It has no touch of rural life or modernization and the problems occurring with that. It does not reach deep down its interior to handle the pains, yet it has a peculiar style, a natural freshness. It finds depths and humour in simple subjects. It does not avoid pain, but is not very fond of it. It presents the normal mind, normal set up, normal feelings. It makes us laugh and freshens us up. It makes us forget about our day- to- day life and the meager problems that come with it.

    The name indicates that this is a set of stories having it's own fragrance.

    Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, My lust for pleasure is unsatisfied. His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son s youth.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    The stories are satires on Indian political and social climate of 1960s and 70s.

    As a mark of his coming of age his grandmother allows his the pass-book to his savigns in the local bank, but Sriram is growing up in other ways, too, and an enchanting and unpredictable girl leads him into the entourage of Mahatma Gandhi.These are the opening events in R K Narayan's novel. It is the finest thing he has yet achieved, and his story of the triumphs and tragedies of a raw young zealot in the service of Gandhi is distinguished for its warmth, its humour, its lack of sentimentality and the stamp of absolute truth.Sriram's evolution into manhood is, for him, strange and bewildering process. Bharati, the girl he worship, is witty, infuriating, capable and, wonder of wonders, condescending to the moonstruck Sriram. Her first loyalty though, is to the Mahatma, a saint blessed with disconcerting common sense, a man whose tragedy is tat he is so much greater than his followers. Most of them accept his ideas enthusiastically, and without realizing it, pervert them to suit their coarser personalities. Sriram is inspired by Gandhi, but he is too easily influenced by glamorous patriots of the type of Jagadish, a terrorist.It is a tale of remarkable insight into the upsrge of Indian nationalism as witnessed through the eyes and hearts of Sriram and Bharati, and told with the all genius and compassion we have come to expect from R K Narayan.

    Girl loves boy. They get married. In India, there are a few more steps: Boy loves Girl. Girl loves Boy. Girl's family has to love boy. Boy's family has to love girl. Girl's Family has to love Boy's Family. Boy's family has to love girl's family. Girl and Boy still love each other. They get married.Welcome to 2 States, a story about Krish and Ananya. They are from two different states of India, deeply in love and want to get married. Of course, their parents don't agrees. To convert their love story into a love marriage, the couple have a tough battle in front of them. For it is easy to fight and rebel, but it is much harder to convince. Will they make it?From the author of blockbusters Five Point Someone, One Night @ the Call Center and The 3 Mistakes of My Life, comes another witty tale about inter-community marriages in modern india.

    Growing up in an environment where such transactions were made daily, witnessing the wretchedness of such a life at close quarters, and its repercussions on him gave Kishore the will and the determination to free himself through education and an amazing strength to transcend circumstances that at times seemed overwhelmingly black.In this book, Kishore Kale unfolds a sad and shocking story of his early years and youth with a rare simplicity and directness. Far from rancour, it instead affirms and inspires the reader to never lose hopea precept that propels Kale as today he goes about tending to prostitutes and AIDS victims doing his utmost to help those who rescued him from going under.

    Another super collection of naughty and not-so-naughty jokes, humorous anecdotes, comic interludes, hilarious situations and bitchy remarks, selected by Khushwant Singh from amongst the thousands contributed by his readers and fans - and some manufactured by him.

    He attends the same private tuitions as his classmate, Shirodkar, just for a glimpse of her, and follows her back home every day. Sadly, she has not a clue that he is pining away for her, because in their society, boys and girls don't interact freely, much less talk about love. When he's not negotiating the tricky alleys of love, Mukund sits around the school field or loafs about town with his close friends, Surya, Chitre and Phawdya, railing against the education system, and debating ideas such as discipline and Bohemianism. Set in a small Maharashtrian town during the Emergency of 1975, Shala is a heart-warming, nuanced novel about the adolescent struggles that are as tortuous in real time as they are amusing in retrospect.

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    The curtain has been brought down on it. Two life-sentences have been run. And I have brought together my recollections of them within the cover of this book. They are narrated in brief and put together within the narrowest.When I came into this world, God sent me here possibly on a sort of life-sentence. It was the span of life allotted to me by time to stay in this ‘prison-house of life’. This story is but a chapter of that book of life, which is a longer story not yet ended. You can finish reading the book in a day, while I had to live it for 14 long years of transportation. And if the story is so tiresome, unendurable and disgusting to you, how much must have been the living of it for me! Every moment of those 14 years in that jail has been an agony of the soul and the body to me, and to my fellow convicts in that jail. It was not only fatiguing, unbearable and futile to us all, it was equally or more excruciating to them as to me. And it is only that you may know it and feel the fatigue, the disgust and the pain of it as we have felt it, that I have chosen to write it for you. —Excerpts from this bookThis is the story of Swatantrayaveer Vinayak Damodar Savarkar—a great revolutionary, politician, poet and seer who tried to free India from the British yoke!British policy was to torture and persecute the political prisoners/revolutionaries so that they would reveal the names of all their colleagues or go mad or commit suicide. My Transportation for Life is a firsthand story of the sufferings and humiliation of an inmate of the infamous Cellular Jail of Andamans, the legendary Kala Paani. The physical tortures inside the high walls were made all the more insufferable by the sickening attitude of the men who mattered—the native leaders back home. This is a running commentary on the prevalent political conditions in India and a treatise for students of revolution. It is a burning story of all Tapasvis who were transported to Andaman.

    The book is about how army rule works, how he try to achieve what he desired to do at raarang dhang. Interaction with various peoples from different location and grade. Whether he succeed in his goal.... Do read...

    All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A sullen government worker, Sampath is inspired only when in search of a quiet place to take his nap. "But the world is round," his grandmother says. "Wait and see Even if it appears he is going downhill, he will come up the other side. Yes, on top of the world. He is just taking a longer route." No one believes her until, one day, Sampath climbs into a guava tree and becomes unintentionally famous as a holy man, setting off a series of events that spin increasingly out of control. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

    and I am wide awake because the man of the house has decided that he needs to perform a series of complex manoeuvres that involve him balancing on his left elbow. When I fell asleep last night, there was a baby lying next to me. Her smelly diaper is still wedged on my head but aside from this rather damp clue, I can't seem to find her anywhere. I could ask my mother-in-law if she has seen the baby, but she may just tell me that I need to fast on alternate Mondays, and God will deliver the baby back to me . . . Full of wit and delicious observations, Mrs Funnybones captures the life of the modern Indian woman—a woman who organizes dinner each evening, even as she goes to work all day, who runs her own life but has to listen to her Mummyji, who worries about her weight and the state of the country. Based on Twinkle Khanna’s super-hit column, Mrs Funnybones marks the debut of one of our funniest, most original voices.