Richard and Sophie are chaotic, drunken, frequently outrageous but also warm, generous and kind to Mirka, despite their argumentative and turbulent marriage. Mirka is swiftly commandeered by Richard for his latest money-making enterprise, taxidermy, and soon surpasses him in skill. After a traumatic break two years ago with her family in Slovakia, Mirka finds to her surprise that she is happy at Fairmont Hall. But when she tells Sophie that she is gay, everything she values is put in danger and she must learn the hard way what she really believes in. English Animals is a funny, subversive, poignant and beautifully written novel about a doomed love affair, a certain kind of Englishness and prejudice.

    They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

    The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness. Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles.One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire.Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find. At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).

    At the age of fourteen, Sappho is seduced by the beautiful poet Alcaeus, plots with him to overthrow the dictator of their island, and is caught and married off to a repellent older man in hopes that matrimony will keep her out of trouble. Instead, it starts her off on a series of amorous adventures with both men and women, taking her from Delphi to Egypt, and even to the Land of the Amazons and the shadowy realm of Hades.Erica Jong—always our keenest-eyed chronicler of the wonders and vagaries of sex and love—has found the perfect subject for a witty and sensuous tale of a passionate woman ahead of her time. A generation of readers who have been moved to laughter and recognition by Jong's heroines will be enchanted anew by her re-creation of the immortal poet.

    When she finds out her girlfriend has lied to her, the world she thought she'd carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

    Take Me There is an erotica collection unlike any other that celebrates the pleasure, heat, and diversity of transgender and genderqueer sexualities. The power of seeing and being seen is a central theme in the anthology; it’s not simply about passing or not passing (an idea often explored with transgender characters), but about being acknowledged and desired in a sexual context.The book takes you from San Francisco to Israel, from heartache to lust, from stranger sex to a 10 year anniversary, from ballet shoes to butt plug bondage tables, from fumbling teenagers to leatherclad bears, from MTF and FTM—and in between and beyond.Featuring renowned authors Kate Bornstein (Gender Outlaws: The Next Generation), Patrick Califia (Speaking Sex to Power), S. Bear Bergman (Butch is a Noun), Ivan Coyote (Missed Her), Julia Serrano (Whipping Girl), Laura Antoniou (The Marketplace), Helen Boyd (My Husband Betty), Rachel Kramer Bussel (Gotta Have It), Toni Amato (Pinned Down by Pronouns), Alicia E. Goranson (Supervillianz), filmmaker Tobi Hill-Meyer, musician Rahne Alexander, songwriter Shawna Virago, bloggers Andrea Zanin and Sinclair Sexsmith, and more.

    He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety.Confessions of a Mask reflects Mishima’s own coming of age in post-war Japan. Its publication in English―praised by Gore Vidal, James Baldwin, and Christopher Isherwood―propelled the young Yukio Mishima to international fame.

    Joanne Meyerowitz tells a powerful human story about people who had a deep and unshakable desire to transform their bodily sex. In the last century when many challenged the social categories and hierarchies of race, class, and gender, transsexuals questioned biological sex itself, the category that seemed most fundamental and fixed of all.From early twentieth-century sex experiments in Europe, to the saga of Christine Jorgensen, whose sex-change surgery made headlines in 1952, to today’s growing transgender movement, Meyerowitz gives us the first serious history of transsexuality. She focuses on the stories of transsexual men and women themselves, as well as a large supporting cast of doctors, scientists, journalists, lawyers, judges, feminists, and gay liberationists, as they debated the big questions of medical ethics, nature versus nurture, self and society, and the scope of human rights.In this story of transsexuality, Meyerowitz shows how new definitions of sex circulated in popular culture, science, medicine, and the law, and she elucidates the tidal shifts in our social, moral, and medical beliefs over the twentieth century, away from sex as an evident biological certainty and toward an understanding of sex as something malleable and complex. How Sex Changed is an intimate history that illuminates the very changes that shape our understanding of sex, gender, and sexuality today.

    It’s not like he didn’t deserve it. After all, he crashed his dad’s vintage Bonneville in a car-chase duel on a Miami freeway. Ben is mad at the world and not ready to reveal the reason for his bad behavior the past year, when he partied and got into fights to forget his attraction to his best friend’s hot cousin Dino. Norway is cold and rainy, the farm is desolate and resists modernization, and the grandparents are quiet and religious. On to the scene waltzes Even, the eighteen-year-old farmhand, who counters Ben’s restlessness and complaints with friendship, fresh perspectives, and problems of his own.With the mounting expectations of Ben taking over the farm one day, getting closer to Even becomes Ben’s only reason to stay put. As the friendship deepens, the two boys learn that secrets can turn into both beautiful and ugly truths, and that support can be found in unexpected places.

    He lives in the exact center of center-less Los Angeles with his depressed father, Greg, and imaginative younger sister, Sandra. When Greg suddenly dies, more than everything changes and the relatively smooth orbits of family and friends are altered when Adam needs them most. In the middle of the drama, a man in uniform appears—and he is more than interested in Adam. This man, a policeman, is warm, witty and wise. He is 6 foot-something, dirty blond, and . . . well, he’s a California Boy trapped inside the body of a 38 year-old man. But how can Adam consider the possibility of a relationship when he is dealing with his father’s death, his friends’ (and his own) pre-pre-pre mid-life crises, his mother’s ambivalence, and his little sister’s need for him? Then again, how can he not?Half-Life is about being—or at least feeling—young and old at the same time. About loving, or wanting to love, but knowing that life and love are both as exuberant and seductive yet two-dimensional and illusory as a billboard along any of Los Angeles’s endless freeways.Aaron Krach has written for Time Out New York, Out magazine, InStyle, thePosition.com, CBSHealthwatch.com, The Independent Film and Video Monthly, TVTS, Oui, DOX: International Documentary Film, indieWIRE, A&U magazine Instinct, HX, The Villager, Downtown Express, and TWN (Florida). The former editor of Empire Magazine and arts editor of Gay City News, he is now the senior editor of Cargo magazine. He lives in New York City. Half-Life is his first novel.

    But her sudden popularity left her quite unspoiled. A singular modesty, a childlike simplicity, a deep and beauti ful religious faith, were the qualities that endeared her to her friends and that are still evidenced by what was written of her at her death, which occurred in Dorchester October 1, 1866. As her pastor, Rev. Nathaniel Hall, declared in his memorial discourse, She received her success with a simple gladness, less that she was famous than that she might be useful; less that she had gained the public's applause than that she had touched, to issues human and philanthropic, the public's heart, and caused her poor 'lamplighter' to be the means of illumining other and direr darkness than that of night.

    A mysterious night-swimmer climbs aboard, and, in keeping the presence of this fugitive a secret, the skipper risks both his captaincy and the safety of his ship. A test of nerve in the Gulf of Siam ensues.

    Like Wilde's Dorian Grey, Guy never seems to age; at thirty-five he is still modeling, still enjoying lavish gifts from older men who believe he's twenty-three--though their attentions always come at a price. Ambivalently, Guy lets them believe, driven especially by the memory of growing up poor, until he finds he needs the lie to secure not only wealth, but love itself. Surveying the full spectrum of gay amorous life through the disco era and into the age of AIDS, Edmund White (who wrote for Vogue for ten years) explores the power of physical beauty--to fascinate, to enslave, and to deceive--with sparkling wit and pathos.

    He's picked on because he likes boys, and fighting gets him kicked out of public school. As a last resort, his parents place him in St. Thomas Aquinas Catholic Boarding School for Boys.At his first mass at St. Thomas he sees Avery Dendritch, a senior who serves as altar boy during the service. When they meet, the attraction between them is hard to deny. The two become fast friends, and as the school year progresses, their friendship deepens until Jacob feels he's found a place where he belongs.But the other students gossip about their growing relationship. Avery can ignore them; Jacob can't. As the rumors and slurs start up again, can he curb his temper, or will his fighting get him expelled from St. Thomas, too?

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.