, a problem her mother has finally passed on to her father. What she hasn’t gotten used to is her stepmother…especially when she finds out that she’ll have to spend the summer with April in the remote woods of Washington to restore a broken-down old house.Set deep in a dense forest, the old Carver House is filled with abandoned antique furniture, rich architectural details, and its own chilling past. The only respite Penny can find away from April’s renovations is in Miller, the young guy who runs the local general store. He’s her only chance at a normal, and enjoyable, summer.But Miller has his own connection to the Carver House, and it’s one that goes beyond the mysterious tapping Penny hears at her window, the handprints she finds smudging the glass panes, and the visions of children who beckon Penny to follow them into the dark woods. Miller’s past just might threaten to become the terror of Penny’s future….

    New York audiobook narrator Peter Larson and his wife Hannah head to his hometown of Maple City to help Peter's ailing father and to put a recent tragedy behind them. Though the small, Midwestern town seems the idyllic place to start afresh, Peter and Hannah will soon learn that evil currents flow beneath its surface. They move into an old farmhouse on the outskirts of town—a house purchased by Peter's father at auction and kept secret until now—and start to settle into their new life. But as Peter sets up his recording studio in a small basement room, disturbing things begin to occur—mysterious voices haunt audio tracks, malevolent shadows creep about the house. And when an insidious presence emerges from the woodwork, Peter must face old demons in order to save his family and himself.

    Exactly one week after watching the tape, four teenagers die one after another of heart failure. Asakawa, a hardworking journalist, is intrigued by his niece's inexplicable death. His investigation leads him from a metropolitan tokyo teeming with modern society's fears to a rural Japan--a mountain resort, a volcanic island, and a countryside clinic--haunted by the past. His attempt to solve the tape's mystery before it's too late--for everyone--assumes an increasingly deadly urgency. Ring is a chillingly told horror story, a masterfully suspenseful mystery, and post-modern trip.

    Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.Revised edition: This edition of Abandon includes editorial revisions.

    Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths. A boy with a very adult decision to make.

    The quiet, peaceful place was straight out of a bygone era, with well-cared-for Colonial houses, a white-steepled church fronting a broad Common. Ned and Beth Constantine chanced upon the hamlet and immediately fell in love with it. This was exactly the haven they dream of. Or so they thought.For Ned and his family, Cornwall Coombe was to become a place of ultimate horror.

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.

    . .Vowing to make a fresh start, Sarah McAdams has come home to renovate the old Victorian mansion where she grew up. Her daughters, Jade and Gracie, aren't impressed by the rundown property on the shores of Oregon's wild Columbia River. As soon as they pull up the isolated drive, Sarah too is beset by uneasy memories--of her cold, distant mother, of the half-sister who vanished without a trace, and of a long-ago night when Sarah was found on the widow's walk, feverish and delirious. Ever since the original mistress of the house plunged to her death almost a century ago, there have been rumors that the place is haunted. As a girl, Sarah sensed a presence there, and soon Gracie claims to see a lady in white running up the stairs. Still, Sarah has little time to dwell on ghost stories, between overseeing construction and dealing with the return of a man from her past. But there's a new, more urgent menace in the small town. One by one, teenage girls are disappearing. Frantic for her daughters' safety, Sarah feels her veneer cracking and the house's walls closing in on her again. Somewhere deep in her memory is the key to a very real and terrifying danger. And only by confronting her worst fears can she stop the nightmare roaring back to life once more. . .