But her desperate attempts to find help elsewhere are abruptly thwarted by a new outbreak of fighting initiated by an untested government determined to win at any cost. With her husband forced into conscription, her time and options running out, she must make a fateful decision - remain where she is and jeopardize the life of one child, or flee her beloved homeland, leaving her husband and second daughter behind... possibly forever. Relentless is the powerful and inspiring story of an Eritrean woman who faced incredible obstacles, defied a ruthless regime, and became an American immigrant success story, all while never giving up fighting for the only thing that really ever mattered: family. "There is a proverb in my native Tigrinya language,both warning and admonishment.It goes like this:Haki tseraba mot keraba.It means, if you speak the truth, you will gather many enemies." The Dreams of Freedom stories One family, two powerful accounts of love, heartbreak, and determination from one of the world's most isolated and abusive governments in modern history. It's 1991, and a bloody thirty-year conflict with Ethiopia has just ended, earning Eritrea its first taste of freedom in over a century. But peace is a delicate flower, and power is all-too easily corrupting. Soon, the small Horn-of-African nation will find itself at war once again, back in the familiar stranglehold of despotism, except this time it will be at the hands of its own beloved leader and war hero. Families are torn apart, suspicion and desperation grow. Human rights are violated. In the midst of worsening oppression, one man and one woman will risk everything to save their children from this life of violence and give them the future they once imagined for themselves.. ~ Relentless - An Immigrant Story by Wudasi Nayzgi and Kenneth James Howe ~ I Will Not Grow Downward - Memoir Of An Eritrean Refugee by Yikealo Neab and Kenneth James Howe I WILL NOT GROW DOWNWARD - MEMOIR OF AN ERITREAN REFUGEE ONE MAN'S LONG AND PERILOUS FLIGHT FROM AFRICA'S HERMIT KINGDOMTHIRTY YEARS OF BLOODY CONFLICT with a powerful enemy never broke the spirit of the Eritrean people. After winning their freedom from Ethiopia, a young man dreams of starting a new life, building a home, and teaching his children what it means to be the masters of their own fate. But all-too soon, the fighting resumes. Rounded up and forced into conscription, subjected to inhumane treatment, made to serve a despotic leader in an army fighting a war nobody wants, he will have to sacrifice much just for a chance to get back what he lost - his family, his freedom, his birthright. But will it be worth it? Or will he simply lose everything in the end? I Will Not Grow Downward offers an exceedingly rare glimpse inside the highly secretive and brutally repressive regime known as Africa's North Korea.

    To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is monster—a murderer whose name is never uttered.In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner’s slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds.This graphic novel collects all four issues of Kyle Baker’s critically acclaimed miniseries together for the first time in hardcover and paperback. The book also includes a new afterword by Baker. “A hauntingly beautiful historical spotlight. A-” —Entertainment Weekly “Baker’s storytelling is magnificent.” —Variety “Intricately expressive faces and trenchant dramatic pacing evoke the diabolic slave trade’s real horrors.” —The Washington Post “Baker’s drawings are worthy of a critic’s attention.”—Los Angeles Times “Baker’s suspenseful and violent work documents the slave trade’s atrocities as no textbook can, with an emotional power approaching that of Maus.”—Library Journal, starred review

    Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

    From the navy's beginnings under Henry VIII to the age of computer warfare and special ops, historian Arthur Herman tells the spellbinding tale of great battles at sea, heroic sailors, violent conflict, and personal tragedy -- of the way one mighty institution forged a nation, an empire, and a new world.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

      Four unique voices; two parallel love stories; one sweeping novel rich in the history of nineteenth-century America. This remarkable debut draws from the great themes of literature—famine, war, love, and family—as it introduces four unforgettable characters. Ethan McOwen is an Irish immigrant whose endurance is tested in Brooklyn and the Five Points at the height of its urban destitution; he is among the first to join the famed Irish Brigade and becomes a celebrated war photographer. Marcella, a society girl from Spain, defies her father to become a passionate abolitionist. Mary and Micah are slaves of varying circumstances, who form an instant connection and embark on a tumultuous path to freedom.      All four lives unfold in two beautiful love stories, which eventually collide. Written in gorgeous language that subtly captures the diverse backgrounds of the characters, and interspersed with letters, journals, and dreams, this unforgettable story, rendered in cinematic detail, is about having faith in life's great meaning amidst its various tangles.

    Empire of Guns, a rich and ambitious new book by award-winning historian Priya Satia, upends this conventional wisdom by placing war and Britain's prosperous gun trade at the heart of the Industrial Revolution and the state's imperial expansion.Satia brings to life this bustling industrial society with the story of a scandal: Samuel Galton of Birmingham, one of Britain's most prominent gunmakers, has been condemned by his fellow Quakers, who argue that his profession violates the society's pacifist principles. In his fervent self-defense, Galton argues that the state's heavy reliance on industry for all of its war needs means that every member of the British industrial economy is implicated in Britain's near-constant state of war. Empire of Guns uses the story of Galton and the gun trade, from Birmingham to the outermost edges of the British empire, to illuminate the nation's emergence as a global superpower, the roots of the state's role in economic development, and the origins of our era's debates about gun control and the "military-industrial complex" -- that thorny partnership of government, the economy, and the military. Through Satia's eyes, we acquire a radically new understanding of this critical historical moment and all that followed from it. Sweeping in its scope and entirely original in its approach, Empire of Guns is a masterful new work of history -- a rigorous historical argument with a human story at its heart.

    Marie-Joseph Angélique, a twenty-nine-year-old slave, was arrested, tried, and found guilty of starting the blaze that consumed forty-six buildings. Suspecting that she had not acted alone and angered that she had maintained her innocence, Angélique's condemners tortured her after the trial. She confessed but named no accomplices. Before Angélique was hanged, she was paraded through the city. Afterward, her corpse was burned. Angélique, who had been born in Portugal, faded into the shadows of Canadian history, vaguely remembered as the alleged arsonist behind an early catastrophic fire.The result of fifteen years of research, The Hanging of Angélique vividly tells the story of this strong-willed woman. Afua Cooper draws on extensive trial records that offer, in Angélique's own words, a detailed portrait of her life and a sense of what slavery was like in Canada at the time. Predating other first-person accounts by more than forty years, these records constitute what is arguably the oldest slave narrative in the New World.Cooper sheds new light on the largely misunderstood or ignored history of slavery in Canada. She refutes the myth that Canada was a haven at the end of the Underground Railroad. Cooper also provides a context for Canada in the larger picture of transatlantic slavery while re-creating the tragic life of one woman who refused to accept bondage.

    But despite Mandela’s mission of reconciliation, rampant inequality remains; race relations are uneasy, violence is endemic and many in the ANC appear to have lost sight of the liberation ideals. With the election in 2009 of Jacob Zuma, a charismatic populist embroiled in scandal, uncertainty over the trajectory of the nation has only intensified. South Africa now stands at a crossroads, and award-winning journalist Alec Russell draws on his deep knowledge of the country to tell us how it got there and to give us a compelling account, revised and updated for this edition, of the journey from Mandela to Zuma.

    At its heart lay a sense of the rectitude of the British way of life, meted out to vast swathes of the rest of the world without let or hindrance. Yet, as this book shows, the empire was not formed by coherent policy, and its decline reflected this: its later years were characterised by a series of accidental oversights, decisions taken without due consideration for the consequences, and uncertain pragmatism. Many of the world's trouble spots are those left behind by the chaotic retreat of empire, and its ghosts continue to haunt today's international scene. The problems the empire encountered have still not been resolved and in Iraq, Kashmir, Burma, Sudan, Nigeria and Hong Kong new difficulties have arisen which continue to baffle politicians and diplomats. This powerful new book addresses the realities of the British Empire from its inception to its demise, questioning the nature of its glory and cataloguing both the inadequacies of its ideals and the short-termism of its actions.

    Loury has become one of our most prominent black intellectuals—and, because of his challenges to the orthodoxies of both left and right, one of the most controversial. A major statement of a position developed over the past decade, this book both epitomizes and explains Loury’s understanding of the depressed conditions of so much of black society today—and the origins, consequences, and implications for the future of these conditions.Using an economist’s approach, Loury describes a vicious cycle of tainted social information that has resulted in a self-replicating pattern of racial stereotypes that rationalize and sustain discrimination. His analysis shows how the restrictions placed on black development by stereotypical and stigmatizing racial thinking deny a whole segment of the population the possibility of self-actualization that American society reveres—something that many contend would be undermined by remedies such as affirmative action. On the contrary, this book persuasively argues that the promise of fairness and individual freedom and dignity will remain unfulfilled without some forms of intervention based on race.Brilliant in its account of how racial classifications are created and perpetuated, and how they resonate through the social, psychological, spiritual, and economic life of the nation, this compelling and passionate book gives us a new way of seeing—and, perhaps, seeing beyond—the damning categorization of race in America.

    What does this metamorphosis entail and in what ways are we affected by it? How do we live through it and what may we become on our journey toward each other, particularly when the space and places from which we depart are - at least on the surface - so vastly different?Ranging freely and often wittily across many terrains, this brave book by one of South Africa's foremost writers and poets provides a unique and compelling discourse on living creatively in Africa today.

    Just how did a small, rainy island in the North Atlantic achieve all this? And why did the empire on which the sun literally never set finally decline and fall? Niall Ferguson's acclaimed Empire brilliantly unfolds the imperial story in all its splendours and its miseries, showing how a gang of buccaneers and gold-diggers planted the seed of the biggest empire in all history - and set the world on the road to modernity.'The most brilliant British historian of his generation ... Ferguson examines the roles of "pirates, planters, missionaries, mandarins, bankers and bankrupts" in the creation of history's largest empire ... he writes with splendid panache ... and a seemingly effortless, debonair wit' Andrew Roberts'Dazzling ... wonderfully readable' New York Review of Books'A remarkably readable précis of the whole British imperial story - triumphs, deceits, decencies, kindnesses, cruelties and all' Jan Morris'Empire is a pleasure to read and brims with insights and intelligence' Sunday Times

    Eleven-year-old Ella McGee sits on a bus bound for her Southern hometown. Behind her in Washington, D.C., lie the broken pieces of her parents’ love story—a black father drafted, an activist mother an activist mother of Scotch-Irish and Cherokee descent confronting racist thugs. But Ella’s journey is just beginning when she reaches Hopewell County, and her disappearance into the Georgia mountains will unfurl a rich tapestry of family secrets spanning a century. Told in five unforgettable voices, Glow reaches back through the generations, from the red-clay dust of the Great Depression to the Blue Ridge frontier of 1836, where slave plantations adjoin the haunted glades of a razed Cherokee Nation. Out of these characters’ lives evolves a drama that is at once intimately human and majestic in its power to call upon the great themes of our time—race, identity, and the bonds of family and community.Lushly conceived, cinematically detailed, and epic in historical scope, Glow announces an extraordinary new voice in Southern fiction.

    Growing up, he knew that his mother’s ancestors were from France and Sweden, but he heard only suspiciously vague stories about where his father’s family was from—Italy, Portugal, the Basque country. Then one day, a college professor told him his name may have come from sub-Saharan Africa, which made no sense at all: Mozingo was a blueeyed white man from the suburbs of Southern California. His family greeted the news as a lark—his uncle took to calling them “Bantu warriors”—but Mozingo set off on a journey to find the truth of his roots. He soon discovered that all Mozingos in America, including his father’s line, appeared to have descended from a black man named Edward Mozingo who was brought to the Jamestown colony as a slave in 1644 and won his freedom twenty-eight years later. He became a tenant farmer growing tobacco by a creek called Pantico Run, married a white woman, and fathered one of the country’s earliest mixed-race family lineages. But Mozingo had so many more questions to answer. How had it been possible for Edward to keep his African name? When had some of his descendants crossed over the color line, and when had the memory of their connection to Edward been obscured? The journalist plunged deep into the scattered historical records, traveled the country meeting other Mozingos—white, black, and in between—and journeyed to Africa to learn what he could about Edward’s life there, retracing old slave routes he may have traversed. The Fiddler on Pantico Run is the beautifully written account of Mozingo’s quest to discover his family’s lost past. A captivating narrative of both personal discovery and historical revelation that takes many turns, the book traces one family line from the ravages of the slave trade on both sides of the Atlantic, to the horrors of the Jamestown colony, to the mixed-race society of colonial Virginia and through the brutal imposition of racial laws, when those who could pass for white distanced themselves from their slave heritage, yet still struggled to rise above poverty. The author’s great-great-great-great-great grandfather Spencer lived as a dirt-poor white man, right down the road from James Madison, then moved west to the frontier, trying to catch a piece of America’s manifest destiny. Mozingos fought on both sides of the Civil War, some were abolitionists, some never crossed the color line, some joined the KKK. Today the majority of Mozingos are white and run the gamut from unapologetic racists to a growing number whose interracial marriages are bringing the family full circle to its mixed-race genesis. Tugging at the buried thread of his origins, Joe Mozingo has unearthed a saga that encompasses the full sweep of the American story and lays bare the country’s tortured and paradoxical experience with race and the ways in which designations based on color are both illusory and life altering. The Fiddler on Pantico Run is both the story of one man’s search for a sense of mooring, finding a place in a continuum of ancestors, and a lyrically written exploration of lineage, identity, and race in America. *** From The Fiddler on Pantico Run As I listened to the dry rasp of the elephant grass, I gazed out over the Kingdom of Kom. A narrow gorge threaded through the lush terrain below, opening into a smoky blue chasm in the distance, the Valley of Too Many Bends. . . . This belt of fertile savannah in western Cameroon rested at a terrible crossroads, with no forest to hide in when the marauders arrived. The kings may have been safe in their fortified isolation, but their people were not. They were taken first by Arab invaders in the Sudan in the north, and then by the southern peoples who found that humans were the commodity Europeans most desired. . . . Those who survived had been handed from tribe to tribe, through too many hostile foreign territories to dream of escaping and returning home. And then off they went, into the sea. High on a ridge, three hundred miles by road from the Atlantic, I sat at the headwaters of that outward movement, imagining the people flowing away like the rivers below. I pictured a boy, gazing down into that blue mountain cradle, the grass dry-swishing in the breeze, the drums coming up in the night. A boy suddenly pulled into the current and scrambling to reach the bank. A boy unable to imagine the ocean and sickly white men in big wooden ships and the swampy, malarial settlement called Jamestown where he would be sold to a planter in the year of their lord 1644. This is the beginning, I said to myself. The beginning of my family’s story, the point just after which my forebears obscured the truth—and nearly buried it forever.

    Born in 1930, the mixed-race son of a hard-drinking black prostitute and a white cotton broker, Sample was raised in the Jim Crow South by an abusive mother who refused to let her son—who could pass for white—call her Mama. He watched for the police while she worked, whether as a prostitute, bootlegger, or running the best dice game in town. He loved his mother deeply but could no longer take her abuse and ran away from home at the age of twelve. In his early twenties, Sample was arrested for burglary, robbery, and robbery by assault and was sentenced to nearly twenty years in the Texas prison system in the 1950s and 60s. His light complexion made him stand out in the all-black prison plantation known as the “burnin’ hell,” where he and over four hundred prisoners picked cotton and worked the land while white shotgun-carrying guards followed on horseback. Sample earned the moniker “Racehoss” for his ability to hoe cotton faster than anyone else in his squad. A profound spiritual awakening in solitary confinement was a decisive moment for him, and he became determined to turn his life around. When he was finally released in 1972, he did just that. Though Sample was incarcerated in the twentieth century, his memoir reads like it came from the nineteenth. With new stories that had been edited out of the first edition, a foreword by Texas attorney and writer David R. Dow, and an afterword by Sample’s widow, Carol, this new edition of Racehoss: Big Emma’s Boy offers a more complete picture of this extraordinary time in America’s recent past.