But it was neither the first nor the last. This anthology presents 23 rare vampire stories written between 1867 & 1940. B&W illus.

    They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

    An embittered mother cares for her dying son who is trapped in a thicket that guards a sleeping beauty... In a bleak and desolate industrial wasteland, a group of violent outcasts lays the tattered myths of one Millenium to rest, and gives terrifying birth to those of the next.Erotic, compelling, witty, and altogether extraordinary, these stories lay bare our innermost demons and desires--imaginatively transforming our youthful fantasies into things darker, slyer, and more delightfully subversive. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    Kevin Brockmeier's fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive--or, as it happens, not to be.

    Talk about the horse's mouth! This book is long overdue."- Peter Straub "Lovecraft opened the way for me, as he had done for others before me -- Robert Bloch, Fritz Leiber, and Ray Bradbury among them. The reader would do well to remember that it is his shadow, so long and gaunt, and his eyes, so dark and puritanical, which overlie almost all of the important horror fiction that has come since."- Stephen King "The oldest and strongest emotion of mankind is fear."- H.P. Lovecraft  In 1927, Howard Philips Lovecraft published a 30,000-word essay titled "Supernatural Horror in Literature." In it, the father of American horror writing  whose tales  presented one of the earliest scholarly studies of the supernatural in fiction, defined the horror story as one in which "a certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present." Those authors discussed in Lovecraft's seminal essay were used as the basis for the 1993 anthology H.P. Lovecraft's Book of Horror, edited by Dave Carson and Stephen Jones. With H.P. Lovecraft's Book of the Supernatural, Jones uses that same essay as inspiration for a new anthology of nineteen new selections, each preceded by an excerpt from Lovecraft. Included here are works from authors as varied as Edgar Allen Poe, Arthur Conan Doyle, Rudyard Kipling, and Robert Louis Stevenson. While these stories maycarry a classical pedigree, their contents remain just as chilling and disturbing as anything cooked up by modern-day horror writers. The book also includes a short essay from Lovecraft himself, "Notes on Writing Weird Fiction," in which he lays out tips and rules for mastering the form.

    Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these tales. The Last Séance gathers twenty stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

    Pull up a chair, grab a glass of your favorite, and listen to the stories spun by time travelers, cybernetic aliens, telepaths...and a bunch of regular folks on a mission to save the world, one customer at a time.Callahan's Crosstime Saloon contains the following stories, virtually all of which were published in Analog Science Fiction and Fact: * "The Guy With the Eyes" * "The Time-Traveler" * "The Centipede's Dilemma" * "Two Heads Are Better Than One" * "The Law Of Conservation of Pain" * "Just Dessert" * "A Voice is Heard in Ramah..." * "Unnatural Causes" * "The Wonderful Conspiracy"

    With language that is both lyrical and distinctly her own, Francesca Lia Block turns nine fairy tales inside out.Escaping the poisoned apple, Snow frees herself from possession to find the truth of love in an unexpected place.A club girl from L.A., awakening from a long sleep to the memories of her past, finally finds release from its curse.And Beauty learns that Beasts can understand more than men.Within these singular, timeless landscapes, the brutal and the magical collide, and the heroine triumphs because of the strength she finds in a pen, a paintbrush, a lover, a friend, a mother, and finally, in herself.

    — ...fairy tales were written for young and old alike; it is only in the last century that they have been deemed fit only for children and stripped of much of their original violence, sensuality, and power to frighten and delight. — Patricia C. Wrede, the best-selling author of Caught In Crystal and other beloved fantasy novels, brings Snow White and Rose Red back to an adult audience, in this romantic and magical retelling set in the enchanted forests of England at the time of Queen Elizabeth.Tor Books is proud to present the latest offering in the Fairy Tale Series -- a growing library of beautifully-designed original novels by acclaimed writers of fantasy and horror, each retelling a classic tale such as Snow White and Rose Red, Briar Rose, and Tam Lin in interesting -- often startling -- new ways.

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    Bartlett, author of Gateways to Abomination, is back with The Witch-Cult in Western Massachusetts. A cross between Roberto Bolaño’s Nazi Literature in the Americas and Gardinel’s Real Estate by Orrin Grey and M.S. Corley, this slender volume consists of 13 bite-sized fictional biographies, each accompanied by a chilling illustration by the masterful Alex Fienemann. Meet Stanley Malanson, who had a curious rapport with felines. Meet Abrecan Geist, who endeavored to take revenge on a capricious God. Meet Minerva LaBrie, who abandoned Wicca in favor of a dark and blasphemous alternative. Meet Jebediah Blackstye, who crossed a line with his beloved familiar, a toad with revolting powers. These are but four of the practitioners of black magic who have made their homes in the cities and towns of Western Massachusetts. Read of sumptuous feasts gone to rot, of a corrupted priest who dared unleash his venomous platitudes over the common airwaves, of a powerful sorcerer born at the intersection of Blood and Stone. Open your hearts to the Witch-Cult in Western Massachusetts.

    In RED AS BLOOD, she displays her soaring imagination at its most fantastically mischievous. Not for nothing was the title story named as a Nebula nominee. Not for nothing was the author of THE BIRTHGRAVE & THE STORM LORD called by New York's Village Voice, "Goddess-Empress of the Hot Read."Here are the world-famous tales of such as the Brothers Grimm as they might have been retold by the Sisters Grimmer! Fairy tales for children? Not on your life!Contents:Paid Piper (1981)Red as Blood (1979)Thorns (1972)When the Clock Strikes (1980)The Golden Rope (1983)The Princess and Her Future (1983)Wolfland (1980)Black as Ink (1983)Beauty (1983)

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    By birth a native of Georgia and a Roman Catholic, O'Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the "Christ-haunted" Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time.Her fiction brilliantly explores the human obsession with seemingly banal things. It might be a new hat or clean hogs or, for Hazel Motes, hero of Wise Blood (1952), an automobile. "Nobody with a good car needs to be justified," Hazel assures himself while using its hood for a pulpit to preach his "Church Without Christ." As in O'Connor's subsequent work, the characters in this novel are driven to violence, even murder, and their strong vernacular endows them with the discomforting reality of next-door neighbors. "In order to recognize a freak," she remarks in one of her essays, "you have to have a conception of the whole man."In the title story of her first, dazzling collection of stories, A Good Man Is Hard to Find (1955), the old grandmother discovers the comic irrelevance of good manners when she and her family meet up with the sinister Misfit, who claims there is "no pleasure but meanness." The terror of urban dislocation in "The Artificial Nigger," the bizarre baptism in "The River," or one-legged Hulga Hopewell's encounter with a Bible salesman in "Good Country People"--these startling events give readers the uneasy sense of mysteries about to be revealed.Her second novel, The Violent Bear It Away (1960), casts the shadow of the Old Testament across a landscape of backwoods shacks, modern towns, and empty highways. Caught between the prophetic fury of his great-uncle and the unrelenting rationalism of his uncle, fourteen-year-old Francis Tarwater undergoes a terrifying trial of faith when he is commanded to baptize his idiot cousin.The nine stories in Everything That Rises Must Converge (1965) show O'Connor's powers at their height. The title story is a terrifying, heart-rending drama of familial and racial misunderstanding. "Revelation" and "The Enduring Chill" probe further into conflicts between parental figures and recalcitrant offspring, where as much tension is generated from quiet conversation as from the physical violence of gangsters and fanatics.