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    The motif and title story, ‘The Figure in the Carpet’, is an inspired joke, a masterpiece of double-entendre that demands the reader’s undivided love and attention and continues to baffle its critics. Also included are ‘The Author of Beltraffio’, an absorbing story of family infighting, authorship and tragedy, and ‘The Private Life’, a spirited tale that considers the contrast between the artist alone and at work. While many of these stories appear to be elaborate Jamesian games, all employ irony and humour to allegorize artistic creation.The Author of Betraffio --The Lesson of the Master --The Private Life --The Middle Years --The Death of the Lion --The Next Time --The Figure in the Carpet --John Delavoy.

    Shiel was ." . . the Grand Viscount of the Grotesque . . . [with a] refulgently fanciful imagination and magical command of the English language." Considered by some critics to be the most flamboyant works of the English decadent movement.

    The author of works critical to the formation of the Transition and Modernist periods set his last novel in the turbulent years following the Reformation. Selected chapters first appeared serially in Macmillan's Magazine and the Fortnightly Review, but the posthumous volume edited by Charles L. Shadwell, Pater's long-time friend, remains controversial. For a century readers have seen only a portion of what Pater wrote for Gaston de Latour. Shadwell withheld six manuscript chapters. Pater's prominence and widening influence in late-nineteenth and early twentieth-century studies makes those missing chapters more intriguing than ever. ELT Press is pleased to publish this long-awaited new edition Gaston de Latour: The Revised Text. Edited from the holographs and based on definitive material incorporating all known fragments, The Revised Text includes the crucial suppressed chapters.