Hobson's Choice

Harold Brighouse - 1916
    Maggie defies Hobson by marrying his most talented worker - the timid and downtrodden Will. She helps Will to develop his potential and together they turn the tables on Hobson.

Father of the Bride: A Comedy in Three Acts

Caroline Francke - 1948
    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.


Branislav Nušić - 1982
    Pavle leaves town to think things over. Weeks later, a deformed corpse is found washed up on the banks of the Danube and is identifed to be that of Pavle. The case is judged a suicide. Three years later, Pavle, now "the deceased," unexpectedly returns. He discovers that his heirs have not only plundered his estate, but also refuse to recognize him as being "legally" alive, and they unite to keep him "dead" to maintain the status quo. This is the first English translation of a masterful and darkly comic play that will enter its rightful place as a world classic. The fluid and natural translation lends itself to theatrical production. Comically absurd, filled with existential angst, it was ahead of its time in 1937. At once vaudevillian and modernist, it is distinguished by clever plotting and stinging dialogue. The play stands as a lasting and caustic satire of human greed, strangely consonant with todays society.

The Romantic Ladies / The Misanthrope / Don Juan or The Feast of the Statue / Tartuffe / George Dandin / The Would-be Gentleman / The School for Wifes / The School for Wifes Critisized / The Miser: Comedies of Molière

Molière - 1929
    Contents:- The Romantic Ladies- The Misanthrope- Don Juan or The Feast of the Statue- Tartuffe- George Dandin- The Would-be Gentleman- The School for Wifes- The School for Wifes Critisized- The Miser


George Bernard Shaw - 1984
    No, stop: I dont want to know. It's only a dodge to start an argument. BENTLEY. Dont be afraid: it wont overtax your brain. My father was 44 when I was born. My mother was 41. There was twelve years between me and the next eldest. I was unexpected. I was probably unintentional. My brothers and sisters are not the least like me. Theyre the regular thing that you always get in the first batch from young parents: quite pleasant, ordinary, do-the-regular-thing sort: all body and no brains, like you. JOHNNY. Thank you.

I Ought to Be in Pictures

Neil Simon - 1981
    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

An Ideal Husband; A Woman of No Importance

Oscar Wilde - 1894
    Now available together for the first time in this unique Signet Classic edition, both plays--centered on characters hiding terrible, scandalous secrets--offer dark foreshadowing of the dramatic course Wilde's own life was to take.

The Dear Departed: A Comedy in One Act

Stanley Houghton - 1963
    Recreation Department twenty-fourth annual one-act play tournament, The Arts Club Players present "The Dear Departed," by Stanley Houghton, directed by Herman P. Riess.

The Kitchen; A Play In Two Parts, With An Interlude

Arnold Wesker - 1957

The Man Who Came to Dinner

Moss Hart - 1939
    A tumultuous six weeks of confinement in their home follow.

Provincial Daughter

R.M. Dashwood - 1961


Pierre Corneille - 1641
    Along with Moliere and Racine he is considered to be the founder of French tragedy. He is best known for El Cid which was a 1636 tragic/comedy. Written in 1641 Polyeucte was based on the life of the martyr Saint Polyeuctus. Polyeucte is a tragic drama in which Polyeucte, son-in-law to the pagan governor of Armenia, converts to Christianity, an act for which he is condemned to death. His wife, Pauline, who has never loved him, now finds her admiration for him turning into true love.

Dogg's Hamlet, Cahoot's Macbeth

Tom Stoppard - 1979
    In the first, a troupe of English schoolboys (played by adults) speak in a mock language called "Dogg." This hilarious language babbles along until the schoolboys, who are studying Shakespeare's "foreign" language, present an incredibly funny 15 minute version of Hamlet and then encore with a two minute version! The second play, dedicated to dissident Czech dramatist Pavel Kohout, is about a performance of Macbeth he and his friends once staged in a living room since the government banned public performances. The action shifts between the bare stage and the police inquiry. The murder and intrigue of Shakespeare's play are juxtaposed with the Czech political harassment.

Marriage a la Mode

John Dryden - 1673
    First performed in 1671, Dryden’s Marriage à la Mode portrays the motives high and low that make marriage the pivotal institution of a nation. Like Dryden’s best tragicomedies, Marriage à la Mode has a double plot. The hopes that marriage excites and the regrets it suffers, the possibilities it opens and the opportunities it denies, its potential nobility and its vulnerability to decay provided Dryden with plentiful dramatic material. Comedy and pathos intersect in plots that entangle and surprise like marriage itself.


Voltaire - 1759
    It is set in Ancient Greece during the events just before the trial and death of Greek philosopher Socrates. It is heavy with satire specifically at government authority and organized religion. The main characters besides the titular role is that of the priest Anitus, his entourage, Socrates' wife Xantippe, several judges, and some children Socrates has adopted as his own. Like more historical accounts by Herodotus, Plato, and Xenophon, the playwright shows Socrates as a moral individual charged with baseless accusations by a conspiracy of corrupt Athenians or Athenian officials although Voltaire implies that the wrongdoers are a select few. Unlike the historical account, Socrates deals with several judges, whereas his real life counterpart receives his punishment of death by hemlock by a jury of 500 Athenians. The presence or mention of Socrates' best-known students such as Plato, Antisthenes, Zeno of Citium, and others are replaced by unnamed disciples, delivering only a few token lines at the end of the play. Socrates is also portrayed as a monotheist and a victim of religious persecution, an interpretation that is not generally shared by modern scholars and historians. Generally, this is not the most well-known of his works in comparison with Letters on the English which Voltaire published in 1778 or the Dictionnaire philosophique published earlier in 1764. However, hints of his contempt for government and religion are apparent here which later influenced the leaders of the American Revolution and the French Revolution.