Told in a series of notebook entries, Roiphe weaves her often fraught personal experiences with divorce, single motherhood, and relationships with insights into the lives and loves of famous writers such as Sylvia Plath and Simone de Beauvoir. She dissects the way she and other ordinary, powerful women have subjugated their own power time and time again, and she probes brilliantly at the tricky, uncomfortable question of why. In these informal musings and notes, Roiphe delves into treacherous, largely untalked about, contradictions of contemporary womanhood, going where few writers dare. The Power Notebooks is Roiphe’s most vital, thought provoking, and emotionally intimate work yet.

    Then they became the Trümmerfrauen, or Rubble Women, as they cleared and tidied their ruined country to get it back on its feet. They were Germany's heroines. The few women tried and convicted after the war were simply the evil aberrations - the camp guards, the female Nazi elite - that proved this rule.However, Wendy Lower's research into the very ordinary women who went out to the Nazi Eastern Front reveals an altogether different story. For ambitious young women, the emerging Nazi empire represented a kind of Wild East of career and matrimonial opportunity. Over half a million of them set off for these new lands, where most of the worst crimes of the Reich would occur.Through the interwoven biographies of thirteen women, the reader follows the transformation of young nurses, teachers, secretaries and wives who start out in Weimar and Nazi Germany as ambitious idealists and end up as witnesses, accomplices and perpetrators of the genocide in Ukraine, Poland and Belarus. Hitler's Furies presents overwhelming evidence that the women in these territories actively participated in the mass murder - and some became killers. In the case of women like Erna Petri, who brought her family to her husband's impressive Polish SS estate, we find brutality as chilling as any in history.Hitler's Furies is indelible proof that we have not known what we need to know about the role of women in the Nazi killing fields - or about how it could have been hidden for seventy years. It shows that genocide is women's business as well as men's and that, in ignoring women's culpability, we have ignored the reality of the Holocaust.

    A few years later, she stopped calling herself a woman and became famous as a gender outlaw.Kate Bornstein—gender theorist, performance artist, author—is set to change lives with her compelling memoir. Wickedly funny and disarmingly honest, this is Bornstein's most intimate book yet, encompassing her early childhood and adolescence, college at Brown, a life in the theater, three marriages and fatherhood, the Scientology hierarchy, transsexual life, LGBTQ politics, and life on the road as a sought-after speaker.

    At the same time, she encourages women to teach and lead in the church in ways that may startle some complementarians. Readers on both sides of this hot-button topic will be challenged by her ministry-tested and thoroughly Scriptural perspective.

    Given our circumstances, "neighbor" might be too casual a word to describe our relationship. We are intruders into each other’s dream, violators of each other’s sense of home. We are incarnations of each other’s worst historical nightmares. Neighbors?Letters to My Palestinian Neighbor is one Israeli’s powerful attempt to reach beyond the wall that separates Israelis and Palestinians and into the hearts of "the enemy." In a series of letters, Yossi Klein Halevi explains what motivated him to leave his native New York in his twenties and move to Israel to participate in the drama of the renewal of a Jewish homeland, which he is committed to see succeed as a morally responsible, democratic state in the Middle East.This is the first attempt by an Israeli author to directly address his Palestinian neighbors and describe how the conflict appears through Israeli eyes. Halevi untangles the ideological and emotional knot that has defined the conflict for nearly a century. In lyrical, evocative language, he unravels the complex strands of faith, pride, anger and anguish he feels as a Jew living in Israel, using history and personal experience as his guide.Halevi’s letters speak not only to his Palestinian neighbor, but to all concerned global citizens, helping us understand the painful choices confronting Israelis and Palestinians that will ultimately help determine the fate of the region.

    History shows the sad consequences as the serpent continues to deceive regarding woman's role and purpose. But as Kris Vallotton explains, that was not God's final answer. The drive to disempower and deface women was the devil's idea--not God's. Through the cross of Christ, the power of the curse in the Garden was broken forever. Taking the reader by the hand for a walk through Scripture, this leader and bestselling author reveals: - God's true plan for women- simple steps for removing the ancient - patterns of enslavement- Jesus's care for women- the true meaning of the apostle Paul's exhortations about women- various examples of women in leadership as God intended In the Garden, the woman was taken out of the man to stand by his side and co-reign with him. Now the world aches for this partnership to be brought into balance once more. This can be achieved, affirms Vallotton, and it begins with understanding God's most beautiful creation.

    Women on both sides of the Nile exhibited a subversive strength resisting Pharaoh and leading an entire people to freedom. Defiant explores how the Exodus women summoned their courage, harnessed their intelligence, and gathered their resources to enact justice in many small ways and overturned an empire. Women find themselves in similar circumstances today. The Women’s March stirred the conscience of a nation and prompted women to organize with and for their neighbors, it is worth reflecting on the resistance literature of Exodus and what it has to offer women. Defiant is about the deep work women do to create conditions for liberation in their church, community, and country. The women of Exodus defied Pharaoh, raised Moses, and plundered Egypt. We are invited to consider what the midwives, mothers of Moses, Miriam, Zipporah and her sisters demonstrate under the oppressive regime of Pharaoh and what it might unlock for us as we imagine our mandate under modern systems of injustice. Kelley Nikondeha presents a fresh paradigm for women, highlighting a biblical mandate to join the liberation work in our world. Women’s work involves more than tending to our own family and home. According to Exodus, it moves us beyond the domestic territory and into relationship with women across the river, confronting injustice and working to liberate our neighborhoods so all mothers and children are free. Nikondeha calls women to continue to be active agents in heralding liberation as we organize and march together for one another’s freedom.

    How do we explain our newfound cultural investment in empathy and social justice? For decades, Joseph Campbell had defined our cultural aspirations in The Hero with a Thousand Faces, emphasizing the value of seeking glory and earning immortality. His work became the playbook for Hollywood, with its many male-centric quest narratives. Challenging the models in Campbell's canonical work, Maria Tatar explores how heroines, rarely wielding a sword and deprived of a pen, have flown beneath the radar even as they have been bent on social missions. Using the domestic arts and storytelling skills, they have displayed audacity, curiosity, and care as they struggled to survive and change the reigning culture. Animating figures from Ovid's Philomela, her tongue severed yet still weaving a tale about sexual assault, to Stieg Larsson's Lisbeth Salander, a high-tech wizard seeking justice for victims of a serial killer, The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present.

    Using the techniques of omission and indirection perfected in such masterpieces as Badenheim 1939 and To the Land of the Cattails, Appelfeld tells the story of Bartfuss, enigmatically "the immortal" because of his experience in the camps. Now locked in a hopeless marriage, Bartfuss struggles to suppress the emotions and recollections he fears and despises, while trying to keep alive the poise, dignity, and compassion essential to a human being. The Immortal Bartfuss is an overwhelming and unforgettable study of a man reduced to his tragic limits.

    This lively exploration of Jewish ideas and beliefs provides a rationale and stimulus for anyone seeking to understand or reconnect to the rich and diverse spiritual tradition of Judaism.

    His insights into the human condition are possibly the most profound to come from the Holocaust In Messengers of G-d, Wiesel takes classic characters using classic midrash and make them utterly modern. This book might be a surprise to those familiar with Wiesel only through his Holocaust texts, but it should also be a pleasant surprise. From Adam to Yitchak to Job, Biblical characters are infused with a universality largely forgotten by modern commentators. While this is essentially a Jewish book, it should be enjoyable to anyone who's wanted to study either Classic or Biblical texts. (Amazon customer)

    A miracle of brevity, it guides readers through the world's oldest practicing religion with all the power, clarity and wit of Wouk's celebrated novels.

    From this point they learn to respond to their wives in a consistent Christlike manner. A radically transformed and renewed marriage is the result.Drawing from his own story and the stories of husbands whose marriages were dissolving, Ken Nair reveals major problems in life and marriage. After discussing the problems, he reveals relationship altering concepts which not only will revive a marriage, they will radiate throughout couple's lives as well.

    So says the Marquis de Sade, philosopher and pornographer. His virtuous Justine, who keeps to the rules, is rewarded with rape and humiliation; his Juliette, Justine's triumphantly monstrous antithesis, viciously exploits her sexuality.With brilliance and wit, Angela Carter takes on these outrageous figments of de Sade's extreme imagination and transforms them into symbols of our time: The Hollywood sex goddesses, mothers and daughters, pornography, even the sacred shrines of sex and marriage lie devastatingly exposed before our eyes.Author Bio: Angela Carter (1940-1992) was best known for her subversive short stories, including her most famous collection, The Bloody Chamber. Carter translated the fairy tales of Charles Perrault, and wrote the screenplay for Neil Jordan's 1984 film, The Company of Wolves, based on her short story.

    Emerging as one of the most successful performers in her field, Essman goes behind the scenes of a life in comedy with her funny cohorts, including Joy Behar, Rodney Dangerfield, and, of course, Jeff Garlin and Larry David, while also providing sidesplittingly funny wisdom on a range of topics that she's highly unqualified to expound upon, including men, sports, hypochondria, and stepparenthood.WHAT WOULD SUSIE SAY ABOUT...MARRIAGE?"It took me a long time to find the man I was willing to commit myself to. Even the word commit is troublesome. One is committed to a mental institution."MEN WITH DOGS?"As a dog lover, I've researched many different breeds and I've begun to realize that you can tell a lot about a person by what breed of dog they choose to associate with. A bit self-conscious about your cellulite? A guy with a shar-pei is for you. They're hard to find, but cheaper than lipo."THE BEAUTY OF MENOPAUSE?"I guess I just have to accept the fact that I'm going to end up a bald, fat, sweaty, irritable woman with a dry vagina and a full beard who never sleeps and has memory loss so I won't even be able to remember how hot I used to look!"STEPPARENTHOOD?"My mother used to tell me 'you can't buy your kids' love.' Bullshit. You can, and it's exponential. They're like Russian mail-order brides -- the more you spend, the more they love you." WHAT WOULD SUSIE SAY? is Essman's irreverent, refreshingly candid, and hilarious retort to the dubious facts of life that we all face.