Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of 28, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing.When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge, and sets about to kill every member of his family. Readers have a front row seat as Grace picks off the family one by one – and the result is as and gruesome as it is entertaining in this wickedly dark romp about class, family, love… and murder.But then Grace is imprisoned for a murder she didn’t commit.Outrageously funny, compulsive and subversive, perfect for fans of Killing Eve and My Sister, the Serial Killer.

    But the preparations are interrupted when a guest is found dead in one of the Castle bedrooms. The scene suggests the young Russian pianist strangled himself, but a badly tied knot leads MI5 to suspect foul play was involved. The Queen leaves the investigation to the professionals—until their suspicions point them in the wrong direction.Unhappy at the mishandling of the case and concerned for her staff’s morale, the monarch decides to discreetly take matters into her own hands. With help from her Assistant Private Secretary, Rozie Oshodi, a British Nigerian and recent officer in the Royal Horse Artillery, the Queen secretly begins making inquiries. As she carries out her royal duties with her usual aplomb, no one in the Royal Household, the government, or the public knows that the resolute Elizabeth will use her keen eye, quick mind, and steady nerve to bring a murderer to justice.SJ Bennett captures Queen Elizabeth’s voice with skill, nuance, wit, and genuine charm in this imaginative and engaging mystery that portrays Her Majesty as she’s rarely seen: kind yet worldly, decisive, shrewd, and most importantly a great judge of character.

    For thirty-something mechanical engineer Cass Jennings, Antarctica offers an opportunity to finally escape the guilt of her troubled past and to rebuild her life.But the death of a colleague triggers a series of mysterious incidents that push Cass and the rest of the forty-four-person crew to the limits of their sanity and endurance. Confined and cut off from the outside world, will they work together or turn against one another? As the tension escalates, Cass must find the strength to survive not only a punishing landscape but also an unrelenting menace determined to destroy the station—and everyone in it.

    . .From the moment Alby drops his gun on a St Kilda tram he knows he's in for a bad day. Then his partner Harry is gunned down in a Double Bay coffee shop. By lunchtime Alby realises someone wants him dead – and they want him dead now.All Alby wants is some pasta, a good bottle of wine and to know more about the mysterious Grace Goodluck . . . long dark hair, legs up to there, and piercing slate-grey eyes...sniper's eyes. But he also has to figure out who shot Harry and who wants him dead. And why.Unfortunately for Alby, the answer lies over the razor wire and past the anti-personnel mines protecting Bitter Springs, a top-secret US military facility deep in the central Australian desert. Now that can really ruin your day . . .

    As the pressure mounts, the eight strangers begin slowly opening up to one another and reveal long-hidden truths.First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car.As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people.Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

    Unfortunately, seventeen-year-old Anna Morgan has no choice. Resting on a park bench, touching the turnstile at the Metro station—she never knows where she’ll encounter a ghost. These mental hitchhikers are the reason Anna has been tossed from one foster home and psychiatric institution to the next for most of her life.When a chance touch leads her to pick up the insistent spirit of a girl who was brutally murdered, Anna is pulled headlong into a deadly conspiracy that extends to the highest levels of government. Facing the forces behind her new hitcher’s death will challenge the barriers, both good and bad, that Anna has erected over the years and shed light on her power’s origins. And when the covert organization seeking to recruit her crosses the line by kidnapping her friend, it will discover just how far Anna is willing to go to bring it down.

    She’s a freshman honor student, a leggings-wearing hot girl next door, who also happens to be a psychopath. Her hobbies include yogalates, frat parties, and plotting to kill Will Bachman, a childhood friend who grievously wronged her.Chloe is one of seven students at her DC-based college who are part of an unusual clinical study for psychopaths—students like herself who lack empathy and can’t comprehend emotions like fear or guilt. The study, led by a renowned psychologist, requires them to wear smart watches that track their moods and movements.When one of the students in the study is found murdered in the psychology building, a dangerous game of cat and mouse begins, and Chloe goes from hunter to prey. As she races to identify the killer and put her own plan into action, she’ll be forced to decide if she can trust any of her fellow psychopaths—and everybody knows you should never trust a psychopath.Never Saw Me Coming is a compulsive, voice-driven thriller by an exciting new voice in fiction, that will keep you pinned to the page and rooting for a would-be killer.

    The woman before her tried… Freya Miller needs a miracle. In the fallout of her husband’s betrayal, she’s about to lose her family home, and with it the security she craves for her five-year-old daughter, Skye. Adrift and alone, she’s on the verge of despair until a chance meeting with the charismatic Dr Marsden changes everything. He’s seeking a new tenant for a shockingly affordable flat in a fashionable area of London.Adder House sounds too good to be true… But Freya really can’t afford to be cynical, and Dr Marsden is adamant she and Skye will be a perfect fit with the other residents.But Adder House has secrets. Even behind a locked front door, Freya feels as if she’s being watched: objects moving, unfamiliar smells, the blinking light of a concealed camera… and it’s not long before she begins to suspect that her dream home is hiding a nightmarish reality. Was it really chance that led her here—or something unthinkably dark?As the truth about Adder House starts to unravel, can Freya and Skye get out—or will they be locked in forever? Revised edition: This edition of The Apartment includes editorial revisions.

    Falling into a downward spiral of prostitution, drugs and drink, she is picked up by a journalist who has discovered that it was a bomb that caused the crash. And it is his murder that pulls her out of herself.The Rhythm Section is not a thriller about the hunt for a terrorist, although that is the path Stephanie takes, and it’s not a story about revenge, although justice for her family is her initial motivation. Rather, The Rhythm Section is the story of Stephanie’s attempt to reclaim herself. She has to rediscover who she is through a series of roles that she is forced to play; she is never herself. As a prostitute, she is Lisa, the chemical blonde. Later, she is Petra Reuter, German anarchist turned mercenary terrorist. Sometimes, she is Marina Gaudenzi, a Swiss businesswoman, or she’s Susan Branch, an American student, or Elizabeth Shepherd, an English management consultant.But whoever she is, she’s never herself because her life depends on her being someone else. This is the way she is trained by the intelligence service that recruits her, but it’s also the way she’s taught herself to be; being someone else has always worked for her and so it does now, until she begins to fall in love for the first time with Frank White. This undermines her completely and poses new questions: which of the many people she has become is the one to have fallen in love? Stephanie? Petra? Or one of the others? With whom has Frank fallen in love? Marina? Or the real Stephanie? More than anything, The Rhythm Section is about a catastrophic crisis of identity.

    Marsh was a rising star on the police force of Mason Falls, Georgia—until his wife and young son were killed in an accident. Since that night, caught in a spiral of grief and booze, he’s lost the ability to see the line between smart moves and disastrous decisions. Such as when he decides to ’help out’ an exotic dancer by confronting her abusive boyfriend. When the next morning he gets called to the scene of his newest murder case, he is stunned to arrive at the house of a dead man, the very man he beat up the night before. He could swear the guy was alive when he left, but can he be sure? What he does know is that his fingerprints are all over the crime scene.But the trouble is only beginning. P.T. and his partner Remy begin to suspect the murder is connected to a local arson and lynching; two days earlier, the dead body of a black teenager was found in a burned-out field, a portion of a blackened rope around his neck—and P.T. realizes he might have killed the #1 suspect of this horrific crime.Amid rising racial tension and media scrutiny, P.T. uncovers something sinister at the heart of the boy’s murder—a conspiracy leading all the way back to the time of the Civil War. Risking everything to unravel the puzzle even as he fights off his own personal demons, P.T. races headlong toward an incendiary and life-altering showdown.