The Blue Cup is a 1936 Russian language short story.

    On April 4, 1942, Maresyev's Polikarpov I-16 was shot down near Staraya Russa, then occupied by Nazi Germany. Maresyev survives the crash but is badly wounded. Despite his injuries, and after a grueling 18-day struggle to return to Soviet-controlled territory, he is rescued and cared for by villagers from a collective farm before being transferred to a hospital. Eventually both his legs are amputated below the knee. Desperate to return to his career as a fighter pilot, Maresyev undergoes nearly a year of therapy and exercise to master the control of his prosthetic devices, and returns to flying in June 1943. During his recovery, he is inspired by the thought of his girlfriend and the support of his fellow patients. By the war's end, Maresyev had completed 86 combat flights and shot down 11 German warplanes. In 1943 he was awarded the Golden Star of the Hero of the Soviet Union, the highest military decoration of the USSR. In 1944, Maresyev joined the Communist Party and two years later retired from the army. Eventually he became a member of Supreme Soviet. On a side note, the book was made into an opera by the Russian composer Sergei Prokofiev and premiered in Leningrad (now Saint Petersburg) on December 3, 1948.

    Controversial upon publication in 1890, The Kreutzer Sonata illuminates Tolstoy’s then-feverish Christian ideals, his conflicts with lust and the hypocrisies of nineteenth-century marriage, and his thinking on the role of art and music in society.In her Introduction, Doris Lessing shows how relevant The Kreutzer Sonata is to our understanding of Tolstoy the artist, as well as to feminism and literature. This Modern Library Paperback Classic also contains Tolstoy’s Sequel to the Kruetzer Sonata.

    But although they think of many ingenious ways to do so, their well meant efforts are either more fun than profitable, or lead to trouble...

    Aleksandr Ivanovich Kuprin (1870-1938) was Russian novelist and short-story writer. He was an army officer for several years before he resigned to pursue a writing career, and was a friend of Maxim Gorky. He won fame with The Duel (1905), a novel of protest against the Russian military system. In 1909, Yama: The Pit, his novel dealing with prostitution in Odessa, created a sensation. Kuprin left Russia after the revolution but returned in 1937. Some of his best short stories of action and adventure appear in The Garnet Bracelet, originally published in 1917.

    Now penniless and banished to a room in the attic, Sara is demeaned, abused, and forced to work as a servant. How this resourceful girl's fortunes change again is at the center of A Little Princess, one of the best-loved stories in all of children's literature. This unique and fully annotated edition appends excerpts from Frances Hodgson Burnett's original 1888 novella Sara Crewe and the stage play that preceded the novel, as well as an early story, "Behind the White Brick," allowing readers to see how A Little Princess evolved. In his delightful introduction, U. C. Knoepflmacher considers the fairy-tale allusions and literary touchstones that place the book among the major works of Victorian literature, and shows it to be an exceptionally rich and resonant novel.

    The Overcoat which is generally acknowledged as the finest of Gogol's memorable Saint Petersburg stories, is a tale of the absurd and misplaced obsessions.

    In the vessel was a mighty Genie -a magician who had been imprisoned in the bottle for nearly two thousand years. The Genie had sworn to make the one who freed him rich, powerful and happy. "But what if such a Genie suddenly came to life in the Soviet Union, in Moscow? I tried to imagine what would have happened if a very ordinary Russian boy had freed him from the vessel. "And imagine, I suddenly discovered that a schoolboy named Volka Kostylkov, the very same Volka who used to live on Three Ponds Street, you know, the best diver at summer camp last year . . . On second thought, I believe we had better begin from the beginning . . . "

    This is essentially the second part of Little Women.Amy looked relieved, but naughty Jo took her at her word, for during the first call she sat with every limb gracefully composed, every fold correctly draped, calm as a summer sea, cool as a snowbank, and as silent as the sphinx. In vain Mrs. Chester alluded to her 'charming novel', and the Misses Chester introduced parties, picnics, the opera, and the fashions. Each and all were answered by a smile, a bow, and a demure "Yes" or "No" with the chill on.

    A dam will be completed in the fall, destroying the village. Although their departure is inevitable, the characters over when, and even whether, they should leave. A haunting story with a heartfelt theme, Farewell to Matyora is a passionate plea for humanity and an eloquent cry for a return to an organic life.

    These seemingly undistinguished possessions, stuffed into a worn-out suitcase, take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them, occasioning a brilliant series of interconnected tales: A poplin shirt evokes the bittersweet story of a courtship and marriage, while a pair of boots (of the kind only the Nomenklatura can afford) calls up the hilarious conclusion to an official banquet. Some driving gloves—remnants of Dovlatov’s short-lived acting career—share space with neon-green crepe socks, reminders of a failed black-market scam. And in curious juxtaposition, the belt from a prison guard’s uniform lies next to a stained jacket that once belonged to Fernand Léger.Imbued with a comic nostalgia overlaid with Dovlatov’s characteristically dry wit, The Suitcase is an intensely human, delightfully ironic novel from “the finest Soviet satirist to appear in English since Vladimir Voinovich.”

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    In this collection of sixty-six poems, Stevenson recalls the joys of his childhood, from sailing boats down a river, to waiting for the lamplighter, to sailing off to foreign lands in his imagination.Tasha Tudor's watercolour paintings evoke a simpler time in the past, and celebrate two of the things she loves most — children and nature. Her talents are the perfect match for these inspiring poems, making this a handsome gift edition that will be cherished by families for generations.

    Anne Shirley, an eleven-year-old orphan, has arrived in this verdant corner of Prince Edward Island only to discover that the Cuthberts—elderly Matthew and his stern sister, Marilla—want to adopt a boy, not a feisty redheaded girl. But before they can send her back, Anne—who simply must have more scope for her imagination and a real home—wins them over completely. A much-loved classic that explores all the vulnerability, expectations, and dreams of a child growing up, Anne of Green Gables is also a wonderful portrait of a time, a place, a family… and, most of all, love. WITH AN AFTERWORD BY JENNIFER LEE CARELL

    Content of the novel is based upon background of sea travel, heroes have portraits for the characters. Action is running in the "invented" places, whose names resemble names of the real cities in Crimea. Novel was written in 1928.