But we've met before - a thousand times.It started when I was sixteen years old.A father forgetting to drive me to school. A mother setting the table for three, not four. A friend who looks at me and sees a stranger.No matter what I do, the words I say, the crimes I commit, you will never remember who I am.That makes my life difficult. It also makes me dangerous.The Sudden Appearance of Hope is the tale of a girl no one remembers, yet her story will stay with you forever.

    Their foster mother, Carol, has always been fanatical, but with Jazz grown up and out of the house, Carol takes a dangerous turn that threatens thirteen-year-old Joaquin’s life. Over and over, child services fails to intervene, and Joaquin is running out of time.Then Jazz gets a blocked call from someone offering a solution. There are others like her—people the law has failed. They’ve formed an underground network of “helpers,” each agreeing to eliminate the abuser of another. They’re taking back their power and leaving a trail of bodies throughout Los Angeles—dubbed the Blackbird Killings. If Jazz joins them, they’ll take care of Carol for good.All she has to do is kill a stranger.

    Helen Hildreth, is acclaimed for her compassionate work with the mentally ill. But when she home with her cherished grandchildren, Vi and Eric, she’s just Gran—teaching them how to take care of their pets, preparing them home-cooked meals, providing them with care and attention and love.Then one day Gran brings home a child to stay with the family. Iris—silent, hollow-eyed, skittish, and feral—does not behave like a normal girl.Still, Violet is thrilled to have a new playmate. She and Eric invite Iris to join their Monster Club, where they catalogue all kinds of monsters and dream up ways to defeat them. Before long, Iris begins to come out of her shell. She and Vi and Eric do everything together: ride their bicycles, go to the drive-in, meet at their clubhouse in secret to hunt monsters. Because, as Vi explains, monsters are everywhere.2019: Lizzy Shelley, the host of the popular podcast Monsters Among Us, is traveling to Vermont, where a young girl has been abducted, and a monster sighting has the town in an uproar. She’s determined to hunt it down, because Lizzy knows better than anyone that monsters are real—and one of them is her very own sister.The Children on the Hill takes us on a breathless journey to face the primal fears that lurk within us all.

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

    Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she's drawn deeper into the overgrown grounds, half-buried memories of her mother begin to surface and Lorna soon finds herself ensnared within the manor's labyrinthine history, overcome with an insatiable need for answers about her own past and that of the once-happy family whose memory still haunts the estate. Stunning and atmospheric, this debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

    And like Jane Eyre, they call her wicked - but in her case, she fears the accusation is true. When she flees, she leaves behind the corpses of her tormentors.A fugitive navigating London's underbelly, Jane rights wrongs on behalf of the have-nots whilst avoiding the noose. Until an advertisement catches her eye. Her aunt has died and the new master at Highgate House, Mr Thornfield, seeks a governess. Anxious to know if she is Highgate's true heir, Jane takes the position and is soon caught up in the household's strange spell. When she falls in love with the mysterious Charles Thornfield, she faces a terrible dilemma: can she possess him - body, soul and secrets - and what if he discovers her murderous past?

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

    To Sarah, it seems as though her life has finally begun. And it's mutual: It's as though Eddie has been waiting for her, too. Sarah has never been so certain of anything. So when Eddie leaves for a long-booked vacation and promises to call from the airport, she has no cause to doubt him. But he doesn't call.Sarah's friends tell her to forget about him, but she can't. She knows something's happened--there must be an explanation.Minutes, days, weeks go by as Sarah becomes increasingly worried. But then she discovers she's right. There is a reason for Eddie's disappearance, and it's the one thing they didn't share with each other: the truth.

    An intoxicating cocktail of loyalty and secrets, lies and betrayal, reminiscent of Rosamund Lupton’s Sister and Kimberly McCreight’s Reconstructing Amelia.A decade ago, Ella Brooke’s older sister, Miranda, vanished without a trace. With every passing year, Ella has come to resemble more closely the sister she lost—the same dark hair, the same piercing blue eyes—and now she’s the same age Miranda was when she disappeared.Ella has never let go of her sister. She can still feel Miranda’s presence, still hear her voice. She still talks to her. What holds Ella together is her love for her sister’s ten-year-old son and her work as a self-defense expert helping victims.Ella is certain that Miranda was taken, and that one man is key to her disappearance: Jason Thorne. The tabloids report that a new link has been found connecting Miranda to this sadistic serial killer locked away in a psychiatric hospital. Ignoring warnings from the police and the disapproval of her parents, she seeks Thorne out. Ella will do whatever it takes to uncover the truth—no matter how dangerous…

    As unexplained sounds and scents accumulate and unnerving forces seem to take hold, Alex is beginning to believe that she’s not escaping her ghosts, after all. In fact, she might finally be inviting them in.

    Quiet girls won't stay silent forever.When Alex arrives in Provincetown to patch things up with his new wife, he finds an empty wine glass in the sink, her wedding ring on the desk, and a string of questions in her wake. The police believe that Alex's wife simply left, his marriage crumbling before it truly began. But what Alex finds in their empty cottage points him toward a different reality:His wife has always carried a secret. And now she's disappeared.In his hunt for the truth, Alex comes across Layla, a young woman with information to share, who may hold the key to everything his wife has kept hidden. A girl without a clear recollection of her own past. A strange, quiet girl whose memories may break them all.To find his wife, Alex must face what Layla has forgotten. And the consequences are anything but quiet.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    No body—only a hiking boot—has ever been found. Billie’s husband and teenage daughter cope with her death the best they can: Jonathan drinks, Olive grows remote.But then Olive starts having waking dreams—or are they hallucinations?—that her mother is still alive. Jonathan worries about Olive’s emotional stability, until he starts unearthing secrets from Billie’s past that bring into question everything he thought he knew about his wife. Together, Olive and Jonathan embark on a quest for the truth—about Billie, their family, and the stories we tell ourselves about the people we love.

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    Elodie was smart. Elodie was manipulative. Elodie is dead.When Sylvie Durand receives a letter calling her back to her crumbling family home in the South of France, she knows she has to go. In the middle of a sweltering 1990's summer marked by unusual fires across the countryside, she returns to La Reverie with her youngest daughter Emma in tow, ignoring the deep sense of dread she feels for this place she's long tried to forget.As memories of the events that shattered their family a decade earlier threaten to come to the surface, Sylvie struggles to shield Emma from the truth of what really happened all those years ago. In every corner of the house, Sylvie can't escape the specter of Elodie, her first child. Elodie, born amid the '68 Paris riots with one blue eye and one brown, and mysteriously dead by fourteen. Elodie, who reminded the small village of one those Manson girls. Elodie who knew exactly how to get what she wanted. As the fires creep towards the villa, it's clear to Sylvie that something isn't quite right at La Reverie . . . And there is a much greater threat closer to home.