Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    When Satō hires Kaitarō, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Satō has never truly understood Rina or her desires and Kaitarō's job is to do exactly that--until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitarō fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter's life.Told from alternating points of view and across the breathtaking landscapes of Japan, Stephanie Scott exquisitely renders the affair and its intricate repercussions. As Rina's daughter, Sumiko, fills in the gaps of her mother's story and her own memory, Scott probes the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    The tragedy has become a local legend, but Cara has moved past her grief to have a successful career and a happy family. Pity about Anna. Recently released from incarceration, she’s struggling with addiction, guilt, and shame—a shattered life. Cara’s forgiveness seems to be the only thing that helps her pick up the pieces.But as Anna pulls herself together, her memories of that night on the bridge start to come into focus. And few of them match her sister’s.As past secrets unfold and nothing is what it seems anymore, Anna desperately searches for the truth. But what if Cara doesn’t want her to find it?

      Teo Avelar is a loner. He lives with his paraplegic mother and her dog in Rio de Janeiro, he doesn't have many friends, and the only time he feels honest human emotion is in the presence of his medical school cadaver—that is, until he meets Clarice. She's almost his exact opposite: exotic, spontaneous, unafraid to speak her mind. An aspiring screenwriter, she's working on a screenplay called Perfect Days about three friends who go on a road trip across Brazil in search of romance. Teo is obsessed. He begins to stalk her, first following her to her university, then to her home, and when she ultimately rejects him, he kidnaps her and they embark upon their very own twisted odyssey across Brazil, tracing the same route outlined in her screenplay. Through it all, Teo is certain that time is all he needs to prove to Clarice that they are made for each other, that time is all he needs to make her fall in love with him. But as the journey progresses, he digs himself deeper and deeper into a pit that he can't get out of, stopping at nothing to ensure that no one gets in the way of their life together. Both tense and lurid, and brimming with suspense from the very first page, Perfect Days is a psychological thriller in the vein of Patricia Highsmith's The Talented Mr. Ripley—a chilling journey in the passenger seat with a psychopath, and the English language debut of one of Brazil's most deliciously dark young writers.

    A desperate mother. And a house full of secrets. Two years ago, Julia lost her family in a tragic accident. Her husband drowned trying to save their daughter, Lily, in the river near their rural home. But the little girl’s body was never found—and Julia believes Lily is somehow still alive.Alone and broke, Julia opens her house as a writers’ retreat. One of the first guests is Lucas, a horror novelist, who becomes obsessed with finding out what happened to Lily. But within days of his arrival, the peace of the retreat is shattered by a series of eerie events.When Lucas’s investigation leads him and Julia into the woods, they discover a dark secret—a secret that someone will do anything to protect…What really happened that day by the river? Why was Lily never found? And who, or what, is haunting the retreat?

    Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother—the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice—until she is punished for using it.2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape—both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waves her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty.

    When she stumbles into the opportunity to become the assistant to "Maud Dixon," a celebrated-but anonymous-novelist (think: Elena Ferrante), she believes that the universe is finally providing her big chance. The arrangement feels idyllic; Helen can be prickly, but she is full of pointed wisdom on both writing and living. She even invites Florence along on a research trip to Morocco, where her new novel is set. Florence has never been out of the country before; maybe, she imagines, she'll finally have something exciting to write about herself.But when Florence wakes up in the hospital after a terrible car crash, and Helen is dead, she begins to imagine what it might be like to 'upgrade' into not only Helen's life, but also that of Helen's bestselling pseudonym, Maud Dixon...

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    But as one of the few scholarship kids, Rachel struggles to fit in, and when she gets caught up in a prank gone awry, she ends up with more enemies than friends.To her surprise, however, the prank attracts the attention of the Mary Shelley Club, a secret club of students with one objective: come up with the scariest prank to orchestrate real fear. But as the pranks escalate, the competition turns cutthroat and takes on a life of its own.When the tables are turned and someone targets the club itself, Rachel must track down the real-life monster in their midst . . . even if it means finally confronting the dark secrets from her past.

    Someone Knows is an emotional exploration of friendship and family, as well as a psychological exploration of guilt and memory.Twenty years ago, in an upscale suburb of Philadelphia, four teenagers spent a summer as closest friends: drinking, sharing secrets, testing boundaries. When a new boy looked to join them, they decided to pull a prank on him, convincing him to play Russian roulette as an initiation into their group. They secretly planned to leave the gun unloaded—but what happened next would change each of them forever.Now three of the four reunite for the first time since that horrible summer. The guilt—and the lingering question about who loaded the gun—drove them apart. But after one of the group apparently commits suicide with a gun, their old secrets come roaring back. One of them is going to figure out if the new suicide is what it seems, and if it connects to the events of that long-ago summer. Someone knows exactly what happened—but who? And how far will they go to keep their secrets buried?

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    Doesn’t matter how long it’s been, or how badly they’ve occasionally behaved, or how late it is when that call finally comes—you show up. No questions asked.Honestly, that’s how the five of us ended up here in the Catskills. We did have the best of intentions. Especially after what happened to Alice all those years ago, we can’t bear to think of losing anyone else. In fact, we’ll do anything to make sure that doesn’t happen. We’ll go so much farther than we ever thought we would. In the end, maybe that’s what caught up with us. That, and the fact that we’re such a complicated group—so much history and so many big personalities. Secrets, too, that can slip out at the most inopportune moments. Of course, we love each other despite all of those things. We love each other no matter what.There’s something so beautiful about that kind of unconditional love. It can turn ugly, though. Or maybe that’s just us. After all, we’ve already been through so much together. And we have so very much to hide.

    And she had dreams back then—but it didn’t take long for her to learn that things don’t always turn out the way you want them to.Now, at thirty-three, Edie is working as a waitress, pregnant and alone. And when she becomes overwhelmed by the needs of her new baby and sinks into a bleak despair, she thinks that there’s no one to turn to…But someone’s been watching Edie, waiting for the chance to prove once again what a perfect friend she can be. It’s no coincidence that Heather shows up on Edie’s doorstep, just when Edie needs her the most. So much has passed between them—so much envy, longing, and betrayal. And Edie’s about to learn a new lesson: those who have hurt us deeply—or who we have hurt—never let us go, not entirely…

    Petersburg––taking with her a secret that could upend the lives of her best friends, fellow dancers Lindsay and Margaux. Now 36 years old, Delphine has returned to her former home and to the legendary Palais Garnier Opera House, to choreograph the ballet that will kickstart the next phase of her career––and, she hopes, finally make things right with her former friends. But Delphine quickly discovers that things have changed while she's been away...and some secrets can't stay buried forever. Moving between the trio's adolescent years and the present day, The Ballerinas explores the complexities of female friendship, the dark drive towards physical perfection in the name of artistic expression, the double-edged sword of ambition and passion, and the sublimated rage that so many women hold inside––all culminating in a twist you won't see coming, with magnetic characters you won't soon forget.