Heart-wrenching, wise and wryly funny, this novel will make you kinder to those who are lost.Miss Kaye works at The Institute. A place for the damaged, the outliers, the not-quite rights. Everyone has different strategies to deal with the residents. Some bark orders. Some negotiate tirelessly. Miss Kaye found that simply being herself was mostly the right thing to do.Susie was seven when she realised she'd had her fill of character building. She'd lie between her Holly Hobbie sheets thinking how slowly birthdays come around, but how quickly change happened. One minute her Dad was saying that the family needed to move back to the city and then, SHAZAM, they were there. Her mum didn't move to the new house with them. And Susie hated going to see her mum at the mind hospital. She never knew who her mum would be. Or who would be there. As the years passed, there were so many things Susie wanted to say but never could.Miss Kaye will teach Susie that the loudness of unsaid things can be music - and together they will learn that living can be more than surviving.

    In the title story, an unhappily married couple find their print of an orange fish brings them newfound harmony as they join other owner of the print who gather to extol the miraculous powers of “fishness.” “Chemistry” describes a group of young musicians drawn briefly into an impenetrable circle of love. And in “Hazel,” a middle-aged woman finally comes into her own as a sales rep for a line of kitchen products. The Orange Fish is a collection full of wit and compassion, a series of stories to be read and reread and savored.The orange fish --Chemistry --Hazel --Today is the day --Hinterland --Block out --Collision --Good manners --Times of sickness and health --Family secrets --Fuel for the fire --Milk bread beer ice

    0-935906-02-9$5.00 / Javan Press

    Including poets as diverse as John Betjeman and Ted Hughes, Siegfried Sassoon and Allan Ahlberg, and subjects from all avenues of life - war, family life, love, death, religion, the countryside, animals and comedy - the whole breadth of the nation's life during the 20th century is encapsulated here. Compiled and edited by Griff Rhys Jones as part of the successful The Nations Favourite Poems series, this book brings together the wealth of new and innovative poetry styles that flourished in the 20th Century.

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.

     Seven Warrilow has been keeping everybody’s secrets for as long as she can remember. She knows who likes who, who hates who, and all the hot gossip. But you know what? She’s sick of it! With all that classified info jumbling around in her head it’s hard to think straight, so Seven decides to write down every secret she’s ever been told into a small black notebook that she carries around for safekeeping. There, now she can breath a little. OR NOT!? Things take a turn to Disasterville when her notebook goes missing, and when it finds it’s way into the hands of notorious prankster, Colin Stillman, the trouble really begins. Seven’s going to have to use everything she’s got to keep her classmates secrets safe, but Colin isn’t going to make that easy. Afterall...where would the fun be in that?

    The locals seem unusually hostile towards his efforts, or maybe even menacing, and was that a cougar on his door-step last night? As Rich begins to wonder whether his predecessor disappeared of his own accord, he finds himself strongly drawn to Louise Newman, the garage mechanic who is fixing his suddenly unreliable BMW, and the only person in Waterton who doesn’t seem desperate to run him out of town. As Rich works on the hotel, the town is torn apart by a series of gruesome, unsolved murders. With Louise as his only ally in a town that seems set against him, Rich can’t help but wonder: will he be the next victim?

    Daffy Duck enters the Valley of the Eternals. Faulkner and bell-bottoms cling to beauty's evanescence.Even in single poems, Young's tone and style vary. No one feeling or idea takes precedence over another, and their simultaneity is frequently revealed; sadness may throw a squirrelly shadow, joy can find itself dressed in mourning black. As in the agitated "Whirlpool Suite": "Pain / and pleasure are two signals carried / over one phoneline."In taking up subjects as slight as the examination of a signature or a true/false test, and as pressing as the death of friends, Young's poems embrace the duplicity of feeling, the malleability of perception, and the truth telling of wordplay.

    Anne Tyler is both literary and popular, one of the few writers whose high sales match her critical acclaim. Now you can enjoy three of her more recent bestsellers in one low-priced, attractively packaged hardcover.

    In a bid for freedom a lone spaceship hurtled through space before crashing in the hills outside a small village in Spain. On Christmas Day a strong, silent man with blank eyes entered Bar Noche Azul. Only a 13-year-old boy could have guessed that there was any connection between the two.

    Dinh's gift is for constructing, in the manner of Italo Calvino, simple narratives that quickly frame larger questions; with a poet's timing, the author builds his stories to the one or few climactic sentences that brand them with unforgettable meaning. In one tale, a Vietnamese boy's self-guided, haphazard study of English gives way to a meditation on the universality of language: Everything seems chaotic at first, but nothing is chaotic. One can read anything: ants crawling on the ground; pimples on a face; trees in a forest. In another story, a man opens a newspaper and sees the photograph of a man he may have murdered, which he impulsively clips, only to feel that in doing so he unwittingly has sealed his crime: As soon as I finished, I realized what I had done: by cutting my father's likeness out of the newspaper, I had removed him from the world. The collection crescendoes in displays of raw creative power, as in Eight Plots, a rapid-fire of three- and four-sentence summaries, and the brilliant, impressionistic !Blood and Soap is an arresting collection from one of a small number of writers on the vanguard of American fiction.

    Prose. "CUNT-UPS is an explosion of textual sexuality that resists principles of formal ordering, is polyvalent in its voice and range, and as perverse in its sentence construction as its content. Its 'setting' is the mediated exchange itself, the fractured articulation of 'a female body who has sex writing about sex.' While the title might imply a gendered site of production, it also suggests a sexual/textual violence that is more than a mere 'disorganization of the senses' but a dismemberment of the gendered body as well. The text becomes a (feminist) desiring machine, its writing a prosthetic device mediating the traces of physicality, imagination, abjection, and pleasure."Throw on the switch, plug into the mediating machine, the flesh-object writes back, becomes subject, suspect, the gaze cut-up and fed back into vibrating loops of unobtainable desire."--David Buuck

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    He has also written fim scripts and for television.