But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt. Inspector Rudge begins to wonder just how many people have contributed to this extraordinary crime and whether he will ever unravel it. . .In 1931 Agatha Christie, Dorothy L. Sayers, and 10 other crime writers from the newly formed Detection Club collaborated in publishing a unique crime novel. In a literary game of consequences, each author would write one chapter, leaving G.K. Chesterton to write a typically paradoxical prologue and Anthony Berkeley to tie up all the loose ends. In addition, all of the authors provided their own solutions in sealed envelopes, all of which appeared at the end of the book, with Agatha Christie's ingenious conclusion acknowledged at the time to be 'enough to make the book worth buying on its own'. The authors of this novel are G.K. Chesterton, Canon Victor Whitechurch, G.D.H. Cole and Margaret Cole, Henry Wade, Agatha Christie, John Rhode, Milward Kennedy, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Edgar Jepson, Clemence Dane and Anthony Berkeley.©1931, 2011 The Detection Club (P)2017 HarperCollins Publishers

    A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson's daughters--the Brontë sisters--learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent "lady detectors." Not yet published novelists, they have well-honed imaginations and are expert readers. And, as Charlotte remarks, "detecting is reading between the lines--it's seeing what is not there."As they investigate, Charlotte, Emily, and Anne are confronted with a society that believes a woman's place is in the home, not scouring the countryside looking for clues. But nothing will stop the sisters from discovering what happened to the vanished bride, even as they find their own lives are in great peril...

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    There's no explanation: just a grainy image, a website address and a phone number. She takes it home to her family, who are convinced it's just someone who looks like Zoe. But the next day the advert shows a photo of a different woman, and another the day after that.Is it a mistake? A coincidence? Or is someone keeping track of every move they make...If you like Shari Lapena, Paula Hawkins, Rachel Abbott, B A Paris, Fiona Barton, Ruth Ware and CL Taylor, you'll love this gripping psychological thriller.

    Left empty for years, and even their deceased uncle chose to live in a different house, far away from this particular property. But the ramshackle old house, with its rambling charm is the perfect setting for a much-needed holiday for siblings Peter, Celia and Margaret, who have inherited it from their uncle. It wasn't the lack of modern conveniences that made a summer spent at the ancient priory mansion such an unsettling experience. It was the supposed ghost... or whatever was groaning in the cellars and roaming the countryside around Framley Village after dark.But when a murder victim is discovered in the drafty Priory halls, the once unconcerned trio begins to fear that the ghostly rumors are true and they are not alone after all! But traditionally ghosts don't commit murder. And in this case, the things which go bump in the night are deadly. With a killer on the loose, will they find themselves the next victims or will they uncover the true in time? Does the key to the crime lie in the realm of the supernaturalr? Or is the explanation much more down to earth with a more corporeal culpritl of flesh and blood?

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    It's 1920 and Christmas is coming. Major Lennox finds a body on his doorstep - why on his doorstep? Was it to do with the Countess? Was it about the ruby necklace? Lennox must go to Melrose Court, home to his uncle, Lord Melrose, to uncover the mystery. But then the murders start and it snows and suddenly everything becomes very complicated...

    Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    And she's determined to inform and educate the ladies of London on the nefarious-and deadly-criminals who are preying on the fairer sex. When her reporting leads to the arrest of a notorious killer, however, Katherine flees to a country house party to escape her newfound notoriety-only to witness a murder on her very first night. And when the lead detective accuses Katherine of inflaming-rather than informing-the public with her column, she vows to prove him wrong.Detective Inspector Andrew Eversham's refusal to compromise his investigations nearly cost him his own career, and he blames Katherine. To avoid bad publicity, his superiors are pressuring him to solve cases quickly rather than correctly. When he discovers she's the key witness in a new crime, he's determined to prevent the beautiful widow from once again wreaking havoc on his case. Yet as Katherine proves surprisingly insightful and Andrew impresses Katherine with his lethal competency, both are forced to admit the fire between them is more flirtatious than furious. But to explore the passion between them, they'll need to catch a killer.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    In this tantalizing new novel, Christie’s mysterious ten-day disappearance serves as the starting point for a gripping novel, in which Christie herself is pulled into a case of blackmail and murder.“I wouldn’t scream if I were you. Unless you want the whole world to learn about your husband and his mistress.”Agatha Christie, in London to visit her literary agent, is boarding a train, preoccupied with the devastating knowledge that her husband is having an affair. She feels a light touch on her back, causing her to lose her balance, then a sense of someone pulling her to safety from the rush of the incoming train. So begins a terrifying sequence of events—for her rescuer is no guardian angel, rather he is a blackmailer of the most insidious, manipulative kind.“You, Mrs. Christie, are going to commit a murder. But, before then, you are going to disappear.”Writing about murder is a far cry from committing a crime, and Agatha must use every ounce of her cleverness and resourcefulness to thwart an adversary determined to exploit her expertise and knowledge about the act of murder to kill on his behalf.In A Talent for Murder, Andrew Wilson ingeniously explores Agatha Christie’s odd ten-day disappearance in 1926 and weaves an utterly compelling and convincing story around this still unsolved mystery involving the world’s bestselling novelist.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    When tragedy strikes her personal life, Anna, desperate and numb, flees to the Northern California village of Mendocino to grieve. She lived there as a child with her beloved foster parents, and now she believes it might be the only place left for her. Yet the day she arrives, she learns a local teenage girl has gone missing. The crime feels frighteningly reminiscent of the most crucial time in Anna's childhood, when the unsolved murder of a young girl touched Mendocino and changed the community forever. As past and present collide, Anna realizes that she has been led to this moment. The most difficult lessons of her life have given her insight into how victims come into contact with violent predators. As Anna becomes obsessed with the missing girl, she must accept that true courage means getting out of her own way and learning to let others in.Weaving together actual cases of missing persons, trauma theory, and a hint of the metaphysical, this propulsive and deeply affecting novel tells a story of fate, necessary redemption, and what it takes, when the worst happens, to reclaim our lives--and our faith in one another.From the New York Times bestselling author of The Paris Wife comes a novel of intertwined destinies and heart-wrenching suspense: A detective hiding away from the world. A series of disappearances that reach into her past. Can solving them help her heal?

    On a freezing day in December, another child goes missing: 13-year-old Alison Carter vanishes from the isolated Derbyshire hamlet of Scardale. For the young George Bennett it is the beginning of his most difficult and harrowing case: a murder with no body, an investigation with more dead ends and closed faces than he'd have found in the inner city; an outcome that reverberates down the years.Decades later he tells his story to journalist Catherine Heathcote, but just when her book is poised for publication, Bennett tries to pull the plug. He has new information that he will not divulge, and that threatens the very foundation of his existence. Catherine is forced to reinvestigate the past, with results that turn the world upside down.A taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multilayered narrative that turns expectations on their head and reminds us that what we know is what we do not know...

    But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist another chance to unravel a mystery, even if it means trudging through the snow to her townhouse next door.One of Jane's former servants, Prudence Smith, is dead -- an apparent suicide. But Lenox suspects something far more sinister: murder by a rare and deadly poison. The house where the girl worked is full of suspects and, though Prudence dabbled with the hearts of more than a few men, Lenox is baffled by an elusive lack of motive in the girl's death.When another body turns up during the London season's most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence? Or was it something else entirely, something that Lenox alone can uncover before the killer strikes again -- disturbingly close to home?