After a full weekend of celebrating her birthday, she goes to work thinking it will be just another typical workday. That thought comes to a crashing halt when she flips the “Closed” sign to “Open” and finds an elderly mustachioed man standing at the door.Gordon LeVitt, Attorney at Law drops a bombshell that will flip Cassie’s life upside down. The man that she believed to be her father for the last thirty-three years is not really her father, and her recently deceased biological father Collin Masterson has named her as an heir in his Last Will and Testament. The catch: Her presence is required at the reading.Cassie heads to Masterson, West Virginia and has a blow-out that sends her car careening off the side of the road. With her heart racing in her chest, she is relieved when the most gorgeous creature she’s ever seen stops to help and then Cassie does something she has never done in her life—make mad passionate love with a complete stranger named Eelyn M. Carmichael who has agreed to drop Cassie off for her appointment.After Mr. LeVitt’s introductions, Cassie gets an even bigger shock when Eelyn comes strolling into the room and takes a seat next to Lenora, her father’s widow. Feeling sick to her stomach and thinking her world is crashing down, Cassie does the only thing she can—she runs with no intention of looking back. The one thing Cassie forgets is that things are seldom what they seem and Eelyn M. Carmichael has already made up her mind that Cassie Reynolds is not going to be the one who got away because some things that happen in the now, can and do last forever.

    In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions — cheap, easy to find in drugstores, and immediately recognizable by their lurid covers. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some — especially those written by lesbians — offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.

    A young woman who has spent her entire life in a small, dusty town off the Interstate, working at her pop's mercantile, has her life thrown into chaos when a vivacious, cowboy-booted trucker, rolls into town.

    As a small child, she lost her parents in a plane crash from which she emerged as sole survivor. More recently, as a high school senior, she watched the aunt who raised her succumb to cancer, leaving her to wonder: Am I cursed?Rocked by her aunt’s death, Ash puts plans for a collegiate track and field career on hold and moves to New York City. But even as she settles into life in The City, Ash knows she can’t stay forever. Because while it doesn’t look like she’ll be the next Wilma Rudolph, she still might find an encouraging college coach and welcoming teammates. Possibly, even, the perfect place—or person—to call home.

    Even though a car accident caused the optical illusion, Erin’s skills as a doctor were outshone by her luminous smile. Katie begins to devise a series of excuses to trek to the small town where Erin lives and works.According to Katie’s complex rating system Erin has great promise. She’s beautiful, bright, athletic and good-hearted. Erin professes to love her job and is happy with small town life. But Katie thinks that Erin is secretly a risk-taker who craves excitement—the kind of excitement that Katie would love to provide. The first time Katie sees Erin flying down a ski slope she’s hooked, and their first kiss seals the deal.That’s when the trouble begins. Erin’s nearly an indentured servant. The town paid for her education and she promised to serve as their doctor for ten years. Ten long years attached to a place that’s only sixty miles but seems light years away from Katie’s beloved Boston.Something tells them that they could be good together, and the mutual attraction is undeniable. But one or both of them is going to have to make some massive changes before they can let the sparks fly.

    A church steeped in taboos against almost everything, but especially against homosexuality. She has been brought up to make her mother proud – marry, have children, and bring no shame on the family.She marries Scott, the son of a Southern Baptist minister who is the choir director of his dad’s church; Mandy is the director of the Young People’s Department. The church is full of nosy old busy bodies. It is impossible to do anything outside the ordinary without the pack of gossipy old vultures tearing you to pieces. Mandy and Scott, unable to have children, adopt a baby boy and are seemingly happy.However, Mandy unexpectedly encounters her true destiny, a graduate student and also a member of her church, Kathleen Crutchfield. Kathleen brazenly makes a pass at Mandy forever changing her life. Feeling new, deliciously different emotions, Mandy, struggles with the implications of what has happened.Knowing that her life will never be the same, Mandy tries to see if there were clues in her life that should have alerted her to her hidden forbidden identity.Kathleen captures Mandy’s heart and rules her body with a passion she has never known before. They are made only for each other. They know they must find a way to be together, but how will they get the courage to escape Mandy’s marriage, the church, and Kathleen’s powerful family?

    Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love.These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

    While haiku most often depicts the natural world, when focused on the elements of love and sensuality, haiku can be a powerful vehicle for evoking the universal experience of love. In this elegant anthology, love is explored through beautiful images that evoke a range of feelings—from the longing of a lover to the passion of a romantic relationship. Written by contemporary Japanese poets as well as by haiku masters such as Basho, Buson, and Issa, these poems share not only the haiku poets’ vision for love, but their vision of the poignant moments that express it.

    With Odd Girl Out, Bannon introduces Laura Landon, whose love affair with her college roommate Beth launched the lesbian pulp fiction genre.

    One boy's love of a soldier leads to the death of a stranger. The present takes a bittersweet journey into the past when a man revisits the summer school where he had "an accidental romance." And a forgotten mother writes a poignant letter to the teenage daughter she hasn't seen for fourteen years.Poised between the past and the future are the stories of now. In nontraditional narratives, short stories, and brief graphics, tales of anticipation and regret, eagerness and confusion present distinctively modern views of love, sexuality, and gender identification. Together, they reflect the vibrant possibilities available for young people learning to love others—and themselves—in today's multifaceted and quickly changing world.

    If you enjoy erotic stories about women loving women, get your hands on this collection of sensual short stories from nine of the most prominent names in lesbian fiction: Jae, Lee Winter, Harper Bliss, Alison Grey, Emma Weimann, AL Brooks, KD Williamson, Jess Lea

    Louie wants to be a lawyer and is an outstanding student. Willa lives in a pub and just wants to get through the year so she can graduate and become a chef. But they are completely attracted to one another when they first meet at a fast-food restaurant. Soon they fall in love fast and furiously, and everything the girls are sure of - their plans, their faith, their families, their identities - is called into question...

    Includes:"Michael's Little Sister" / C. S. Adler"Dancing Backwards" / Marion Dane Bauer"Winnie and Tommy" / Francesca Lia Block"Am I Blue" / Bruce Coville"Parents Night" / Nancy Garden"Three Mondays in July" / James Cross Giblin"Running" / Ellen Howard"We Might as Well Be Strangers" / M. E. Kerr"Hands" / Jonathan London"Holding" / Lois Lowry"The Honorary Shepherds" / Gregory Maguire"Supper" / Lesléa Newman"50% Chance of Lightning" / Cristina Salat"In the Tunnels" / William Sleator"Slipping Away" / Jacqueline Woodson"Blood Sister" / Jane Yolen

    Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.Following A CHANGE IS GONNA COME, winner of the YA BOOK PRIZE SPECIAL ACHIEVEMENT AWARD 2018

    The book has been banned from many school libraries and publicly burned in Kansas City. Of the author and the book, the Margaret A. Edwards Award committee said, “Using a fluid, readable style, Garden opens a window through which readers can find courage to be true to themselves.”