A hard worker. Quick to laugh and easy to like. She was happy, confident, strong. A woman who always looked after herself and her kids. Close with her family and her friends, she was much loved. Then, in 2013, she met Marcus Rappel. A local tradie, he was charming and sincere, they dated and fell in love. That should have been the end of a happy-ever-after story. But for Tara, it was much uglier. And for her family it would be devastating.A year later, Tara was pregnant to Marcus. Her family had been worried for a while, but Tara didn't tell anyone how Marcus's jealousy was souring the relationship. She tried to keep it quiet. Despite everything, she never imagined he would be physically violent - he would never hurt her.Tara was wrong. One fine day, the last day of summer in 2015, she was holding their newborn baby in her arms when he attacked her with an axe. Her murder seemed to come out of the blue. But as this extraordinary, often shocking book reveals, it did not.THE FIRST TIME HE HIT HER is an attempt to understand why dozens of women are murdered each year by men who profess to love them.

    Signposted for coverage of FENTO standards, with full coverage of the C&G 7407, 7302, and Cert Ed courses. Retaining the unique style of the previous editions, this is an essential text for students and qualified teachers.

    Marine Corps sniper Craig Roberts, a seasoned veteran of the Vietnam war, stood for the first time at the 6th floor of the Texas School Book Depository. As he looked down into that the U.S. Government maintains was the kill zone used by Lee Harvey Oswald, he knew immediately the the Warren Commission's verdict that Oswald, acting alone from that position, fired three shots is 5.6 seconds with an ancient bolt-action rifle was a lie. If Oswald, by himself, could not have done it, then who could? And why? Follow Roberts's investigation of six years into a shadow world of black operations into a level above the CIA, the KGB, the Mafia, Texas oil and others into a powerful organization that to them, to murder a head of a country anywhere is "business as usual."

    One of punk rock's foundational documents, the archetype for indie obsession and all but disowned by its author, The Modern Lovers was an album doomed by its own coolness from day one. Powered by the two-chord wonder “Roadrunner” and its proclamation that “I'm in love with rock 'n' roll,”The Modern Lovers is the essential document of American alienation, an escape route from the cultural wasteland of postwar suburbia. The Modern Lovers is the bridge connecting the Velvet Underground and the Sex Pistols; they were peers of the New York Dolls and friends with Gram Parsons and they would splinter into Talking Heads, The Cars, and The Real Kids.But The Modern Lovers was never meant to be an album. A collection of demos, recorded in fits and starts as Jonathan Richman and his band negotiate modernity and the music industry. It is a collection of songs about a city and a society in flux, grappling with ancient corruptions and bright-eyed idealism. Richman observes a city all but abandoned by adults, ravaged by white flight and urban renewal, veering towards anarchy as old world social moors collide with new attitudes. It is a city stands in stark contrast to the the ranchstyle bedroom community where he was raised. All of these conflicts are churned through Richman's intellectual acuity and emotional unrest to create one of the 20th century's most enduring documents of post-adolescent malaise.

    Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself. Those interviews have never been edited and made public, until now. "The Afternoon Interviews," which includes an introductory interview with Tomkins reflecting on Duchamp as an artist, guide and friend, reintroduces the reader to key ideas of his artistic world and renews Duchamp as a vital model for a new generation of artists.Calvin Tomkins was born in 1925 in Orange, New Jersey. He joined the New Yorker as a staff writer in 1960. His many profiles include John Cage, Robert Rauschenberg, Merce Cunningham, Leo Castelli, Damien Hirst, Richard Serra, Bruce Nauman, Cindy Sherman and Jasper Johns. Tomkins is the author of 12 books, including "The Bride and the Bachelors" (1965), "Living Well Is the Best Revenge" (1971), "Lives of the Artists" (2008) and "Duchamp: A Biography" (1996).

    

    Harry Blamires helps readers to negotiate their way through this formidable, remarkable novel and gain an understanding of it which, without help, it might have take several readings to achieve. The New Bloomsday Book is a crystal clear, page-by-page, line-by-line running commentary on the plot of Ulysses which illuminates symbolic themes and structures along the way. It is a highly accessible, indispensible guide for anyone reading Joyce's masterpiece for the first time.

    More witty and stylish poetic therapy for the Venus and Mars generation.

    In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style.Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.

    Sontag develops further the concept of 'transparency'. When anything can be photographed and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely with no expectations of discovering what it means. This collection of six lucid and invigorating essays, the most famous being "In Plato's Cave", make up a deep exploration of how the image has affected society.

    Former Pixar and The Simpsons Animator and Story Artist Matthew Luhn translates his two and half decades of storytelling techniques and concepts to the CEOs, advertisers, marketers, and creatives in the business world and beyond. A combination of Luhn’s personal stories and storytelling insights, The Best Story Wins retells the “Hero’s Journey” story building methods through the lens of the Pixar films to help business minds embrace the power of storytelling for themselves!

    With the sort of smart, persuasive voice associated with Simon Armitage and Michael Donaghy, these poems worry at the world in search of consolation, or else meet life's absurdity and strangeness half-way; whether sitting proudly atop an unexploded bomb, or injecting blood under the skin of a banana, playfulness and imagination are vehicles for confronting 'the fearful and forgotten things I've lied to myself about'. Here are poems which address anxiety about fatherhood, remorse for lost lovers and friends, or mourn for a miscarried sibling. Happiness is a collection preoccupied with the ephemerality of happiness itself, at the ever-present possibility of its departure, and the ways we try to grasp and keep hold of it. 'Every single thought I'm having is about LOVE', here meaning both the pleasure and panic of love, its peculiarity; love as a feeling of risk, love for one's own body, familiar yet estranged, of 'cack-handed LOVE at his console', love like 'pausing to move a snail somewhere safer in the rain'.

    The 1979 race began in perfect conditions, but was soon engulfed by the deadliest storm in the history of modern sailing. By the time it passed, the havoc caused was immeasurable, and fifteen sailors had lost their lives.It had been Nick Ward’s childhood ambition to sail in the Fastnet Race, and being asked to join the crew of the 30-foot yacht Grimalkin was a dream come true. But then the storm hit. Grimalkin was capsized again and again. With the skipper lost overboard, after hours of struggle three of the crew decided to abandon the boat for the liferaft. Nick and another crewmember, both unconscious, were left on the beleaguered yacht in the middle of the Irish Sea. Both were presumed dead. Gerry died a few hours later, and Nick was left to face the storm alone.

    From England to Mexico, and Iceland to Pakistan, Gilmour takes us on an extraordinary thrill-ride with his wild coworkers. Along the way he learns a few things, too, and shows us not only how precious life truly is, but how to passionately embrace it.