His first case is a young woman found in an urban bayou. He immediately sees clues that lead him places he doesn't want to go. But his own demons may be the clue to solving the mystery of the woman's death. And as the case widens, so do his new partner's suspicions about his past and motivations.

    Caroline McGill, J.M. Benjamin, Boston George, and T. Styles present fresh new stories of money, murder, betrayal, and revenge. Their unique approach attempts to explain the allure of the dope game through the eyes of some unforgettable characters. Just when you think it's over, a new story picks up and takes you on a whole new journey! This is a sure classic and the beginning of a great series. Take a ride with the kings and queens of the street.

    This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    

    A wonderful debut, this funny yet sad novel recounts a young man's attempt--as father, husband, and son--to put together the pieces of an ordinary, and at the same time, very puzzling life.

    He was also one of world's most popular Black contemporary writers. Having published 16 novels, including Whoreson, Dopefiend, and Daddy Cool, Goines's unique brand of "street narrative" and "ghetto realism" mark him as the original street writer.Now, in the first in-depth biography of Goines's life, author Eddie B. Allen explores exactly how one man could make the transition from street hustler to bestselling author. With exclusive access to personal letters, treatments from unwritten books, photographs, and family members, Allen uncovers Goines's personal experiences with drugs, prostitutes, prison, and urban violence. Fans of Goines's novels will note a dramatic parallelism between his life and his fictional tales.

    

    Lee Henry Oswald,a Special Forces veteran of the Gulf War whose work begins where legal options end…He bears a killer's name…Lee H. "Hank" Oswald inherited more from his bull-headed father than just a name. It's not that he looks for trouble; he just can't seem to keep out of its way. Fortunately being named Oswald in Dallas makes a man tough enough to get the job done, no matter what side of the law he's forced to walk… He seeks a missing brotherThings get even rougher for Hank when he agrees to help an old friend find her troubled brother. She swears Charlie's quit the drugs for good, now that he's got a job in real estate. But Hank's barely taken the case when he discovers that the Dallas real estate wars can be as vicious and dirty as anything he'd encountered on the battlefield. He's found three suspects--and a hundred ways to die…Before long, three prime suspects emerge: a ruthless Dallas dealmaker; a rising young real estate developer and community activist; and one of the city's most notorious, and deadly, drug lords. Digging through the muck to find something to tie these three together--and to Charlie--Hank comes to one unmistakable truth: For the right price, a man might do anything.

    Master storyteller Les Edgerton guides us on a haunting journey inside the criminal mind to show that no matter how depraved a person appears to be, there might still exist a spark of humanity.

    Now, with a pack of cigarettes, a stolen Caddy, and no plan, the two must think fast-and move faster, in this novel with "a lyric voice that sings itself raw."(New York Times Book Review) "My kind of book." (James Ellroy) "Cook's plot tumbles from scene to scene with jarring brilliance, the pathos of his characters lending his otherwise brutal world a certain beauty." (Publishers Weekly) "Elmore Leonard's laconic flair with the dumb and dangerous [and] James Lee Burke's lyric feel for the dark hearts in a New South-Robbers ranges wild and wide, deep through the heart of Texas." (Michael Malone, author of Time's Witness) "Cook clearly has the suspense-building gene...The nerve-jangling plot tick-tick-ticks toward its explosive end." (Texas Monthly) "High-octane...Cook takes the noir chase novel on some remarkable detours." (Booklist, starred review) "This is a terrific book. I haven't enjoyed a novel this much in years." (James Crumley, author of The Last Good Kiss)

    The threat sends Joe Reddick over the edge. He's lived the nightmare of losing a family to a crazed killer once, and he's not going to let it happen again. After sending his wife and son to safety, he goes to war, determined to kill those responsible. Soon Reddick’s living nightmare will finally be over. One way or the other . . .

    When his wife Cressida, invites two new friends over for dinner he offers to cook even though he has no experience with vegan food. Something troubles Graham about the couple but he can’t quite put his finger on it. He takes a journey into Facebook to find a terrible truth which creates a sinister consequence. A brooding psychological thriller with a shocking twist!

    It is one that is passed down through the generations. From mothers who whisper the tale to their bairns as they float into dreams each night. From starry-eyed lasses who pray to find for themselves the undying love of which it speaks. From elders who know the magic of the thick and inexplicable mist surrounding this, and no other, of Orkney’s islands which rise from the sea off Scotland’s northern coast. As the daughter of Clan Gallach's chief, Norah knows the legend better than anyone on the island. It tells of a lady who waits in the mists of Fara for her long lost love to return to her. It's an entertaining story, to be sure. But it is no more than fantasy. Or so the islanders say. But Norah is not so certain. All her life she's felt that the legend is more than simple folklore, that the lady of the mist is more real than anyone wishes to believe. But these are turbulent times, marked by the very real tales of Norse invaders and their brutality. When her people are conquered by a band of fearsome Vikings, one among them will blur the lines between reality and legend like never before. For Norah cannot help but feel that she knows him ... from some other time ... from some other life ...

    This book is the story of Volpe's years leading up to those at the Met, from his first job as a stagehand at the Morosco Theater to the odd jobs he picked up moonlighting: setting up a searchlight or laying down a red carpet for a movie premiere, changing titles on the marquees at the Astor, Victor, and Paramount theaters. It is his Met years--from apprentice carpenter to general manager--that give us a story about New York and the business of culture. Volpe looks at the Met today, an institution full of vast egos and complicated politics, as well as its glittering past--the old Met at Thirty-ninth and Broadway, and the political and artistic intrigues that exploded around its move to Lincoln Center. With stunning candor, he writes about the general managers he worked under, including Rudolf Bing and Anthony Bliss; his own embattled rise to the top; the maneuverings of the blue-chip board; his bad-cop, good-cop collaboration with the conductor James Levine; and his masterful approach to making a family of such highly charged artist-stars as Luciano Pavarotti, Placido Domingo, Teresa Stratas, and Renee Fleming, and such visionary directors as Franco Zeffirelli, Robert Wilson, and Julie Taymor.

    Assigned to an explosive homicide case - the murder of the mayor's nephew and the young man's beautiful mistress - the power and prestige he's always craved seem within his grasp. But soon the illusion of success shatters. His wife walks out on their seven-year marriage. The double-murder case casts a shadow of doubt on his most trusted peers. And, in a moment of weakness, Peter enters into an affair with a woman whose greatest skill is arousing suspicion. With everything spinning out of control, Peter is driven by rage into the blackest depths of corruption and perversity - following a twisted obsession for justice that will force him to break the law he has sworn to uphold: to punish the innocent as well as the guilty.