Tells of the adventurous life of the Wampanoag Indian, Squanto.

    She was only the second person to do this – and the first woman. Rich in detail, feeling and incident this is nonfiction with edge and action, a you-are-there experience made more dramatic and real by Wendell Minor's vivid paintings.

    January 15, 1919, started off as a normal day in Boston’s North End. Workers took a break for lunch, children played in the park, trains made trips between North and South Stations. Then all of a sudden a large tank of molasses exploded, sending shards of metal hundreds of feet away, collapsing buildings, and coating the harborfront community with a thick layer of sticky-sweet sludge. Deborah Kops takes the reader through this bizarre and relatively unknown disaster, including the cleanup and court proceedings that followed. What happened? Why did the tank explode? Many people died or were injured in the accident—who was to blame? Kops focuses on several individuals involved in the events of that day, creating a more personal look at this terrible tragedy.

    He was tall and strong, fair in judgment, and respected by his friends as agood leader. As he grew older, George saw how England took advantage of the American colonies—and he didn't like it. When the colonies declared their independence, George was chosen to lead their army as its general. And when the colonies won their freedom, George was elected to lead the new nation as its first president.

    Some are tales of triumph—the midnight ride of Paul Revere, the Wright brothers taking to the air, Neil Armstrong’s first steps on the moon. Some are tales of tragedy—the fate of the Donner Party, the great fire in Chicago, the eruption of Mount Saint Helens.   There are stories of inventors and athletes and abolitionists and artists. Stories about struggling for freedom—again and again, in so many ways.   With full-color illustrations on nearly every page and short, exciting stories, this book is perfect for browsing by the entire family. Notes at the end of each story direct readers to related stories. And a guide to thematic story arcs offers readers (and teachers) an easy way to follow their particular interests throughout the book. A treasure trove of a book that belongs in every home!   “This lively and engaging collection of stories recounting American history is a wonderful gift not only to the children of this country but also their parents. I can’t wait to share it with my grandchildren.” —Tom Brokaw

    Jefferson thought that many English laws and taxes were unfair, so he studied hard to become a lawyer and help make better laws. Soon he and others came to believe that the colonies should become a new country, and Jefferson was chosen to write the Declaration of Independence. As the third president of the United States, he focused on exploring the country and making it grow. His fairness and love of learning made him one of the most beloved presidents of all time.

    But George had character and adaptability. He taught himself courage and self-control. At an early age, and without really realizing it, George Washington gathered the qualities he’d need to become one of the greatest leaders America has ever known.      Anne Rockwell’s prose is dignified, Matt Phelan’s illustrations are striking, and the details they reveal about George Washington’s early days are fascinating, sometimes tragic, and always moving. Includes an author’s note.

    with photographs from the Dust Bowl era. This true story took place at the emergency farm-labor camp immortalized in Steinbeck's The Grapes of Wrath. Ostracized as "dumb Okies," the children of Dust Bowl migrant laborers went without school--until Superintendent Leo Hart and 50 Okie kids built their own school in a nearby field.

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    Leading us along rustic winding roads bordering fields and farmhouses, Eric Sloane captures our imaginations as he offers us a guided tour that evokes the America of pioneer times.This fascinating narrative describes networks of canals, corduroy roads, and turnpikes; tollgates, waterwheels, and icehouses; country inns and churches; ingenious and colorful road signs; and massive snow-rollers that packed snow into hard surfaces for great sleds. Here also are engrossing accounts of toll-road owners, sign painters, circus folk, and other entertainers of the period.Brimming with anecdotes about people and the times, this delightful, warmly written book remains a genuine and permanent contribution to the field of Americana.

    "A fast-moving novel based upon an actual historical incident with a spunky heroine and fine historical detail."--School Library Journal. Author's note."There are few authors who can consistently manage both to entertain and inform." --Booklist

    As a baby, her first words were "Four score and seven years ago." In preschool, she finger-painted a map of the Oregon Trail. So it's not surprising that when the mayor wants to tear down the long-neglected Liddleville Historical Society to make room for a shoelace factory, Imogene is desperate to convince the town how important its history is. But even though she rides through the streets in her Paul Revere costume shouting, "The bulldozers are coming, the bulldozers are coming!" the townspeople won't budge. What's a history-loving kid to do?Filled with quotes from history's biggest players--not to mention mini-bios--and lots of humor, this is the perfect book for budding historians."This girl-power story succeeds as an energetic--and funny--against-all-odds tale." --The Horn Book Magazine, Starred

    The epic journey of the Sager children by covered wagon from Missouri to Oregon in 1848.

    A brief biography of the outstanding 18th-century printer, inventor, and statesman, emphasizing the value of saving in his life.

    Joesten carefully documents the little-known facts behind Johnson's involvement in scandals stretching back to his first stolen election in 1948, thru the Bobby Baker, Billy Sol Estes and Walter Jenkins affairs, and culminates with the assassination of John F. Kennedy. Included are LBJ's connection to mobsters, big Texas oil, political graft and corruption, blackmailing of FBI chief J. Edgar Hoover, and a disturbing number of murders committed by his henchmen for LBJ's personal gain.FROM THE BOOK:The true nature of Lyndon B. Johnson has long been hidden from the public through the frenzied efforts of highly paid P.R. wizards and artificial image-builders. William Manchester came closer than most other people to seeing through the benign public relations mask of Lyndon Johnson, but one wouldn't know it from scanning the pages of 'The Death of a President'.If there are two persons in the world who have really come to know Johnson at close quarters, outside of his own family, they are Robert and Jacqueline Kennedy. Manchester interviewed both of them at length and they told him, without mincing their words, what they thought of That Man in the White House. But when Manchester, having faithfully recorded everything the Kennedys had told him, rushed into print with his story, years ahead of schedule, they both got panicky and practically forced him to 'revise' his story out of recognition.Edward J. Epstein, the author of Inquest, somehow managed to get hold of a copy of the original, unedited manuscript of the Manchester book, then entitled 'Death of a Lancer', and revealed in the July issue 1967 of Commentary, some of its contents.In his original draft, Manchester, it seems, made some very pungent remarks about Lyndon Johnson whom he described, among other things, as a 'chameleon who constantly changes loyalties'; 'a capon' and 'a crafty schemer who has a gaunt, hunted look about him'.He also pictured Johnson as 'a full-fledged hypomaniac' and 'the crafty seducer with six nimble hands who can persuade a woman to surrender her favors in the course of a long conversation confined to obscure words. No woman, even a lady, can discern his intentions until the critical moment'.By far the most interesting aspect of this matter, however, is Epstein's contention that Manchester's original theme, which gave unity to his book, was 'the notion that Johnson, the successor, was somehow responsible for the death-of his predecessor'.Several quotations from the original draft bear out this contention. At one point, the Lancer version states, 'The shattering fact of the assassination is that a Texas murder has made a Texan President'.At another, Kenneth O'Donnell, Kennedy's appointments secretary, is quoted as exclaiming 'They did it. I always knew they'd do it. You couldn't expect anything else from them. They finally made it'.Then Manchester comments: 'He didn't specify who "they" were. It was unnecessary. They were Texans, Johnsonians'.But what is one to think of an author who allows his most important work not only to be castrated, but to be turned completely upside down by a publisher more committed to the dictates of expediency than to the search for historical truth?