Disch- The Little Black Box (1964)- The War With the Fnools (1964)- A Game of Unchance (1964)- Precious Artifact (1964)- Retreat Syndrome (1965)- A Terran Odyssey (1987)- Your Appointment Will Be Yesterday (1966)- Holy Quarrel (1966)- We Can Remember It for You Wholesale (1966)- Not by Its Cover (1968)- Return Match (1967)- Faith of Our Fathers (1967)- The Story to End All Stories (1968)- The Electric Ant (1969)- Cadbury, the Beaver Who Lacked (1987)- A Little Something for Us Tempunauts (1974)- The Pre-Persons (1974)- The Eye of the Sibyl (1987)- The Day Mr. Computer Fell Out of Its Tree (1987)- The Exit Door Leads In (1979)- Chains of Air, Web of Aether (1980)- Strange Memories of Death (1984)- I Hope I Shall Arrive Soon (1980, variant of Frozen Journey)- Rautavaara's Case (1980)- The Alien Mind (1981)- NotesFront cover illustration by Chris Moore

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    A decrepit old man with a masterpiece tattooed on his back. A voracious adventuress, a gentle cuckold, and a garden sculpture that becomes an instrument of sadistic vengeance. Social climbers who climb a bit too quickly. Philanderers whose deceptions are a trifle too ornate. Impeccable servants whose bland masks slip for one vertiginous instant.In these deliciously nasty stories an internationally acclaimed practitioner of the short narrative works his own brand of black magic: tantalizing, amusing, and sometimes terrifying readers into a new sense of what lurks beneath the ordinary. Included in Roald Dahl's Tales of the Unexpected are such notorious gems of the bizarre as "The Sound Machine," "Lamb to Slaughter," "Neck," and "The Landlady."Cover illustration by Seth JabenCover design by Heidi NorthContents:- Taste- Lamb to the Slaughter- Man from the South- My Lady Love, My Dove- Dip in the Pool- Galloping Foxley- Skin - Neck - Nunc Dimittis - The Landlady - William and Mary - The Way Up to Heaven- Parson's Pleasure- Mrs. Bixby and the Colonel's Coat- Royal Jelly- Edward the Conqueror- The Sound Machine- Georgy Porgy - The Hitchhiker- Poison - The Boy Who Talked with Animals- The Umbrella Man- Genesis and Catastrophe- The Butler

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    This sparkling anthology covers the entire span of Twain’s inimitable yarn-spinning, from his early broad comedy to the biting satire of his later years.Every one of his sixty stories is here: ranging from the frontier humor of “The Celebrated Jumping Frog of Calaveras County,” to the bitter vision of humankind in “The Man That Corrupted Hadleyburg,” to the delightful hilarity of “Is He Living or Is He Dead?” Surging with Twain’s ebullient wit and penetrating insight into the follies of human nature, this volume is a vibrant summation of the career of–in the words of H. L. Mencken–“the father of our national literature.”

    The Short Stories, introduced here with a revealing preface by the author, chronicles Hemingway's development as a writer, from his earliest attempts in the chapbook Three Stories and Ten Poems, published in Paris in 1923, to his more mature accomplishments in Winner Take Nothing. Originally published in 1938 along with The Fifth Column, this collection premiered "The Capital of the World" and "Old Man at the Bridge," which derive from Hemingway's experiences in Spain, as well as "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro," which figure among the finest of Hemingway's short fictions.

    Martin is a giant in the field of fantasy literature and one of the most exciting storytellers of our time. Now he delivers a rare treat for readers: a compendium of his shorter works, collected into two stunning volumes, that offer fascinating insight into his journey from young writer to award-winning master.Gathered here in Volume I are the very best of George R.R. Martin's early works, including never-before-published fan pieces, his Hugo, Nebula, and Bram Stoker Award-winning stories plus the original novella The Ice Dragon, from which Martin's New York Times bestselling children's book of the same title originated. A dazzling array that features extensive author commentary, Dreamsongs, Volume I, is the perfect collection for both Martin devotees and a new generation of fans.Contents:- Introduction by Gardner Dozois One: A Four-Color Fanboy (2003)- Only Kids Are Afraid of the Dark (1967)- The Fortress (2003)- And Death His Legacy (2003)Two: The Filthy Pro (2003)- The Hero (1971)- The Exit to San Breta (1972)- The Second Kind of Loneliness (1972)- With Morning Comes Mistfall (1973)Three: The Light of Distant Stars (2003)- A Song for Lya (1974)- The Stone City (1977)- This Tower of Ashes (1976)- And Seven Times Never Kill Man (1975)- Bitterblooms (1977)- The Way of Cross and Dragon (1979)Four: The Heirs of Turtle Castle (2003)- The Lonely Songs of Laren Dorr (1976)- The Ice Dragon (1980)- In the Lost Lands (1982)Five: Hybrids and Horrors (2003)- Meathouse Man (1976)- Remembering Melody (1981)- Sandkings (1979)- Nightflyers (1980)- The Monkey Treatment (1983)- The Pear-Shaped Man (1987)

    What happens when a man lives his life backwards, or a family owns a diamond as big as the Ritz Hotel?How can a boring girl become more popular, a careless young woman become more sensible, or a cut-glass bowl destroy a married woman's life?What does a young man do to save the girl that he likes from an evil ghost, or to forget old feelings for a woman when she marries another man?Read this collection of short stories by one of America's finest storytellers to find out.

    If someone were stupid enough to do it, novels could be written and published with such titles as " Moby Dick," " Alice in Wonderland" or "Gone With the Wind." But also, by law, ownership of a title can be guaranteed if it can be proved that the original author has established such a connection with the title that any duplication would infringe that linkage. How famous is this most famous of all Harlan Ellison's books? Well known enough that an English film company was stopped in its attempt to make a movie called " I Have No Mouth & I Must Scream." It's Ellison's title, the company was told.For more than sixteen years this work has been considered a classic of imaginative fiction.Isn't it about time you found out why? Discover why no one who has read this story has ever been able to forget it!Contents:· The Song of the Soul · in · I Have No Mouth, and I Must Scream · ss If Mar ’67 · The Discarded [“The Abnormals”] · ss Fantastic Apr ’59 · Deeper Than the Darkness · nv Infinity Science Fiction Apr ’57 · Blind Lightning · ss Fantastic Universe Jun ’56 · All the Sounds of Fear · ss The Saint Detective Magazine (UK) Jul ’62 · The Silver Corridor · ss Infinity Science Fiction Oct ’56 · “Repent, Harlequin!” Said the Ticktockman · ss Galaxy Dec ’65 · Bright Eyes · ss Fantastic Apr ’65 · Are You Listening? · ss Amazing Dec ’58 · Try a Dull Knife · ss F&SF Oct ’68 · In Lonely Lands · ss Fantastic Universe Jan ’59 · Eyes of Dust · ss Rogue Dec ’59 · Nothing for My Noon Meal · ss Nebula #30 ’58 · O Ye of Little Faith · ss Knight Sep ’68 · The Time of the Eye · ss The Saint Detective Magazine May ’59 · Life Hutch [Kyben] · ss If Apr ’56 · The Very Last Day of a Good Woman [“The Last Day”] · ss Rogue Nov ’58 · Night Vigil [“Yellow Streak Hero”] · ss Amazing May ’57 · Lonelyache · ss Knight Jul ’64 · Pennies, Off a Dead Man’s Eyes · ss Galaxy Nov ’69

    McGillicuddy Saw! (aka 4:50 from Paddington), andThe Body in the Library.Librarian's note: this entry is for the collection of five novels. Each of them individually, as well as the other seven Miss Marple novels, and the 20 short stories, can be found elsewhere on Goodreads.

    The title comes from Asimov's breakthrough short story.CONTENTS:Nightfall - Astounding, Sept 1941Green Patches - Galaxy, Nov 1950Hostess - Galaxy, May 1951Breeds There a Man . . . ? - Astounding, June 1951C-Chute - Galaxy, Oct 1951In a Good Cause - "New Tales of Space & Time", 1951What If--- - Fantastic, Summer 1952Sally - Fantastic, June 1953Flies - F&SF, June 1953Nobody Here But--- - Star SF #1, 1953It's Such a Beautiful Day - Star SF #3, 1954Strikebreaker - Original SF Stories, Jan 1957Insert Knob A in Hole B - F&SF, Dec 1957The Up-to-Date Sorcerer - F&SF, July 1958Unto the Fourth Generation - F&SF, April 1959What is this Thing Called Love? - Amazing, March 1961The Machine That Won the War - F&SF, Oct 1961My Son, the Physicist - Scientific American, Feb 1962Eyes Do More Than See - F&SF, April 1965Segregationist - Abbottempo, Book 4, 1967

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Novelty teeth turn predatory. Flies settle and die on an old pair of sneakers in New York, and the Nevada desert swallows a Cadillac. Meanwhile the legend of Castle Rock returns... and grows on you. What does it all mean? What else could it mean? First there was Night Shift (1978), then Skeleton Crew (1985), and now Stephen King is back with a third collection of stories - a vast, many-chambered cave of a volume, with passages leading every which way to hell... and a few to glory.The long reach of Stephen King's imagination and the no-holds-barred force of his storytelling have never been so richly demonstrated. There's something here for readers of every stripe and predilection - classic tales of the macabre and the monstrous, cutting-edge explorations of the borderlands between good and evil, brilliant pastiches of Chandler and Conan Doyle, even a teleplay and a non-fiction bonus, a heartfelt piece of Little League baseball that first appeared in The New Yorker.In story after story, several published here for the first time, he will take you to places you've never been before, places that are both dark and vividly illuminated. Fair warning: You will lose a good deal of sleep. But Stephen King, writing to beat the devil, will do your dreaming for you.Can you believe? Then come...

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Virtually unknown during his lifetime, Franz Kafka is now one of the world’s most widely read and discussed authors. His nightmarish novels and short stories have come to symbolize modern man’s anxiety and alienation in a bizarre, hostile, and dehumanized world. This vision is most fully realized in Kafka’s masterpiece, “The Metamorphosis,” a story that is both harrowing and amusing, and a landmark of modern literature. Bringing together some of Kafka’s finest work, this collection demonstrates the richness and variety of the author’s artistry. “The Judgment,” which Kafka considered to be his decisive breakthrough, and “The Stoker,” which became the first chapter of his novel Amerika, are here included. These two, along with “The Metamorphosis,” form a suite of stories Kafka referred to as “The Sons,” and they collectively present a devastating portrait of the modern family.Also included are “In the Penal Colony,” a story of a torture machine and its operators and victims, and “A Hunger Artist,” about the absurdity of an artist trying to communicate with a misunderstanding public. Kafka’s lucid, succinct writing chronicles the labyrinthine complexities, the futility-laden horror, and the stifling oppressiveness that permeate his vision of modern life.Jason Baker is a writer of short stories living in Brooklyn, New York.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.