For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Formerly a governess, she has landed on the occupation of prestidigitator, and thanks to her overwhelming beauty—and to a lesser extent her professional talents—she takes the town by storm, gaining admittance to her grandfather's college. It is there, at the institution inspired by Beerbohm's own alma mater, that she falls in love with the Duke of Dorset, who duly adores her in return. Ever aware of appearances, however, Zuleika breaks the Duke's heart when she decides that she must abandon the match. The epidemic of heartache that proceeds to overcome the academic town makes for some of the best comic writing in the history of English literature.

    Armed with beauty, virtue and a benevolent godmother, the impetuous but impoverished Arabella embarked on her first London season with her mother's wish in mind: snare a rich husband. On her way to London Arabella's carriage breaks down outside the hunting lodge of the wealthy and socially prominent Robert Beaumaris, fate cast her in his path. Arabella's only fault is impetuosity, and her pride stung when she overhears a remark of her path of arrogant host, who accused her of being another petty female after his wealth, the proud, headstrong ingenue made a most startling claim -- she was an heiress! A pretense that deeply amuses the jaded Beau. To counter her white lie, Beaumaris launches her into high society and thereby subjects her to all kinds of amorous fortune hunters in London and other embarrassments.Suddenly Arabella found herself the talk of the ton and pursued by some of the most eligible young men of the day. But only one caught Arabella's fancy: Beaumaris, the handsome and dedicated bachelor. She should know better than to allow herself to be provoked by nonpareil Beau. But would her deceitful charade destroy her one chance for true love...?Beaumaris, however, although a most artful matrimonial dodger, badly underestimated his seemingly naive adversary... When compassionate Arabella rescues such unfortunate creatures as a mistreated chimney sweep and a mixed-breed mongrel, she foists them upon Beaumaris, who finds he rather enjoys the role of rescuer and is soon given the opportunity to prove his worth in the person of Bertram Tallant, the also impetuous young brother of Arabella....

    It’s 2008 and things are falling apart: Bear Stearns and Lehman Brothers are going under, and the residents of Pepys Road, London—a banker and his shopaholic wife, an old woman dying of a brain tumor and her graffiti-artist grandson, Pakistani shop owners and a shadowy refugee who works as the meter maid, the young soccer star from Senegal and his minder—are receiving anonymous postcards reading “We Want What You Have.” Who is behind it? What do they want? Epic in scope yet intimate, capturing the ordinary dramas of very different lives, this is a novel of love and suspicion, of financial collapse and terrorist threat, of property values going up and fortunes going down, and of a city at a moment of extraordinary tension.

    Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.

    There's Pat, a twenty-year-old who has recently moved into a flat with Bruce, an athletic young man with a keen awareness of his own appearance. Their neighbor, Domenica, is an eccentric and insightful widow. In the flat below are Irene and her appealing son Bertie, who is the victim of his mother’s desire for him to learn the saxophone and italian–all at the tender age of five.Love triangles, a lost painting, intriguing new friends, and an encounter with a famous Scottish crime writer are just a few of the ingredients that add to this delightful and witty portrait of Edinburgh society, which was first published as a serial in The Scotsman newspaper.

    G. Wodehouse’s immortal butler, Jeeves. Born at the dusk of the Victorian era, Bert Pinnegar, an awkward orphan child with one leg a tad longer than the other, rises from inauspicious schoolboy days spent picking wildflowers and dodging angry farmers to become the legendary head gardener “Old Herbaceous,” the most esteemed flower-show judge in the county and a famed horticultural wizard capable of producing dazzling April strawberries from the greenhouse and the exact morning glories his Lady spies on the French Riviera, “so blue, so blue it positively hurts.” Sprinkled with nuggets of gardening wisdom, Old Herbaceous is a witty comic portrait of the most archetypal—and crotchety—head gardener ever to plant a row of bulbs at a British country house.This Modern Library edition is published with a new Introduction byPenelope Hobhouse, a renowned garden designer and lecturer and the author of numerous gardening books.

    Both have recently lost someone close to them as the first chapter opens. They meet and at once believe they have found a soul mate in each other. As their relationship progresses we come to understand more of each character's past. Most importantly we learn about Wemyss' late wife, Vera. What at first appears to be a different and quirky romance turns out to be an indictment of egoism and dominance in relationships.

    A lonely art historian absorbed in her research seizes the opportunity to share in the joys and pleasures of the lives of a glittering couple, only to find her hopes of companionship and happiness shattered.

    At a remote English public school in Devon the debilitated veteran, himself barely out of his teens, decides temporarily to try his hand at teaching while striving to awaken from the nightmare of World War I -- the national catastrophe that sweeps England out of the comfortable certainties of the Victorian Age into the moral perplexities and harsh economic realities of more modern times.

    Within a week, she has moved into the magnetic architect’s echoing loft in East London. But nothing could have prepared Lily for what she finds there. The distinct presence of another woman lingers in the loft, one who seems to have disappeared in a hurry, leaving behind a single party dress, a puzzling mark on the wall, and the suffocating scent of jasmine. Lily’s unsettling curiosity soon turns to obsession as the spirit of this mysterious woman increasingly haunts her. With a nod to Daphne du Maurier’s classic novel Rebecca, My Lover’s Lover is a sexy, modern gothic tale that will keep readers hooked until the very end.

    A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. This is indeed a work full of "sudden passions," in which Conrad is able to show how the full intensity of existence can be experienced by the man who, in the words of the older Captain Giles, is prepared to "stand up to his bad luck, to his mistakes, to his conscience." A subtle and penetrating analysis of the nature of manhood, The Shadow-Line investigates varieties of masculinity and desire in a subtext that counters the tale's seemingly conventional surface.

    The jury had not evidence enough to convict him -- nor enough to comfortably exonerate him. Eustace could not bear the weight of her discovery; he fled to the continent, to live in anonymity. But Valeria knew her husband, and she loved him. She knew he was innocent, too, with the sort of intuition that guides the lucky flawlessly. And she set out to prove it to the world.

    Fighting time, heat, malaria, and bullets, they make their escape on the rickety steamboat The African Queen...and hatch their own outrageous military plan. Originally published in 1935, The African Queen is a tale replete with vintage Forester drama - unrelenting suspense, reckless heroism, impromptu military manoeuvres, near-death experiences - and a good old-fashioned love story to boot.