Publius Varrus is the last legionnaire in Britain, and The Skystone is in many ways his story. He is a common man with aristocratic friends, and successful both as a soldier and an ironsmith. As the Roman world slowly crumbles around them, and Publius becomes involved in a political and personal vendetta, he and his friends seek to establish a refuge, a valley where the old Roman virtues will be kept alive and the empire's many faults be avoided. A finely crafted historical novel, The Skystone pays close attention to the details of everyday life in fourth-century Britain. As the first book in Whyte's Camulod Chronicles, it makes few allusions to the usual details of the Arthurian legends until Publius comes into contact with a sword, a stone, a lake, and a Celtic tribe who name themselves Pendragon. Greg L. Johnson

    As the Saxon pillagers sweep ever farther west, young Baradoc, Roman army veteran & son of a British tribal chief, meets Tia, a Roman girl fleeing the troubles. Their son Arturo, a child hugely endowed with wildness, blarney & arrogance, grows up to inherit his father's dream of uniting Britain against the Saxons. The story is chiefly concerned with the slow building of his campaign, from his early rebellion against the delaying tactics of the anti-Saxon forces to the great victory of Mt Badon. Like many imaginers of an earlier Britain, Canning is best when describing the wild countryside & the homely skills of its inhabitants. His attempts to graft this material onto the Grail legend are effortful platitudes. Merlin appears & disappears at climactic moments, saying things like "Only the gods know that." Speeches are peppered with ritual interjections of "Aie..." to indicate deep thought. People look at each other & instinctively know something, or undergo some tremendous change "from that moment"...Canning's Arturo does occasionally come to life during his stormy childhood in the Tribe of the Enduring Crow; once he is grown, one feels that Canning, like Sir Bedivere, has lost sight of the barge.--Kirkus Beginning note: "At the time of this story—roughly 450 AD—any effective Roman presence in Britain had long gone. The shadow of the Dark Ages—which were to last nearly 300 years—had already fallen across the country. The Saxon mercenaries, hired originally to fight against the Pictish invasions from the North, were now breaking out of the lands granted to them in the East. Constantly reinforced by more of their kind they were beginning to sweep westwards across the country, massacring & pillaging, to make it their own." Postscript: "Although there are no incontrovertible facts about King Arthur, the renown of his life & deeds in the Dark Ages was lodged for over 600 years in folk memory. & folk, being what they are, invariably alter & embroider a good story. Wm of Malmesbury, Geoffrey of Monmouth & then Sir Thomas Malory were landed with the result. Lesser as well as better writers have followed them. Acknowledging that I come in the first of these two categories, I feel no shame in entering the lists poorly armed but securely mounted on a horse I have ridden for years called Imagination."

    This retelling brings to life King Arthur and the adventures of his Knights, from the quest for the Holy Grail to the final tragedy of the Last Battle.

    He was magnificent, and I will never forget that, in that moment, I first loved him. And I believe--had I known what the future held for us: all the trouble, torment, battle, and grief of our lives--I still believe that I would have yielded my heart into his keeping as I did then . . .In a sweeping epic of the imagination, Alice Borchardt enters the wondrous realm of Arthurian legend and makes it her own. The Dragon Queen is the first volume in a trilogy of novels that boldly re-imagines Camelot--and casts Guinevere as a shrewd, strong-willed, magical warrior queen.Born into a world of terrible strife, where war is constant and weapons are never far from the hands of men or women, Guinevere, daughter of a mighty pagan queen, is a threat to her people and a prize to the dreaded sorcerer Merlin. Sent into hiding, she grows up under the protection of a shapeshifting man-wolf and an ornery Druid. But even on the remote coast of Scotland, where dragons feed and watch over her, she is not safe from the all-seeing High Druid Merlin. He knows the young beauty's destiny, and he will stop at nothing to prevent what has been foretold. For if Guinevere becomes Queen and Arthur, King, they will bring a peace to the land that will leave the power-hungry Merlin a shriveled magician in a weary cloak.Yet Guinevere possesses power of her own--dazzling power to rival even that of Merlin. Summoned from her home by forces she cannot fathom, she travels from the Underworld to an Otherworld of the Past, at each step calling on ancient powers to aid her way. When young Guinevere proves her mettle to an embarrassed Merlin, even her faithful dragon protectors cannot prevent the evil that the sorcerer rains down. Seeking revenge, Merlin banishes Arthur to a world from which the only escape is death. Now Guinevere must face Merlin's wrath without him--and prove that she is worthy of being Arthur's Queen.From the glass-roofed Great Hall at Tintigal to the lush garden forts of Wales, Alice Borchardt details the travels of Guinevere in a rich fabric of prose. The Dragon Queen is a novel of great emotional depth, timeless romance, and soul-stirring adventure.

    While across a vast sea, bloody war shattered a peace that had flourished for two thousand years in the doomed kingdom of Atlantis.Taliesin is the remarkable adventure of Charis, the Atlantean princess who escaped the terrible devastation of her homeland, and of the fabled seer and druid prince Taliesin, singer at the dawn of the age. It is the story of an incomparable love that joined two worlds amid the fires of chaos, and spawned the miracles of Merlin...and Arthur the king.

    Lanier said of the Malory work, "I suspect there are few books in our language which lead a reader - whether young or old - on from one paragraph to another with such strong and yet quiet seduction as this."

    A spellbinding novel, an extraordinary literary achievement, THE MISTS OF AVALON will stay with you for a long time to come....

     The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them withliterature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    In Guinevere, Newman offers a reinterpretation of the Arthurian saga and as memorable as The Mists of Avalon and The Hollow Hills.

    First in a planned trilogy. A lively extension of Arthurian lore. . . .--Publishers Weekly.

    In this book, the distinguished scholar Geoffrey Ashe offers convincing proof that King Arthur not only existed, but was more like the Arthur of legend than historians have previously suspected. In this study, drawing upon myriad sources both literary & historical, Ashe traces the legend of Arthur to its roots in the 12th-century chronicles of Geoffrey of Monmouth. He then illustrates that a great deal of Geoffrey's history, which set out ot depict events & persons of 5th-century Britain, was based on fact. After challenging previous assumptions about where Arthur's court & other remnants can be found, Ashe identifies the "real" King Arthur & provides powerful evidence to support his theory. Riothamus, an actual 5th-century British monarch, is the figure whom Ashe painstakingly identifies. But his study also investigates the histories behind other Arthurian phenomena, such as the key concepts of knighthood & chivalry. Throughout the book, the sweep & grandeur of a tumultuous era in British & European history is vividly recounted as Ashe describes the origins & development of the Arthurian legend—a legend that seems to grow ever more enchanting.

    At a Celtic conference, Kimberley, Kevin, Jennifer, Dave, and Paul meet wizard Loren Silvercloak. Returning with him to the magical kingdom of Fionavar to attend a festival, they soon discover that they are being drawn into the conflict between the dark and the light as Unraveller Rakoth Maugrim breaks free of his mountain prison and threatens the continued existence of Fionavar. They join mages, elves, dwarves, and the forces of the High King of Brennin to do battle with Maugrim, where Kay's imaginative powers as a world-builder come to the fore. He stunningly weaves Arthurian legends into the fluid mix of Celtic, Nordic, and Teutonic, creating a grand fantasy that sweeps readers into a heroic struggle that the author makes all the more memorable because of the tributes he pays to past masters. The trilogy is a grand homage to J.R.R. Tolkien's The Lord of the Rings, but while the echoes of Tolkien's masterwork are very real, the books offer the wonderful taste of a new fantasy writer cutting his teeth at the foot of a master. Kay has a very real connection to Tolkien--as Christopher Tolkien's assistant, Kay was invaluable in helping to wrestle Tolkien's posthumous The Silmarillion into shape for publication. Kay is undoubtedly one of the Canadian masters of high fantasy, and The Fionavar Tapestry is one of his most enduring works. Readers, however, should also check out Kay's Tigana, A Song for Arbonne, The Lions of Al-Rassan, and The Sarantine Mosaic to truly experience a master at work. --Jeffrey Canton

    Caught in an ancient battle for power, Donna and the Doctor are sucked into a dangerous game. As each move is made and time spins faster, the Doctor must find a way to seal the rift before an unimaginable power is unleashed and the universe is laid to waste.

    An imaginative recreation of the Arthurian world, a retelling of some of the stories from Geoffrey of Monmouth.

    Set in 5th Century Britain, this retelling of the traditional legends of Merlin, King Arthur, and Avalon, blends a mixture of historical fact with Arthurian fantasy. Refreshingly innovative, the tale spans the mysterious birth of Merlin, climaxing with the conception of Arthur, the legendary future king of Britain. A young Merlin advises three High Kings: to fight through the bedlam, fight for the right to rule, fight to save the future treasure of Britain! Interlacing love, revenge, mystery and murder, with a dash of humor, this coming of age adventure is a guide through the shrouded tales that embrace the Sons of Avalon.