Both in the early stages of their writing careers, they reasoned that nothing could be more conducive to a writerly muse than a gently tumbling-down farmhouse nestled among the rolling hills of the southern Ontario countryside. And they were right. Since that first day they laid eyes upon Stone Orchard and its 50 acres of lawns, perennial gardens, fields of rippling grasses and dense, green woods, it has become much more than a home and a workplace. It has become a refuge for Tiff and Bill, an enduring haven of friendship and love for family, friends and neighbors. And, as they say, if only the walls could talk ...The walls have never talked so eloquently or endearingly as they do in From Stone Orchard, a collection of Timothy Findley's Harrowsmith columns - revised and expanded - plus new writings, all on life at a 19th-century farm just outside of Cannington, Ontario. Here are tales of the farm's past, both distant and recent: the comic coincidences leading to the naming of the swimming pool, and why Margaret Laurence would never dip her toe in it. Or the night dinner party guests went outside in the twilight, dressed like royalty, to watch a herd of majestic deer pass through the gardens.On the eve of their departure from Stone Orchard - it being time for Tiff and Bill to move on - Findley's writings achieve a new poignancy, as a piece of our literary heritage is remembered with humor, affection and magic.Beautifully designed and packaged with lovely woodcut drawings, From Stone Orchard will be a cherished keepsake for Timothy Findley's legions of loyal fans, as well as a treasured gift for anyone whose dreams transport them into the charming landscape of country life.HarperFlamingoCanada

    Featuring a revolving cast of characters—the newly retired couple, the church warden, the musician, the small-town girl with big city dreams—Carney’s keen observations of the personalities and dramas of coastal life are instantly recognizable to readers who are familiar with life in a small community. With her narrative of dock fights, pet shows, family feuds, logging camps and the ever-present tension between islanders and property-owning “off-islanders,” Carney’s witty and perceptive voice describes how the islanders weather the storms of coastal life.Carney writes evocatively of the magical landscape of the British Columbia coast, where she has lived and worked for five decades. At the same time, she addresses the less-idyllic moments that can also characterize coastal life: power outages, winter storms, isolation. On Island brings the West Coast landscape—human and natural—to life, and gives islanders and mainland dwellers alike a taste of what it means to be “on island.”

    In his portrait of Abe Spalding, Frederick Philip Grove captures the essence of the pioneering spirit: its single-minded strength, its nobility, and ultimately, its tragedy. A novel of broad scope and perception, Fruits of the Earth displays a dignity and stature rare in contemporary works of fiction.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.

    A collection of poetic meditations by the National Book Critics Circle Award-finalist author of Leaving Saturn evaluates the solemn richness of everyday lives, from a grandfather who gardens in a tenement backyard to a teacher to renames her black students after French painters.

    Her poems comprise some of the most inviting lyrics I've found in a living poet."—Bookslut"Phrase by phrase Nguyen's work can be conversational, playful, funny, angry, acutely self-aware, and loaded with sensory information."—Anselm Berrigan, from the introductionRed Juice represents a decade of poems written roughly between 1998 and 2008, previously only available in small-run handmade chapbooks, journals, and out-of-print books. This collection of early poems by Vietnamese American poet Hoa Nguyen showcases her feminist ecopoetics and unique style, all lyrical in the post-modern tradition.[BUDDHA'S EARS ARE DROOPY TOUCH HIS SHOULDERS]Buddha's ears are droopy touch his shouldersas scarves fly out of windows and I shriekat the lotus of enlightenmentTravel to Free Street past Wacoto the hole in the Earthwearing waterI'm aiming my mouthfor apple pieBorn in the Mekong Delta and raised in the Washington, DC, area, Hoa Nguyen studied Poetics at New College of California in San Francisco. With the poet Dale Smith, Nguyen founded Skanky Possum, a poetry journal and book imprint. She is the author of eight poetry books and chapbooks and lives in Toronto, Ontario, where she teaches poetics at Ryerson University and curates a reading series.

    This is a poem in several registers, set at night on the Severn Estuary. Its subject is moonrise, which happens five times in five different forms: new moon, half moon, full moon, no moon and moon reborn. Various characters, some living, some dead, all based on real people from the Severn catchment, talk towards the moment of moonrise and are changed by it. The poem, which was written for the 2009 festival of the Severn, aims to record what happens when the moon moves over us – its effect on water and its effect on voices.’ Alice Oswald A Sleepwalk on the Severn is a poem for several voices, set at night on the Severn Estuary. Its subject is moonrise, which happens five times in five different forms: new moon, half moon, full moon, no moon and moon reborn. Various characters, some living, some dead - all based on real people from the Severn catchment - talk towards the moment of moonrise and are changed by it. Commissioned for the 2009 festival of the Severn, Alice Oswald's breathtakingly original new work aims to record what happens when the moon moves over the sublunary world: its effect on water and its effect on language.

    His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt?With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.

    Winner of the Archibald Lampman Award for Poetry, Whylah Falls has inspired a drama, a stage play, and a feature film, One Heart Broken into Song. This Tenth Anniversary Edition includes "Apocrypha" - a section of previously unpublished poems - and an introduction by Clarke.

    When he got there, he was home for the rest of his life.From the true nature of fishing to the harsh realities of raising a family in the woods, from the role of fear in the bush to the small nuances of family relationships, A Life in the Bush is painted on a canvas both vast and richly detailed. A story that captures the tough physical demands, the rich life of the senses, and the unselfconscious freedom that comes from living apart from town and city.In this beautifully crafted memoir of his father, Roy MacGregor paints an intimate portrait of an unusual man and spins a spellbinding tale of a boy’s complex relationship with his father. He also evokes, perhaps for the first time in Canadian literature, the bush the way bush people see it, an insider's view of life in the totemic Canadian wilderness.

    The magnificent and long-awaited biography of the beloved writer who gave us the Manawaka novels, including The Diviners and The Stone Angel.

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    He opens with the beautiful “Elegy for Miss Brooks,” invoking Gwendolyn Brooks, who died in 2000, and who makes a perfect muse for the volume: “What the devil / are we without you?” he asks. “I tuck your voice, laced / tight, in these brown shoes.” In that spirit of intimate community, Young gives us a saucy ballad of Jim Crow, a poem about Lionel Hampton's last concert in Paris, an “African Elegy,” which addresses the tragic loss of a close friend in conjunction with the first anniversary of 9/11, and a series entitled “Americana,” in which we encounter a clutch of mythical southern towns, such as East Jesus (“The South knows ruin & likes it / thataway—the barns becoming / earth again, leaning in—”) and West Hell (“Sin, thy name is this / wait—this place— / a long ways from Here / to There”). For the Confederate Dead finds Young, more than ever before, in a poetic space that is at once public and personal. In the marvelous “Guernica,” Young’s account of a journey through Spain blends with the news of an American lynching, prompting him to ask, “Precious South, / must I save you, / or myself?” In this surprising book, the poet manages to do a bit of both, embracing the contradictions of our “Confederate” legacy and the troubled nation where that legacy still lingers.

    Here in this exciting and totally original book of poems the narrator corresponds with L. about her hidden passions, her relationship with her husband and adolescent daughters, lost loves, and erotic fantasies. Kimiko Hahn's collection takes shape as a series of wide-ranging correspondences that are in turn precocious and wise, angry and wistful. Borrowing from both Japanese and Chinese traditions, Hahn offers us an authentic and complex narrator struggling with the sorrows and pleasures of being a woman against the backdrop of her Japanese-American roots.

    But when he leads a group of tourists along the cliffs of St. John's harbour, one of them ends up dead. Not only is there a murderer in his tour group, but the cop assigned to the case is sleeping with Sebastian's ex-wife. It seems like things can't get any worse, but as he's enlisted to help flush out the perpetrator, the trail leads deeper than expected, and Sebastian finds himself on the edge.