This collection of nearly fifty pieces brings together the contents of two published volumes, A Haunted House and Mrs. Dalloway’s Party; a number of uncollected stories; and several previously unpublished pieces. Edited and with an Introduction by Susan Dick.

    When he returns to that town he is shaken by the force of the outrage and hatred that greets him. Family and friends feel naked and exposed by the truths they have seen in his book, and their fury drives him from his home. He begins a search for his own identity that takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow. At last Webber returns to America and rediscovers it with love, sorrow, and hope.

    Stephen Crane died at the age of 28 in Germany. In his short life, he produced stories that are among the most enduring in the history of American ficiton. The Red Badge of Courage manages to capture both the realistic grit and the grand hallucinations of soldiers at war. Maggie: A Girl on the Streets reflects the range of Crane's ability to invest the most tragic and ordinary lives with great insight.James Colvert writes in the introduction to this volume: "Here we find once again the major elements of Crane's art: the egotism of the hero, the indifference of nature, the irony of the narrator ... Crane is concerned with the moral responsibility of the individual ... (and) moral capability depends upon the ability to see through the illusions wrought by pride and conceit—the ability to see ourselves clearly and truly."Great Short Works of Stephen Crane Includes : The Red Badge of Courage; Maggie: A Girl of the Streets; The Monster. Stories: An Experiment in Misery; A Mystery of Heroism; An Episode of War; The Upturned Face; The Open Boat; The Pace of Youth; The Bride Comes to Yellow Sky; The Blue Hotel.

    Then the tragic day arrives on which the terrible true nature of the beast is revealed.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    R. Martin's "The Thousand Worlds" setting.

    Ranging from love and death to faith restored and hope regained, these stories present a master at work, at the top of his form. Perfectly paced and brimming with passion, these twenty-two tales from a master storyteller of the Twentieth Century are translated by the award-winning Anthea Bell.Deluxe, clothbound edition.

    These nineteen stories resonate with all the great themes that Cather staked out like tracts of fertile land: the plight of people hungry for beauty in a country that has no room for it; the mysterious arc of human lives; and the ways the American frontier transformed the strangers who came to it, turning them imperceptibly into Americans. In these fictions, Cather displays her vast moral vision, her unerring sense of place, and her ability to find the one detail or episode that makes a closed life open wide in a single exhilarating moment.

    In this reissue of her collected stories--twenty years after its first publication--with a new introduction by renowned author and devoted Berriault advocate Peter Orner--we see the deft hand of this well-loved master of the short story at its best.Berriault employs her vital sensibility--sometimes subtly ironic and sometimes achingly raw--to touch on the inevitability of suffering and the nature of individuality, daring to see into the essence of our predicaments. What moves us? What dictates our behavior? What alters us? Her writing is spare, evanescent, pulsing with life and shimmering with life's strange hope. Her stories illustrate the depth of her emotional understanding.-Half the women in the world are right now in bed, theirs or somebody else's, whether it's night or day, whether they want to be or not...- With Women in Their Beds, Berriault's prose--moving, honest, and wise--achieves a mastery of the short story form that was in evidence every step of her long career. She was a completely modern writer, blessed with an exquisite sense of the potency of words and the ability to create moments of empathy that are both disturbing and mysteriously amusing.

    Traditional resources—home, parents, lovers, friends, even willpower—are not dependable. And so the characters in these short, compelling stories have learned to depend on small triumphs of wit, irony, and spirit.A widow, surrounded by a small menagerie, comes to terms with her veterinarian husband's death; a young woman entertains her dying friend with trivia and reaffirms her own life; in the aftermath of an abortion, a woman compulsively knits a complete wardrobe for a friend's baby. Buffeted by rude shocks, thwarted by misconnections, the characters recognize that anything can finally become a reason to live.

    Here are enchanting tales about queens and kings and princesses in magical, timeless lands; marvelously warm and funny stories that move, amuse, and enlighten us as they probe the mysterious and profound relation between art and life." This is a hardcover edition of The Art of Living and Other Stories, written by John Gardner and published by Alfred A. Knopf in 1981. It is a self-stated First Printing, with stunning woodcuts by Mary Azarian.

    Written between the 1920s and 1950s, these sixty-five tales—eleven of which have been translated into English for the first time—display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers an intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.The Wood-SpriteRussian Spoken HereSoundsWingstrokeGodsA Matter of ChanceThe SeaportRevengeBeneficenceDetails of A SunsetThe ThunderstormLa VenezianaBachmannThe DragonChristmasA Letter That Never Reached RussiaThe FightThe Return of ChorbA Guide to BerlinA Nursery TaleTerrorRazorThe PassengerThe DoorbellAn Affair of HonorThe Christmas StoryThe Potato ElfThe AurelianA Dashing FellowA Bad DayThe Visit to the MuseumA Busy ManTerra IncognitaThe ReunionLips to LipsOracheMusicPerfectionThe Admiralty SpireThe LeonardoIn Memory of L.I. ShigaevThe CircleA Russian BeautyBreaking the NewsTorpid SmokeRecruitingA Slice of LifeSpring in FialtaCloud, Castle, LakeTyrants DestroyedLikMademoiselle OVasiliy ShishkovUltima ThuleSolus RexThe Assistant ProducerThat in Aleppo OnceA Forgotten PoetTime and EbbConversation Piece, 1945Signs and SymbolsFirst LoveScenes From the Life of A Double MonsterThe Vane SistersLance

    In the enchanted regions of Hyperborea, Atlantis and Xiccarph, encounter malefic magic and demonic deeds beneath the last rays of a fading sun . . . For the first time ever, this volume encompasses Clark Ashton Smith's entire career as a writer. Smith virtually stopped writing stories in 1937, for reasons that have never been satisfactorily explained, but he left behind a unique legacy of fantasy fiction which is as imaginative and decadent today as when it was first published in the pulp magazines more than half a century ago.

    POST is a story about a group of friends, two of whom experience a collision two years apart.

    But when Andrew started to develop special talents which exceeded the confines of his allotted positronic pathways, he abandoned his domestic duties in favour of more intellectual pursuits. As time passed, Andrew acquired knowledge, feelings and ambitions way beyond anything ever experienced by any other mechanical men. And he found himself launched on to a career which would bring him fame fortune — and danger. For a robot who wants to be human must also be prepared to die...In the Bicentennial Man, Isaac Asimov returns to his first and most enduring love — robotics. The result is a brilliant book of first-class entertainment and mind-spinning ideas which confirm Asimov's supreme status as Grand Master of science fiction.Content"Feminine Intuition" (1969)"Waterclap" (1970) "That Thou Art Mindful of Him" (1974)"Stranger in Paradise" (1974)"The Life and Times of Multivac" (1975)"The Winnowing" (1976)"The Bicentennial Man" (1976)"Marching In" (1976) "Old-Fashioned" (1976)"The Tercentenary Incident" (1976)"Birth of a Notion" (1976)Cover Illustration: Don Dixon