Over the course of almost 50 years, he created 150 poems, including nonsense verse, parodies, burlesques, acrostics, inscriptions, and more, many of them hilarious lampoons of some of the more sentimental and moralistic poems of the Victorian era. This carefully chosen collection contains 38 of Carroll's most appealing verses, including such classics as "The Walrus and the Carpenter," "The Mock Turtle's Song," and "Father William," plus such lesser-known gems as "My Fancy," "A Sea Dirge," "Brother and Sister," "Hiawatha's Photographing," "The Mad Gardener's Song," "What Tottles Meant," "Poeta Fit, non Nascitur," "The Little Man That Had a Little Gun," and many others. Filled with Carroll's special brand of imaginative whimsy and clever wordplay, this original anthology will delight fans of the author as well as other readers who relish a little laughter with their lyrics.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    . . I love you too", Robert Browning wrote in January 1845, thus initiating the most celebrated literary correspondence of the 19th century. For the next 12 months, he and Elizabeth Barrett exchanged letters and confidences. In this elegant format, the delicate interplay between the poems and the lovers' letters become vividly apparent.Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."

    

    Criticism is divided into four sections and represents the best criticism and interpretation of Donne s writing: Donne and Metaphysical Poetry includes seven seventeenth-century views by contemporaries of Donne such as Ben Jonson, Thomas Carew, and John Dryden, among others; Satires, Elegies, and Verse Letters includes seven selections that offer social and literary context for and insights into Donne s frequently overlooked early poems; Songs and Sonnets features six analyses of Donne s love poetry; and Holy Sonnets/Divine Poems explores Donne s struggles as a Christian through four authoritative essays. A Chronology of Donne s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

    This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930.It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.

    

    As a writer, he produced The Importance of Being Earnest, one of the finest comedies in English, and other classic plays. His one novel, The Picture of Dorian Gray, is still widely read, as is "The Ballad of Reading Gaol," a powerful poetic indictment of the degradation and inhumanity of prison life.This carefully edited volume focuses on Wilde's poetic legacy. In addition to the title poem, readers will find twenty-three other important works: "The Sphinx," "The Grave of Keats," "Requiescat," "Impression du Matin," "Panthea," "Silentium Amoris," "The Harlot's House," "To L. L." and others. While Wilde's fame rests mainly on his achievements as a dramatist and critic, these poems offer important clues to the themes and subjects that preoccupied him in his other works.

    The period of his creative friendship with William Wordsworth inspired some of Coleridge’s best-known poems, from the nightmarish vision of the "Rime of the Ancient Mariner" and the opium-inspired "Kubla Khan" to the sombre passion of "Dejection: An Ode" and the medieval ballad "Christabel." His meditative ‘conversation’ poems, such as "Frost at Midnight" and "This Lime-Tree Bower Mr Prison," reflect on remembrance and solitude, while late works, such as "Youth and Age" and "Constancy to an Ideal Object," are haunting meditations on mortality and lost love. This volume contains the final texts of all the poems published during Coleridge’s lifetime and a substantial selection from those still in manuscript at his death, arranged in chronological order of composition to show his development as a poet. Also included are an introduction, table of dates, further reading, extensive notes, and indexes of titles and first lines.

    Although his private life shocked his contemporaries his poetry was immensely popular and influential, especially in Europe. This comprehensive edition includes the complete texts of his two poetic masterpieces Childe Harold's Pilgrimage and Don Juan, as well as the dramatic poems Manfred and Cain. There are many other shorter poems and part of the satire English Bards and Scotch Reviewers. In addition there is a selection from Byron's inimitable letters, extracts from his journals and conversations, as well as more formal writings.

    This richly varied collection of observation, fancy and fiction shows the London he knew so intimately at its best and worst - its streets, theatres, inns, pawnshops, law courts, prisons, omnibuses and the river Thames - in honest and visionary descriptions of everyday life and people. Through pen portraits that often anticipate characters from his great novels, we see the condemned man in his prison cell, garrulous matrons, vulgar young clerks and Scrooge-like bachelors, while Dickens's powers for social critique are never far from the surface, in unflinching depictions of the vast metropolis's forgotten citizens, from child workers to prostitutes. A startling mixture of humour and pathos, these Sketches reveal London as wonderful terrain for an extraordinary young writer.Sketches is a remarkable achievement, and looks towards Dickens's giant novels in its profusion of characters, its glimpses of surreal modernity and its limitless fund of pathos and comic invention.

    All headnotes are new or updated, and many footnotes have been added, replaced, or revised. Criticism reflects the recent renaissance in Shelley studies, the greatest renaissance since 1870-92. All twenty-three essays are new to the Second Edition; among them are the work of Harold Bloom, Stuart Curran, Annette Wheeler Cafarelli, Michael Ferber, James Chandler, and Susan J. Wolfson. A Chronology, an updated Selected Bibliography, and an Index of Titles and First Lines are included.

    In this collection of sixty-six poems, Stevenson recalls the joys of his childhood, from sailing boats down a river, to waiting for the lamplighter, to sailing off to foreign lands in his imagination.Tasha Tudor's watercolour paintings evoke a simpler time in the past, and celebrate two of the things she loves most — children and nature. Her talents are the perfect match for these inspiring poems, making this a handsome gift edition that will be cherished by families for generations.

    It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, motivated by all too human temptations, but whose ultimate downfall is unyielding love.Marked by Milton's characteristic erudition is a work epic both in scale and, notoriously, in ambition. For nearly 350 years it has held generation upon generation of scholars, students and readers in rapt attention and its profound influence can be seen in almost every corner of Western culture.

    Thrown dramatically into the upper classes, he struggles desperately to learn the etiquette and rules of polite society. But as he soon discovers, becoming a 'true gentleman' is neither as easy nor as desirable as it at first appears.