We do not usually think of him as radical, partly because he wore colorful, soft sweaters made by his mother. Nor do we usually imagine him as a pacifist; that adjective seems way too political to describe the host of a children's program known for its focus on feelings. We have restricted Fred Rogers to the realm of entertainment, children, and feelings, and we've ripped him out of his political and religious context. Rogers was an ordained Presbyterian minister, and although he rarely shared his religious convictions on his program, he fervently believed in a God who accepts us as we are and who desires a world marked by peace and wholeness. With this progressive spirituality as his inspiration, Rogers used his children's program as a platform for sharing countercultural beliefs about caring nonviolently for one another, animals, and the earth.To critics who dared call him "namby-pamby," Rogers said, "Only people who take the time to see our work can begin to understand the depth of it." This is the invitation of Peaceful Neighbor, to see and understand Rogers's convictions and their expression through his program. Mister Rogers' Neighborhood, it turns out, is far from sappy, sentimental, and shallow; it's a sharp political response to a civil and political society poised to kill.

    Great literature increases knowledge of and desire for the good life by showing readers what virtue looks like and where vice leads. It is not just what one reads but how one reads that cultivates virtue. Reading good literature well requires one to practice numerous virtues, such as patience, diligence, and prudence. And learning to judge wisely a character in a book, in turn, forms the reader's own character.Acclaimed author Karen Swallow Prior takes readers on a guided tour through works of great literature both ancient and modern, exploring twelve virtues that philosophers and theologians throughout history have identified as most essential for good character and the good life. In reintroducing ancient virtues that are as relevant and essential today as ever, Prior draws on the best classical and Christian thinkers, including Aristotle, Aquinas, and Augustine. Covering authors from Henry Fielding to Cormac McCarthy, Jane Austen to George Saunders, and Flannery O'Connor to F. Scott Fitzgerald, Prior explores some of the most compelling universal themes found in the pages of classic books, helping readers learn to love life, literature, and God through their encounter with great writing.In examining works by these authors and more, Prior shows why virtues such as prudence, temperance, humility, and patience are still necessary for human flourishing and civil society. The book includes end-of-chapter reflection questions geared toward book club discussions, features original artwork throughout, and includes a foreword from Leland Ryken.

    They had awards, credibility, commercial success and creative freedom. They deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura.And they couldn’t say why.This is the story of The KLF, told through the ideas that drove them. It is a story about Carl Jung, Alan Moore, Robert Anton Wilson, Ken Campbell, Dada, Situationism, Discordianism, magic, chaos, punk, rave and the alchemical symbolism of Doctor Who. Wildly unauthorised and totally unlike any other music biography, ‘KLF: Chaos Magic Music Money’ is a trawl through chaos on the trail of a beautiful accidental mythology.

    After a whirlwind courtship, a move across the world, and the unexpectedly difficult re-entry from a year overseas, Leeana finds her life (and her soul) has been changed forever.With an artist’s eye, Tankersley uses each chapter to piece together moments and memories from her journey—a handwritten note from Kuwait, a braid of fringe from a Persian rug, an original poem, a bit of basting thread, a swatch of black silk from a borrowed abaya, a mesquite leaf, a Navy SEAL trident, a receipt from the Russian-Georgian restaurant on Louisiana Street—to create a work of unexpected beauty.Found art emerges … a literary collage created from salvaged stories of loss, hope, and belief that just might change your soul, too.

    In fact, 95% of Americans believe in God--a level of agreement rarely seen in American life. The greatest divisions in America are not between atheists and believers, or even between people of different faiths. What divides us, this groundbreaking book shows, is how we conceive of God and the role He plays in our daily lives.America's Four Gods draws on the most wide-ranging, comprehensive, and illuminating survey of American's religious beliefs ever conducted to offer a systematic exploration of how Americans view God. Paul Froese and Christopher Bader argue that many of America's most intractable social and political divisions emerge from religious convictions that are deeply held but rarely openly discussed. Drawing upon original survey data from thousands of Americans and a wealth of in-depth interviews from all parts of the country, Froese and Bader trace America's cultural and political diversity to its ultimate source--differing opinions about God. They show that regardless of our religious tradition (or lack thereof), Americans worship four distinct types of God: The Authoritative God--who is both engaged in the world and judgmental; The Benevolent God--who loves and helps us in spite of our failings; The Critical God--who catalogs our sins but does not punish them (at least not in this life); and The Distant God--who stands apart from the world He created. The authors show that these four conceptions of God form the basis of our worldviews and are among the most powerful predictors of how we feel about the most contentious issues in American life.Accessible, insightful, and filled with the voices of ordinary Americans discussing their most personal religious beliefs, America's Four Gods provides an invaluable portrait of how we view God and therefore how we view virtually everything else.

    Above all, He Held Radical Light is a love letter to poetry, filled with moving, surprising, and sometimes funny encounters with the poets Wiman has known. Seamus Heaney opens a suddenly intimate conversation about faith; Mary Oliver puts half of a dead pigeon in her pocket; A. R. Ammons stands up in front of an audience and refuses to read. He Held Radical Light is as urgent and intense as it is lively and entertaining--a sharp sequel to Wiman's earlier memoir, My Bright Abyss.

    Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."--from the Introduction

    The reader will gain a better understanding of Old Testament prophets and prophetic literature.

    The media focused attention at once on the unexpected phenomenon of darkness in the life of the saint, the astonishing revelation that, for decades, Mother Teresa had struggled mightily with belief in God. To some, this seemed to lend support to the arguments of the “new atheists.” But what we are offered in this beautiful book is, at last, a serious grappling with the deeper meaning of her darkness, a work of sharp and unusual insight, written by someone who knew her.In this intimate look at her “private writings,” Paul Murray illumines the meaning of a life which is only now beginning to be understood.I Loved Jesus in the Night is one priest’s compelling account of meeting with the saint of Calcutta. Sharing anecdotes and first-hand experiences, Paul Murray offers a glimpse into why Mother Teresa could declare, in one of her letters, that if ever she were to “become a saint,” she would surely be one of “darkness.”This very personal yet powerful book is an attempt to come to terms with the dark night experiences endured by Mother Teresa in the light of the Gospel and the mystical teachings of St John of the Cross. And something else as well...revelations of Mother Teresa’s sense of humor!

    As Salomon journeys through his experiences in indie rock bands playing churches and events, he exposes why he dropped the label of "Christian" in order to truly minister. He challenges pervading mindsets and shows that an authentic Christian life reaches beyond the traditions of religion.

    

    There is no middle ground. It is the Church and kingdom of God or it is nothing."--LDS President Gordon B. Hinckley, April Conference, 2003. Many Mormons assume that this and other similar proclamations by Mormon Leaders are rhetorical statements. But what if the LDS leaders meant something else? It is estimated that more than 1-1.5 million Mormons have resigned from the LDS Church since 1995. This book exposes why there is such a recent, formal abandonment of Mormonism by, in many cases, previously devout members of the Church. Admittedly, the LDS Church "stands or falls," on the divinity of "The Book of Mormon." However, it has been proven that "The Book of Mormon" is not a translation of ancient American history engraved in "reformed Egyptian," on golden plates buried by an early American prophet. Instead, it has been shown to be a 19th-century work of fiction authored by Joseph Smith and perhaps others. Until the advent of widespread internet access, most members of the Church of Jesus Christ of Latter-day Saints, the Mormons, rarely read outside the strictly proscribed canonized scriptures, books and magazines approved by Church leaders. But over the past 10-15 years, Mormons have begun to discover facts about LDS history that had only previously been known to very few, mainly scholarly historians of Mormonism. Through the discovery of these primary historical sources, now available on numerous internet sites, most intelligent and curious Mormons have reached a critical point and are furious. If they read, they have become disaffected and disoriented. Many are experiencing existential crises. Those who refuse to look outside Mormon Society for Truth have become increasingly self-righteous and insular. The first third of "An American Fraud: One Lawyer's Case against Mormonism," chronicles the Author's journey out of the Religion. The second two-thirds of the Book, the last six chapters, are an exposé including an analysis under the law. The Author, an experienced civil trial attorney, places the activities of Mormon Leaders over almost two centuries in their proper legal framework, analyzing not only the misrepresentations, but the resulting damages: political, environmental and especially psycho-social. Ms. Burningham writes that a determination of whether Mormon Leaders have historically misrepresented the origins of LDS theology does not involve a judicial evaluation of the truth of religious beliefs and is therefore not beyond the reach of the American legal system--it is not constitutionally barred. The issue is not whether Jesus Christ is the Son of God, or the efficacy of prayer. These things could never be determined by a secular court of law. Instead, the fraud committed by generations of Mormon Leaders is that they have misrepresented the facts surrounding the source of their scriptures, presenting that source as divine, when they have known otherwise. Neither the golden plates, nor the writings by the Old Testament prophet, Abraham, claimed to have been inscribed on Egyptian papyri, ever existed. Furthermore, the claimed visitations by biblical apostles to restore lost priesthoods to Smith and his colleagues never occurred.  Yet for decades LDS leaders have at least ignored, if not suppressed and grossly misrepresented, the true facts surrounding Mormonism's origins, reworking and re-packaging the founding facts and the theology as necessary. Those who joined the Church or continued on in the Religion reasonably relied on LDS leaders' misrepresentations to their significant detriment. Given what has been proven about its sources, the Author claims that the Mormon Religion cannot continue to be defended under any guise as a religious organization for the good of its members.

    The evidence for this sad state of affairs abounds. We are flooded with "Christian" doodads, trinkets, t-shirts, bumper stickers, etc., that use God's name as an advertising slogan--"Things Go Better with Jesus"--putting the Creator of the universe on the same level as soda pop! Moreover, Schaeffer writes, "Whenever Christians, and evangelicals in particular, have attempted to 'reach the world' through the media--TV, film, publishing and so on--the thinking public gets the firm idea that, like soup in a bad restaurant, Christians' brains are best left unstirred." But it doesn't have to be this way. Schaeffer shows how Christians who care can begin to reverse the slide toward mediocrity: by demanding excellence in the arts and media, and in all areas of life; by giving our time, talents and money to those things which are worthy of our support and are truly honoring to God; by staying away from the cheap, the shoddy, and the make-a-fast-buck mentality. Schaeffer offers not only an unflinching critique, but specific and practical direction for becoming "unaddicted," and for recovering artistic excellence. The punch, humor and satire of the text is effectively enhanced by nineteen original drawings by Chicago artist Kurt Mitchell.

    We study the Bible, sit through sermons, pray with our eyes closed. All of these are good things. There is a world around us, however, that is crammed with heaven if we have eyes to see it and ears to hear it and hands to touch it. The goodness of God is waiting for us to taste and see. The aroma of Christ surrounds us. In Sensing God, musician and theologian Joel Clarkson points us to a life of faith that is enchanted by the glory of divine craftsmanship, inviting us to practice a faith that is true, good, pure, and altogether lovely.

    . ." or "Ashes to ashes, dust to dust," we may not know that they originated with The Book of Common Prayer, which first appeared in 1549. Like the words of the King James Bible and Shakespeare, the language of this prayer book has saturated English culture and letters. Here Alan Jacobs tells its story. Jacobs shows how The Book of Common Prayer--from its beginnings as a means of social and political control in the England of Henry VIII to its worldwide presence today--became a venerable work whose cadences express the heart of religious life for many. The book's chief maker, Thomas Cranmer, Archbishop of Canterbury, created it as the authoritative manual of Christian worship throughout England. But as Jacobs recounts, the book has had a variable and dramatic career in the complicated history of English church politics, and has been the focus of celebrations, protests, and even jail terms. As time passed, new forms of the book were made to suit the many English-speaking nations: first in Scotland, then in the new United States, and eventually wherever the British Empire extended its arm. Over time, Cranmer's book was adapted for different preferences and purposes. Jacobs vividly demonstrates how one book became many--and how it has shaped the devotional lives of men and women across the globe.