His trusting love of both people and animals makes all who meet him change their lives for the better. Gaston's adventures in modern Japan are presented as a kind of fable, yet, with complete realism and keen social satire. A Peter Owen Modern Classics.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    These journeys were part of his religious training as a Buddhist monk as well as literary inspiration for his memorable and often painfully moving poems. The works he wrote during this time comprise a record of his quest for spiritual enlightenment.Although Santoka was master of conventional-style haiku, which he wrote in his youth, the vast majority of his works, and those for which he is most admired, are in free-verse form. He also left a number of diaries in which he frequently recorded the circumstances that had led to the composition of a particular poem or group of poems. In "For All My Walking, " master translator Burton Watson makes Santoka's life story and literary journeys available to English-speaking readers and students of haiku and Zen Buddhism. He allows us to meet Santoka directly, not by withholding his own opinions but by leaving room for us to form our own. Watson's translations bring across not only the poetry but also the emotional force at the core of the poems.This volume includes 245 of Santoka's poems and of excerpts from his prose diary, along with a chronology of his life and a compelling introduction that provides historical and biographical context to Taneda Santoka's work.

    The 1,000 poems (out of a total of more than 4,500) in this famous selection were chosen by a distinguished scholarly committee based on their poetic excellence, their role in revealing the Japanese national spirit and character, and their cultural and historical significance. The acclaimed translations artfully preserve the simplicity and direct quality of the originals, and encompass an enormous range of human emotions and experiences. Text is in English only

    Among them: Suheir Hammad, Beau Sia, Steve Colman, Stacyann Chin, Mayda del Valle, Georgia Me, Poetri, and other well-established and up-and-coming Slam artists who have forever changed the face of poetry and offer a fresh, exuberant, insightful, and comedic look at who we are as Americans today.

    Schiller's version is based on an ancient Greek legend recorded by the Roman author Gaius Julius Hyginus.The most prominent theme of "Run, Melos!" is unwavering friendship. Despite facing hardships, the protagonist Melos does his best to save his friend's life, and in the end his efforts are rewarded.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    This booklet contains the lecture by SGI President Ikeda on Nichiren Daishonin's letter "On Attaining Buddhahood in This Lifetime." This lecture was serialized in Living BuddhismSept–Oct 2006 to Mar–Apr 2007.

    The authors tend towards near-zero emotional chill, stunned urbanity and a shiny kind of violence.

    Authors from Japan and around the world have contributed works of fiction set in or related to Japan. Young adult English-language readers will be able to connect with their Japanese counterparts through stories of contemporary Japanese teens, ninja and yokai teens, folklore teens, mixed-heritage teens, and non-Japanese teens who call Japan home. Tales of friendship, mystery, love, ghosts, magic, science fiction, and history will propel readers to Japan past and present and to Japanese universes abroad.Portions of the proceeds of Tomo will be donated to the Japanese non-profit, HOPE FOR TOMORROW, to support ongoing relief efforts for teens in Japan.Contents:Shocks and tremors: Lost by Andrew FukudaShuya's commute by Liza DalbyHalf life by Deni Y BéchardKazoku by Tak ToyoshimaAftershocks by Ann Tashi SlaterFriends and enemies: Bad day for baseball by Graham SalisburyHalf a heart by Mariko NagaiThe bridge to Lillooet by Trevor KewBlue shells by Naoko Awa, translated by Toshiya KameiBorne by the wind by Charles De WolfGhosts and spirits: The ghost who came to breakfast by Alan GratzHouse of trust by Sachiko Kashiwaba, translated by Avery Fischer UdagawaStaring at the Haiku by John Paul CattonKodama by Debbie Ridpath OhiWhere the silver droplets fall by transcribed and translated from Ainu into Japanese by Yukie Chiri, translated and illustrated by Deborah DavidsonPowers and feats: Yamada-san's toaster by Kelly LuceJet black and the ninja wind by Leza Lowitz and Shogo OketaniHachiro by Ryusuke Saito, translated by Sako IkegamiThe lost property office by Marji NapperAnton and Kiyoshime by Fumio Takano, translated by Hart LarrabeeTalents and curses: Love right on the yesterday by Wendy Nelson TokunagaThe dragon and the poet by Kenji Miyazawa, translated by Misa Dikengil LindbergJust wan-derful by Louise George KittakaIchinichi on the Yamanote by Claire DawnA song for Benzaiten by Catherine Rose torresInsiders and outsiders: Fleecy clouds by Arie Nashiya, translated by Juliet Winters CarpenterThe zodiac tree by Thersa MatsuuraOne by Sarah OgawaLove letter by Megumi Fujino, translated by Lynne E. RiggsSigns by Kaitlin StainbrookWings on the wind by Yuichi Kimura, translated by Alexander O. SmithFamilies and connections: The law of gravity by Yuko Katakawa, translated by Deborah IwabuchiThe mountain drum by Chloë DalbyPaper lanterns by Jennifer Fumiko CahillI hate Harajuku girls by Katrina Toshiko Grigg-SaitoPeace on earth by Suzanne Kamata

    The aged, abused monarch—a man in his eighties, like Harold Bloom himself—is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare’s most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Emma Bovary or Hamlet when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of Lear, so that this book also explores an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy, pathos, and clarity in Lear.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    This widely used undergraduate text is now available in a new edition. Thoroughly updated, the fourth edition includes expanded sections on numerous topics, among which are samurai values, Zen Buddhism, the tea ceremony, Confucianism in the Tokugawa period, the story of the forty-seven ronin, Mito scholarship in the early nineteenth century, and mass culture and comics in contemporary times.

    Here some of Japan’s best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the “crazy” iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are “The Crazy Iris” by Masuji Ibuse, “Summer Flower” by Tamiki Hara, “The Land of Heart’s Desire” by Tamiki Hara, “Human Ashes” by Katsuzo Oda, “Fireflies” by Yoka Ota, “The Colorless Paintings” by Ineko Sata, “The Empty Can” by Kyoko Hayashi, “The House of Hands” by Mitsuharu Inoue, and “The Rite” by Hiroko Takenishi.

    ‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.A WORLD IN DECAY- Rashōmon- In a Bamboo Grove- The Nose- Dragon: The Old Potter's Tale- The Spider Thread- Hell ScreenUNDER THE SWORD- Dr. Ogata Ryōsai: Memorandum- O-Gin- LoyaltyMODERN TRAGICOMEDY- The Story of a Head That Fell Off- Green Onions- Horse LegsAKUTAGAWA'S OWN STORY- Daidōji Shinsuke: The Early Years- The Writer's Craft- The Baby's Sickness- Death Register- The Life of a Stupid Man- Spinning Gears