He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague." Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

    Her husband, Ted Hughes, brought the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet’s brilliant, provoking, and always moving poems, including "Ariel" and once again shows why readers have fallen in love with her work throughout the generations.

    António Vieira's The Sermon of Saint Anthony to the Fish and Other Texts is the first collection of his writings to appear in English.

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    He longs for the unattainably aristocratic Marcenda, but it is Lydia, the hotel chamber maid who makes and shares his bed. His old friend, the poet Fernando Pessoa, returns to see him, still wearing the suit he was buried in six weeks earlier. It is 1936, the clouds of Fascism are gathering ominously above them, so they talk; a wonderful, rambling discourse on art, truth, poetry, philosophy, destiny and love.

    With the publication of his first book of poems, The Weary Blues, in 1926, Langston Hughes electrified readers and launched a renaissance in black writing in America.  The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who "rushed the boots of Washington"; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in "the raffle of night."  They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture.  They spanned the range from the lyric to the polemic, ringing out "wonder and pain and terror-- and the marrow of the bone of life."The poems in this collection were chosen by Hughes himself shortly before his death in 1967 and represent work from his entire career, including "The Negro Speaks of Rivers," "The Weary Blues," "Still Here," "Song for a Dark Girl," "Montage of a Dream Deferred," and "Refugee in America."  It gives us a poet of extraordinary range, directness, and stylistic virtuosity.

    W. S. Merwin's incomparable translation faces the original Spanish text. Now in a black-spine Classics edition with an introduction by Cristina Garcia, this book stands as an essential collection that continues to inspire lovers and poets around the world.The most popular work by Chile's Nobel Prize-winning poet, and the subject of Pablo Larraín's acclaimed feature film Neruda starring Gael García Bernal.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    Like Emily Dickinson, she lived in self-imposed isolation, writing of God and lost love with a sensuality and passion that seemed to emanate from the soul.This edition of 53 works combines a number of her best-known sonnets, ballads, and shorter lyrics with her long masterpiece, the narrative fable Goblin Market. A haunting fairy tale in verse, Goblin Market was once labeled a children's poem, yet its intricate symbolism and themes of temptation, sin, and redemption mark it for an adult audience. Among other works included in this choice collection are "The Convent Threshold," "Up-hill," "Cousin Kate," "Winter: My Secret," "Maude Clare," "No, Thank You, John," and "After Death."

    ever-present, phantom thing; My slave, my comrade, and my king' Some of Emily Brontë's most extraordinary poems Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Emily Brontë (1818-1848). Brontë's Wuthering Heights and The Complete Poems are available in Penguin Classics

    It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul.

    Selected by a team of poets and prominent Neruda scholars in both Chile and the United States, this is a definitive selection that draws from the entire breadth and width of Neruda’s various styles and themes. An impressive group of translators that includes Alaistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman have come together to revisit or completely retranslate the poems. A bilingual edition, with English on one side of the page, the original Spanish on the other. This selection sets the standard for a general, high--quality introduction to Neruda’s complete oeuvre. Pablo Neruda was born in Chile in 1904. He received the Nobel Prize for Literature in 1971.

    late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.

    He accomplishes this magnificently in The Tragedy of the Street of Flowers"

    Availing herself of a single character, Lispector transforms a banal situation—a woman at home, alone—into an amphitheater for philosophical investigations. The first-person narration jousts with language, playfully but forcefully examining the ambiguous nature of words, with results ranging from the profound to the pretentious: "Prehuman divine life is a life of singeing nowness" or "The world interdepended with me, and I am not understanding what I say, never! never again shall I understand what I say. For how will I be able to speak without the word lying for me?" These linguistic games frame existential and experiential crises that Lispector savors and overcomes. Although this idiosyncratic novel will not have wider appeal, those with academic or markedly erudite tastes should find much to savour.