A provocative, compelling, and entertaining look at how the power of images dominates every aspect of our lives.

    So asserts Ayaan Hirsi Ali's profound meditation on Islam and the role of women, the rights of the individual, the roots of fanaticism, and Western policies toward Islamic countries and immigrant communities. Hard-hitting, outspoken, and controversial, "The Caged Virgin" is a call to arms for the emancipation of women from a brutal religious and cultural oppression and from an outdated cult of virginity. It is a defiant call for clear thinking and for an Islamic Enlightenment. But it is also the courageous story of how Hirsi Ali herself fought back against everyone who tried to force her to submit to a traditional Muslim woman's life and how she became a voice of reform. Born in Somalia and raised Muslim, but outraged by her religion's hostility toward women, Hirsi Ali escaped an arranged marriage to a distant relative and fled to the Netherlands. There, she learned Dutch, worked as an interpreter in abortion clinics and shelters for battered women, earned a college degree, and started a career in politics as a Dutch parliamentarian. In November 2004, the violent murder on an Amsterdam street of Dutch filmmaker Theo van Gogh, with whom Hirsi Ali had written a film about women and Islam called "Submission," changed her life. Threatened by the same group that slew van Gogh, Hirsi Ali now has round-the-clock protection, but has not allowed these circumstances to compromise her fierce criticism of the treatment of Muslim women, of Islamic governments' attempts to silence any questioning of their traditions, and of Western governments' blind tolerance of practices such as genital mutilation and forced marriages of female minors occurring in their countries.Hirsi Ali relates her experiences as a Muslim woman so that oppressed Muslim women can take heart and seek their own liberation. Drawing on her love of reason and the Enlightenment philosophers on whose principles democracy was founded, she presents her firsthand knowledge of the Islamic worldview and advises Westerners how best to address the great divide that currently exists between the West and Islamic nations and between Muslim immigrants and their adopted countries.An international bestseller -- with updated information for American readers and two new essays added for this edition -- "The Caged Virgin" is a compelling, courageous, eye-opening work.

    Brutal regimes that had been in power for many decades were suddenly swarmed by unstoppable mobs of freedom-seekers. Now, one of the key figures behind the Egyptian uprising tells the riveting inside story of what happened and presents lessons for all of us on how to unleash the power of crowds.  Wael Ghonim was a little-known 30-year-old Google executive in the fall of 2010 when he anonymously launched a Facebook page to protest the death of one Egyptian man at the hands of security forces. The page’s followers expanded quickly and moved from online protests to non-confrontational public gatherings. Then, on January 14, 2011, they made history when they announced a revolution. Over 350,000 friends clamored to join. On January 25, as the revolution began in earnest, Ghonim was captured and held for twelve days of brutal interrogation—and when he emerged and gave a speech on national television, the protests grew even more intense. Four days later, Mubarak was gone.  The lessons Ghonim draws will inspire each of us: Forget the past. Don’t plan ahead. Let the crowd make its own decisions. Welcome to Revolution 2.0.

    It brought down six French governments, led to the collapse of the Fourth Republic, returned de Gaulle to power, and came close to provoking a civil war on French soil. More than a million Muslim Algerians died in the conflict and as many European settlers were driven into exile. Above all, the war was marked by an unholy marriage of revolutionary terror and repressive torture.Nearly a half century has passed since this savagely fought war ended in Algerian independence, and yet ,as Alistair Horne argues in his new preface to his now-classic work of history,its repercussions continue to be felt not only in Algeria and France, but throughout the world. Indeed from today's vantage point the Algerian War looks like a full-dress rehearsal for the sort of amorphous struggle that convulsed the Balkans in the 1990s and that now ravages the Middle East, from Beirut to Baghdad struggles in which questions of religion, nationalism, imperialism, and terrorism take on a new and increasingly lethal intensity.A Savage War of Peace is the definitive history of the Algerian War, a book that brings that terrible and complicated struggle to life with intelligence, assurance, and unflagging momentum. It is essential reading for our own violent times as well as a lasting monument to the historian's art.

    To them, its violence is beautiful and holy, and the caliphate a fulfillment of prophecy and the only place on earth where they can live and die as Muslims.The Way of the Strangers is an intimate journey into the minds of the Islamic State’s true believers. From the streets of Cairo to the mosques of London, Wood interviews supporters, recruiters, and sympathizers of the group. We meet an Egyptian tailor who once made bespoke suits for Paul Newman and now wants to live, finally, under Shariah; a Japanese convert who believes that the eradication of borders—one of the Islamic State’s proudest achievements—is a religious imperative; and a charming, garrulous Australian preacher who translates the group’s sermons and threats into English and is accused of recruiting for the organization. We also learn about a prodigy of Islamic rhetoric, now stripped of the citizenship of the nation of his birth and determined to see it drenched in blood. Wood speaks with non–Islamic State Muslim scholars and jihadists, and explores the group’s idiosyncratic, coherent approach to Islam. The Islamic State is bent on murder and apocalypse, but its followers find meaning and fellowship in its utopian dream. Its first caliph, Abu Bakr al Baghdadi, has declared that he is the sole legitimate authority for Muslims worldwide. The theology, law, and emotional appeal of the Islamic State are key to understanding it—and predicting what its followers will do next.Through character study and analysis, Wood provides a clear-eyed look at a movement that has inspired so many people to abandon or uproot their families. Many seek death—and they will be the terror threat of the next decade, as they strike back against the countries fighting their caliphate. Just as Lawrence Wright’s The Looming Tower informed our understanding of Al Qaida, Graeme Wood’s The Way of the Strangers will shape how we see a new generation of terrorists.Advance praise for The Way of the Strangers “Indispensable and gripping . . . Graeme Wood’s quest to understand the Islamic State is a round-the-world journey to the end of the night. As individuals, the men he encounters are misfits, even losers. But their millenarian Islamist ideology makes them the most dangerous people on the planet.”—Niall Ferguson, senior fellow, Hoover Institution, Stanford University, author of The War of the World “Over the course of its short life, the Islamic State has inspired millions, thousands of whom have rallied to its cause in search of a glorious death. But why? Are its devotees nothing more than sadists and two-bit mafiosi for whom religion is a fig leaf and who will fade away in the face of military defeat? In this essential book, Graeme Wood draws on more than a decade of reporting to demolish these and other comforting deceptions.”—Reihan Salam, executive editor, National Review “Graeme Wood is America’s foremost interpreter of ISIS as a world-historical phenomenon. In The Way of the Strangers, he has given us the definitive work to date on the origins, plans, and meaning of the world’s most dangerous terrorist organization.

    Considering the huge impact of modernity on the region, and the accompanying shockwaves that turned society upside-down, Kassir states that the current crisis in Arab identity lies in the failure to come to terms with modernity, turning instead to false solutions such as pan-Arabism and Islamism.Being Arab is a clarion call, urging Arabs to embrace their own history, to reject Western double standards and Islamism alike, and to take the future of the region into their own hands.

    In this acclaimed number one national best-seller, one of our country's most distinguished political philosophers argues that the social/political crisis of 20th-century America is really an intellectual crisis. Allan Bloom's sweeping analysis is essential to understanding America today. It has fired the imagination of a public ripe for change.

    Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through governance by credit and management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts: study, debt, surround, planning, and the shipped. On the fugitive path of an historical and global blackness, the essays in this volume unsettle and invite the reader to the self-organised ensembles of social life that are launched every day and every night amid the general antagonism of the undercommons.

    Where are the millions marching in the streets to defend human rights, civil liberties, and racial justice? Where is the mass revulsion against the killing and torture being carried out in our name? Where are the environmentalists? Where is the peace movement?The answer: They are everywhere. The award-winning sister-brother team of Amy Goodman, host of Democracy Now!, and investigative journalist David Goodman traveled the country to detail the ways in which grassroots activists have taken politics out of the hands of politicians. Standing Up to the Madness tells the stories of everyday citizens who have challenged the government and prevailed. As the Bush administration has waged war abroad and at home, it has catalyzed a vast groundswell of political action. From African-American residents of deluged New Orleans who are fighting racism and City Hall to regain their homes; to four Connecticut librarians who refused to spy on their patrons, challenged the USA PATRIOT Act, and won; to a group of high school students who were barred from performing a play they wrote on the Iraq War based on letters from soldiers; to the first U.S. Army officer to publicly refuse orders to deploy to Iraq, charging that his duty as an officer is to refuse to fight in an illegal and immoral war, Standing Up to the Madness profiles citizens rising to extraordinary challenges. And, in the process, they are changing the way that politics is done, both now and in the future. In communities around the United States, courageous individuals have taken leaps of faith to stop the madness. They could only hope that if they led, others would follow. That is how movements are born. What begins as one, eventually becomes many. In that tradition, the authors have included the ways in which any individual can take action and effect change.

    This book presents an alternative approach to understanding the genealogy of contemporary events. By taking students and the general reader on a guided tour of the past five hundred years of Middle Eastern history, this book examines how the very forces associated with global modernity have shaped social, economic, cultural, and political life in the region. Beginning with the first glimmerings of the current international state and economic systems in the sixteenth century, The Modern Middle East: A History explores the impact of imperial and imperialist legacies, the great nineteenth-century transformation, cultural continuities and upheavals, international diplomacy, economic booms and busts, the emergence of authoritarian regimes, and the current challenges to those regimes on everyday life in an area of vital concern to us all. Engagingly written, drawing from the author's own research and other studies, and stocked with maps and photographs, original documents and an abundance of supplementary materials, The Modern Middle East: A History will provide both novices and specialists with fresh insights into the events that have shaped history and the debates about them that have absorbed historians.

    Many definitions of postmodernism focus on its nature as the aftermath of the modern industrial age when technology developed. This book extends that analysis to postmodernism by looking at the status of science, technology, and the arts, the significance of technocracy, and the way the flow of information is controlled in the Western world.

    For well over two centuries now, Americans of all stripes--presidents and activists, writers and soldiers--have turned to Shakespeare's works to address the nation's political fault lines, such as manifest destiny, race, gender, immigration, and free speech. In a narrative arching across the centuries, James Shapiro traces the unparalleled role of Shakespeare's 400-year-old tragedies and comedies in making sense of so many of these issues on which American identity has turned. Reflecting on how Shakespeare has been invoked--and at times weaponized--at pivotal moments in our past, Shapiro takes us from President John Quincy Adams's disgust with Desdemona's interracial marriage to Othello, to Abraham Lincoln's and his assassin John Wilkes Booth's competing obsessions with the plays, up through the fraught debates over marriage and same-sex love at the heart of the celebrated adaptations Kiss Me Kate and Shakespeare in Love. His narrative culminates in the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated.Extraordinarily researched, Shakespeare in a Divided America shows that no writer has been more closely embraced by Americans, or has shed more light on the hot-button issues in our history. Indeed, it is by better understanding Shakespeare's role in American life, Shapiro argues, that we might begin to mend our bitterly divided land.

    If what he has seen could be conveyed to all Americans, this ugly war in Iraq would quickly come to an end. A superb journalist.”—Howard ZinnWe walk slowly under the scorching sun along dusty rows of humble headstones. She continues reading them aloud to me, “Old man wearing jacket with dishdasha, near industrial center. He has a key in his hand.” Many of the bodies were buried before they could be identified. Tears welling up in my eyes she quietly reads, “Man wearing red track suit.” She points to another row, “Three women killed in car leaving city by American missile.”As the occupation of Iraq unravels, the demand for independent reporting is growing. Since 2003, unembedded journalist Dahr Jamail has filed indispensable reports from Iraq that have made him this generation’s chronicler of the unfolding disaster there. In these collected dispatches, Jamail presents never-before-published details of the siege of Fallujah and examines the origins of the Iraqi insurgency.Dahr Jamail makes frequent visits to Iraq and has published his accounts in newspapers and magazines worldwide. He has regularly appeared on Democracy Now!, as well as the BBC, Pacifica Radio, and numerous other networks.

    Here, distinguished Italian philosopher Giorgio Agamben uses such circumstances to argue that this unusual extension of power, or "state of exception," has historically been an underexamined and powerful strategy that has the potential to transform democracies into totalitarian states.The sequel to Agamben's Homo Sacer: Sovereign Power and Bare Life, State of Exception is the first book to theorize the state of exception in historical and philosophical context. In Agamben's view, the majority of legal scholars and policymakers in Europe as well as the United States have wrongly rejected the necessity of such a theory, claiming instead that the state of exception is a pragmatic question. Agamben argues here that the state of exception, which was meant to be a provisional measure, became in the course of the twentieth century a normal paradigm of government. Writing nothing less than the history of the state of exception in its various national contexts throughout Western Europe and the United States, Agamben uses the work of Carl Schmitt as a foil for his reflections as well as that of Derrida, Benjamin, and Arendt.In this highly topical book, Agamben ultimately arrives at original ideas about the future of democracy and casts a new light on the hidden relationship that ties law to violence.

    While progressive political movements, including the Marxist and feminist movements, have fought for equal pay, better work conditions, and the recognition of unpaid work as a valued form of labor, even they have tended to accept work as a naturalized or inevitable activity. Weeks argues that in taking work as a given, we have “depoliticized” it, or removed it from the realm of political critique. Employment is now largely privatized, and work-based activism in the United States has atrophied. We have accepted waged work as the primary mechanism for income distribution, as an ethical obligation, and as a means of defining ourselves and others as social and political subjects. Taking up Marxist and feminist critiques, Weeks proposes a postwork society that would allow people to be productive and creative rather than relentlessly bound to the employment relation. Work, she contends, is a legitimate, even crucial, subject for political theory.