A soldier in the Spanish army, she traveled to Peru and Chile, became a gambler, and even mistakenly killed her own brother in a duel. During her lifetime she emerged as the adored folkloric hero of the Spanish-speaking world. This delightful translation of Catalina's own work introduces a new audience to her audacious escapades.From the "Introduction" by translator Michele Stepto: "Sometime between 1626 and 1630 -- that is, between the visit to Naples, which concludes her memoir, and her return to the Americas -- she wrote down in manuscript or dictated to an amanuensis an account of her life."The "Translator's Note" further explains: "Only the Muñoz and Ferrer copies of the original manuscript now exist. The present translation into English is based largely on a 1918 edition of Ferrer's Historia [de la Monja Alférez Doña Catalina de Erauso, escrita por ella misma (1829)], though we have also consulted Muñoz's Vida y sucesos [de la Monja Alférez...Escrita por ella misma (1784)], recently made available in an excellent edition edited by Rima de Vallbona.

    At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.

    How does someone, excluded entirely from the only community they have ever known, live the rest of their life? After extensive interviews with Beulah—a young woman banished—Jeremy is no closer to understanding her choice than he is to his own peculiar exile.Camp Ironwood, set in the Vermont woods, is more than a summer distraction for restless adolescent boys—it is a place to belong. And not unlike the Amish community, it is a place where the whole is greater than the sum of its parts. For Jeremy, first as a camper and later as the co-director, the usual camp activities become their own kind of ritual that binds the community. But when he is blindsided by the seductive charm of Max, a fourteen-year-old boy from Manhattan, all arms and legs and attitude, Jeremy must confront his desires, and worse yet, uncover the dark secrets of his beloved Camp Ironwood.In the powerful and daring novel Avoidance, Lowenthal elegantly draws unexpected parallels between the Amish and Camp Ironwood. By doing so, he ingeniously explores an age-old dilemma: individual desires versus the good of a community.

    In this groundbreaking anthology, more than seventy women and men from all walks of life describe their lives as bisexuals in prose, poetry, art, and essays

    Into this fevered city steps Timothy Laughlin, a recent Fordham graduate and devout Catholic eager to join the crusade against Communism. A chance encounter with a handsome, profligate State Department official, Hawkins Fuller, leads to Tim’s first job in D.C. and–after Fuller’s advances–his first love affair. Now, as McCarthy mounts an increasingly desperate bid for power and internal investigations focus on “sexual subversives” in the government, Tim and Fuller find it ever more dangerous to navigate their double lives. Drawn into a maelstrom of deceit and intrigue, and clinging to the friendship of a beautiful young woman named Mary Johnson, Tim struggles to reconcile his political convictions, his love for God, and his love for Fuller–an entanglement that will end in a stunning act of betrayal.Moving between the Senate Office Building and the Washington Evening Star, the diplomatic world of Foggy Bottom and NATO’s front line in Europe, Fellow Travelers is energized by high political drama, unexpected humor, and genuine heartbreak. It is Thomas Mallon’s most accomplished and daring novel to date.

    And when he spoke the word "love", it seemed to spring free and fly into the air like a beautiful balloon you wanted to run after. But I couldn't tell my parents about Frankie, not properly. I told them I'd made friends with the boy in the room next to mine, and how he'd come from this little town out west. I couldn't tell them how he was becoming the best thing in my world. I couldn't tell anyone, I hardly admitted it to myself.'In the 1950s, 'entering' the seminary was for ever, and young boys were gathered into the priesthood before they were old enough to know what they would lose. Tom went to St Finbar's because he was looking for something more than the ordinary happiness of his home and school.But then he discovered that being able to love another person was the most important thing of all. For Tom, loving Frankie made him part of the world. Even when Frankie was gone...

    He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.

    A Polar wind blows through it, and birds of prey hover over it." So Melville wrote of his masterpiece, one of the greatest works of imagination in literary history. In part, Moby-Dick is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopaedia of whaling lore and legend, the book can be seen as part of its author's lifelong meditation on America. Written with wonderfully redemptive humour, Moby-Dick is also a profound inquiry into character, faith, and the nature of perception.This edition of Moby-Dick, which reproduces the definitive text of the novel, includes invaluable explanatory notes, along with maps, illustrations, and a glossary of nautical terms.

    Diamond argues that for some women love and desire are not rigidly heterosexual or homosexual, but fluid, changing as women move through the stages of life, various social groups and, most importantly, different love relationships.

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

    In Portland, Oregon, Julie moves through her days in a series of negatives: the skaters she doesn’t think are cute, the trinkets she doesn’t buy at the craft fair, the umbrella she refuses to carry despite the incessant rain. Her family life is routine and restrained, and no one talks about Julie’s older brother, a one-time Olympic-hopeful swimmer who now lives in self-imposed exile in Berlin. Julie has never considered swimming herself, until Alexis, the girls’ swim team captain, tries to recruit her. It’s a dare, and a flirtation—and a chance for Julie to find her brother, or to finally let him go. Anything could happen when her body hits water.

    "An absorbing...fascinating world is created...not only is it an exploration of racism, it is a powerful and moving testament..."--New York Times Book Review

    What Night Brings is the unforgettable story of Marci's struggle to find and maintain her identity against all odds - a perilous home life, an incomprehensible Church, and a largely indifferent world. Winner of the Miguel Marmol prize focusing on human rights, the Paterson Fiction Prize, the Latino Literary Foundation Latino Book Award, the Bronze Medal from Foreword Magazine, and Honorable Mention for the Gustavus Meyers Books Award. Also shortlisted for a Lambda Literary Award.

    His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters.Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

    The most famous and perhaps the most popular of his works, it compresses an event of immense complexity to the scale of a family history, with a cast of characters that includes a bloodthirsty ogress and an antihero as believably flawed as any in modern fiction. Though the least typical of the author’s novels, A Tale of Two Cities still underscores many of his enduring themes—imprisonment, injustice, social anarchy, resurrection, and the renunciation that fosters renewal.