When The Discourse turns on her, the line between internet personas and IRL relationships blurs, and the heightened scrutiny she comes under puts her real-life friendship under strain...seven methods of killing kylie jenner combines theatre with gifs, memes and emojis to explore stereotypes of Black womanhood, white capitalist exploitation, and the politics of social media activism.

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    How could she ever have known the tragedy that was about strike with such unforgiving force?Meeting the farmhand, Lawrence Trent, a man robbed of his childhood by the misdeeds of a renegade father seemed at first a doorway to happiness. Instead it was one leading to desperation and deprivations that overshadowed even the brightness of their love for one another.What strength will be required to survive the obstacles set along the course of their lives? What gifts from heaven can steer them to safety?Can the beautiful Barbara Coomb finally lay to rest the ghosts that taunt her present and haunt her future? Will Lawrence break free from the chains that not only held his childhood but now hold his heart?In this Victorian Romance historical romance author, Rosie Swan, carries readers through a lifetime saga of a child who became a woman worthy of the deepest love and admiration a man could give.

    Friendship. Aaron, Candice, sex and Connor Jones. Chewing Gum Dreams is a one-woman play that recalls those last days of innocence before adulthood.Written and performed by Michaela Coel who spent her childhood in Hackney, London, Chewing Gum Dreams won the 2012 Alfred Fagon Award."Coel is by turns casually cruel, hilariously funny, naïve, wise and vulnerable. Her play tackles some difficult themes, including sexual assault, violence, and underachievement across generations…a serious new talent." Londonist"An engrossing, engaging and compelling one-woman show... nothing short of virtuosic." What's On Stage"A promising, resilient artist." Ché Walker

    

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    His father is an abusive drunk with muddled religious views, and his mother, as hard as she tries to defend her son, only ever ends up delaying the inevitable. Things take a turn for the worse one Friday when Bobby brings home a black eye from school. The following day his father brings him out into the woods on a mission to do “God’s Work” and bring him into adulthood. A coming-of-age story about the sins of a father and a son’s chance to absolve himself from them.

    Six cities. A thousand stories.Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    Now the couple must see if they can overcome one big obstacle in their way. Savanna thinks they’re able to make it down the aisle until she finds out that Ray has been keeping some secrets from her, now she isn’t sure if marrying him is what’s best for her. Makai walks back into Savanna’s life after three years. What she thought was just a childhood crush quickly turns into more then she bargained for. Not only does Makai come back with a girlfriend but he also comes back with an eye-opener that Savanna wasn’t prepared for. Now she must battle her feelings and decide if she can forgive Ray and get married or if she should act on her feelings for Makai. Jazlynn was content in her life the only problem she had was her deadbeat baby daddy that was until Kordell, her previous boyfriend, comes back to shake up her life. Still dealing with the heartbreak he caused her, she fights her feelings not truly ready to open up to him again. Kordell knows he messed up and will do anything to have Jazlynn back. Will, she finally forgive his past mistakes, or will she fully close their chapter all together? Ma’Loni just wants to strip and stack her money, falling for the boss was never a part of the equation. Kolby sees something in Ma’Loni that he refuses to let go. What started off as just a physical relationship quickly turns into more. When Ma’Loni learns Kolby has been holding something back from her she quickly leaves their situation where it’s at. Now Kolby must show Ma’Loni he’s ready to give up the games and focus on her, the only issue is will Ma’Loni believe him? Join the crew in the crazy journey of heartbreaks, love, drama, and secrets and find out what it really means when they say, This Heart Plays No Games.

    Unfortunately, Davina isn’t one of them. With an unloving and dysfunctional mother her only choice is to take on the responsibility and fend for her little brother. Thinking that her life couldn’t get any worse she loses her job and her mother kicks her and her brother out on the grimey streets of Houston all in the same day. She runs into her longtime crush Nigel and he ends up helping her get back on her feet. Nigel is fresh out of the county jail scheming and scamming his way to the top and Davina can’t seem to resist him. Their chemistry is undeniable but to her he’s out of her league and to him; she’s just too average. They’re both on the come up but will they let their guards down and let love lead the way to the money and a relationship?

    Possibly left for good. Desperately, he decides that he needs to make himself so valuable to these new people that they’d be insane not to keep him around. In order to do that he has to stop being Anthony, the fifteen-year-old proto-thug with a woman on each arm and become something else. Tony. The act he creates to fool them all. If he fails, it means a life on the streets. It’s an option, but not one that Anthony is willing to take. Not again. Books 1-3 of this series are out now. Exclusively on Amazon! 1. The Art of Being Tony 2. The Unstoppable Tony Winters 3. The Heart of Tony Winters

    She seeks revenge on the girl she suspects to have caused it all, Ananya. She is not going to take her downfall lying down. And now that she has her hands upon something that can ruin Ananya’s life, she can’t wait to have her vengeance. To gain back her pride, she aims to come out on top in the most prestigious quiz competition in the city and accidentally teams up with her once upon a time best friend, Shreya. Shreya stays at a distance and sees Natasha destroy herself in hatred, revenge and pain. It aches her to see her throw her life away like this. But what can she do about it?The Backbenchers - The Missed Call! traces the story of Natasha Malhotra, as she struggles with depression, suicidal tendencies, vengeance and the loss of social equity. Will she get her old life back? Or will she destroy herself in the process?

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    Dalloway -- a postmodern masterpiece whose minimal action takes place on a single June day in postwar London. The Hours progresses in fuguelike fashion: First we meet Clarissa Vaughan, a New York book editor dubbed "Mrs Dalloway" by her longtime friend and former lover Richard. Next, Cunningham presents Woolf herself, beginning work in 1923 on what is to become Mrs. Dalloway. And finally we are introduced to Laura Brown, a California housewife who is avidly reading Woolf's novel. Scenes from these three narratives are presented in recurrent identical succession: "Mrs. Dalloway," Mrs. Woolf, Mrs. Brown -- all bristling with connections and startling parallels. The "Mrs. Dalloway" strand is particularly rich, filled as it is with one-to-one correspondences to Woolf's novel. But the deepest and most important thing that The Hours shares with Mrs. Dalloway is "the feeling," as Woolf called it, "that it was very, very dangerous to live even one day." Cunningham's three women proceed through the day, through the hours, trying to keep themselves psychologically intact, like someone carrying a glass of water filled to the brim through a crowd and endeavoring not to spill it. They hesitate before plunging into the day because they know how hard it is to live in the world and remain identical with oneself. And they puzzle over a universal dilemma: how to bring the self into the world without its getting broken in the process. In The Hours, Michael Cunningham has explored this dilemma with an impressive and moving subtlety worthy of his great precursor. Benjamin Kunkel